MG+MSUM

Press Releases

Moderna galerija / Museum of Modern Art, MG+

Moderna galerija / Museum of Modern Art, MG+

Photo by Dejan Habicht (© Moderna galerija, Ljubljana)

 

Andrzej Wróblewski. Waiting Room

Duration: 15 October 2020 – 10 January 2021

Press release
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Rihard Jakopič Up Close. Old Damage – New Solutions

RESTORATION EXHIBITION

Trajanje razstave: 18 June – 4 October 2020

Odprtje razstave: 18 June 2020, at noon 

Press release
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Points in Time 1889 - 1991, addition to the permanent exhibition

On display from 16 December 2016

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Caption: Points in Time, Museum of Modern Art, Ljubljana. Photo Dejan Habicht. Courtesy Moderna galerija.

 

 

Museum of Contemporary Art Metelkova, +MSUM

Museum of Contemporary Art Metelkova, +MSUM

Photo by Dejan Habicht (© Moderna galerija, Ljubljana)

 

Jasmina Cibic: The Foundation of Endeavour

Duration: 1 September 2020 – 29 November 2020

Curated by Igor Španjol 

Press release

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DRAUGHT | Jošt Franko, Blut und Boden 

4 June 2020 — 20 September 2020

Discussion: Saturday, 20 June 2020, at 7 p.m.

Press release

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Karol Radziszewski: QAI/CEE

12 March – 31 May 2020, Museum of Contemporary Art Metelkova

Curators: Goran Injac, Igor Španjol

Press release

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SELECTION FROM THE COLLECTIONS of Moderna galerija | Arteast 2000+ and National Collections

On view from April 2019

 

MG+MSUM ONLINE

Viral Self-Portraits

International online exhibition (direct link to the exhibition)

15 May – 31 December 2020

Concept: Zdenka Badovinac

Press release

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HOSTED EXHIBITION

Southern Constellations: The Poetics of the Non-Aligned, Gwangju station

Curator: Bojana Piškur

In the context of Solidarity Spores exhibition

Asia Culture Center, Gwangju, South Korea

15 May – 25 October 2020

Directed by Sungwon Kim

Curated by Bojana Piškur, Vali Mahlouji / Archaeology of the Final Decade, Seonghee Kim, Sulki and Min / Tetsuya Goto, Dongjin Seo,  Sungwon Kim

 

Karol Radziszewski, AIDS, wallpaper, 2012

Karol Rodziszewski, "Ewa Holuszko", 2019

Karol Radziszewski, Interview with Romana Bantic, 2016.

Karol Radziszewski. Photo by Kuba Dabrowski.

03_Karol Radziszewski, "Afterimages", film still, 2018

DIK Fagazine, No. 11, 2017

Ryszard Kisiel, 1985/1986, photo from the QAI collection.

Ryszard Kisiel, 1985/1986, photo from the QAI collection.

DIK Fagazine, No. 9, 2014, "Czechoslovakia" issue.

Andrzej Wróblewski, Waiting Room II, (Chairing I), 1956, oil on canvas, National Museum Kraków, © Andrzej Wróblewski Foundation

Andrzej Wróblewski, (Bust), n. d., gouache on paper, private collection, Poland, © Andrzej Wróblewski Foundation

Mirkan Deniz: Dragon-1 Armor Tank, License No. 73 A 0133 House 13, 715th Street, Şırnak, Turkey N 37°15‘01.1“ E 42°28‘25.6“, installation, © Anto Magzan

Andrzej Wróblewski, (Torn Man II), n. d., gouache on paper, private collection, Poland, © Andrzej Wróblewski Foundation

Marjan Dovjak, Waiting Room, 1958, oil on canvas, Rihard Jakopič Primary School, Ljubljana, © Moderna galerija, Ljubljana

Marjan Dovjak, Waiting Room, 1958, oil on canvas, private ownership, Slovenia, © Moderna galerija, Ljubljana

Alen Ožbolt: Vie des formes, Loža Gallery, Koper, 2011 and several re-installment of the exhibition in 2019. Photo: Jaka Jeraša

First exhibition of the Veš slikar svoj dolg (V.S.S.D.), Škucu Gallery, 1986. Photo: Marko Modic

Alen Ožbolt: (In)night, Lev Hotel, Ljubljana, 2003. Photo: Bojan Salaj

V.S.S.D.: (About) The Soul, 1994–1984, Equrna Gallery, Ljubljana, 1994. Photo: Bojan Salaj

