MG+MSUM

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EXHIBITION | 20th Century. Continuities and Ruptures

A selection of works from the national collection of Moderna galerija.
The 20th Century. Continuities and Ruptures exhibition breaks with traditional linearity by introducing the topics of the 20th century avant-gardes and of the art of the Partisan resistance, bringing them into the national history of art on an equal footing with more familiar trends and, as a consequence, casting new light on the latter.
MG+

EXHIBITION FROM THE COLLECTIONS | Points in time 1889–1991

Addition to the permanent exhibition
In the Museum of Modern Art (MG+), a new exhibition is now on view: a circular timeline with a selection of works that are an addition to and continuation of the permanent exhibition 20th Century. Continuities and Ruptures and a guide to same.
+MSUM

EXHIBITION | Builders: A Selection from a Collection

March 2026 – February 2027
In the installation, Maruša Sagadin references architectural elements from public spaces, such as columns, arches, facades and benches. These forms are not simply translated; instead, their basic structure is expanded.
LA BIENNALE DI VENEZIA

LA BIENNALE DI VENEZIA | Nonument Group: Soundtrack for an Invisible House

09 May 2026 — 22 November 2026
The Nonument Group (Neja Tomšič, Martin Bricelj Baraga, Nika Grabar, and Miloš Kosec) is an art and research collective that focuses on nonuments: hidden, abandoned, erased or forgotten architecture and public spaces whose meaning has been transformed due to political or societal changes.
+MSUM

DRAUGHT | Maja Bojanić: Anatomy of a Haunting

03 September 2026 — 26 October 2026
The work builds on the film Yours is the world in which I move uninvited (2025), using the metaphor of ghosts or phantasms to explore the erasure and subsequent absence of people and our attitude toward them.
+MSUM

EXHIBITION | The End

24 September 2026 — 07 March 2027
The exhibition asks how to contend with the end that we are already living and will be dealing with for the foreseeable future, without veering into the utopian or dystopian, since neither hope nor despair provide a solid base or have much to contribute.