V.S.S.D.: Sand in the Eyes, Equrna Gallery, Ljubljana, 1991. Photo: Bojan Salaj

Alen Ožbolt: The Sower 1.000.000, Galerija Kapelica, Ljubljana, 2001. Photo: Bojan Salaj

Alen Ožbolt: Open Closed, Miklova hiša Gallery, Ribnica na Dolenjskem, 2003. Photo: Bojan Salaj

Jošt Franko, Blut und Boden, photography

Jošt Franko, Blut und Boden, photography

Jošt Franko, Blut und Boden, video-still

Jasmina Cibic: Founding Fathers (2019), C-type print, 100 cm x 80 cm, courtesy of the artist.

Jasmina Cibic: Founding Fathers (2019), C-type print, 100 cm x 80 cm, courtesy of the artist.

Jasmina Cibic: The Gift: Act I (2019), single channel HD video, 23 min 43 sec, stereo; co-commissioned and co-produced by FLAMIN – Film London Artists’ Moving Image Network with funding from Arts Council England; steirischer herbst ‘19; macLYON; co-producers Waddington Studios London. Supported by Cooper Gallery DJCAD, University of Dundee; Northern Film School; UGM Maribor Art Gallery; Museum of Yugoslavia; United Nations Geneva; Espace Niemeyer. Courtesy of the artist.

Jasmina Cibic: The Gift: Act I (2019), single channel HD video, 23 min 43 sec, stereo; co-commissioned and co-produced by FLAMIN – Film London Artists’ Moving Image Network with funding from Arts Council England; steirischer herbst ‘19; macLYON; co-producers Waddington Studios London. Supported by Cooper Gallery DJCAD, University of Dundee; Northern Film School; UGM Maribor Art Gallery; Museum of Yugoslavia; United Nations Geneva; Espace Niemeyer. Courtesy of the artist.

Jasmina Cibic: The Gift: Act I (2019), single channel HD video, 23 min 43 sec, stereo; co-commissioned and co-produced by FLAMIN – Film London Artists’ Moving Image Network with funding from Arts Council England; steirischer herbst ‘19; macLYON; co-producers Waddington Studios London. Supported by Cooper Gallery DJCAD, University of Dundee; Northern Film School; UGM Maribor Art Gallery; Museum of Yugoslavia; United Nations Geneva; Espace Niemeyer. Courtesy of the artist.

Jasmina Cibic: All that Power Melts into Noise (2019), acrylic paint on snare drums, dimensions variable, courtesy of the artist.

Jasmina Cibic: All that Power Melts into Noise (2019), acrylic paint on snare drums, dimensions variable, courtesy of the artist.

Sign of the Rojava Film Commune on their former location in Derbisiye, Canton of Cezîre

Filmmaker and teacher Khwshman Qado leads a teaching session at the Rojava film Commune in Derbisiye, Cezîre Canton, in the autonomous region of Rojava, 2015. Photo: Ruben Hamelink.

Members of the Rojava Film Commune mobilize workers in the city of Amude, Cezîre Canton, in the autonomous region of Rojava, to attend the screening of the 1921 film The Kid by and with Charlie Chaplin, 2015. Photo: Rojava Film Commune

Stories of Destroyed Cities (2016), still, dir. Şéro Hindé, produced by Rojava Film Commune

Stories of Destroyed Cities (2016), still, dir. Şéro Hindé, produced by Rojava Film Commune

Stories of Destroyed Cities (2016), still, dir. Şéro Hindé, produced by Rojava Film Commune

Tanja Muravskaja, Self-Portrait, photograph, 23 April 2020, 39 x 57 cm

Maja Smrekar, Lord Byron, Lady Lovelace, Maja Smrekar Viral Portrait, photograph, 15017 x 9096 px, 2020

Jonas Stall, Red Virus: Studies for the Post-Pandemic World (Comrade Britney), collage, 2020

Jošt Franko, AFGHANISTAN TUZLA Good, photo collage, 200 cm x 55 cm, 2020

Dan Perjovschi, Virus Diary (Quarantine Thinking) from Virus Diary series, black marker on paper, A4 size, 2020. Courtesy of Dan Perjovschi and Gregor Podnar Gallery.

Djordje Balmazović, March 2020, drawings on paper, 2020

Jimmie Durham, Jimmie Durham at Work in His Studio, digital photo, dimensions variable, 2020. Courtesy of the artist. Photo by Maria Thereza Alves.

Maria Thereza Alves, A View from the Studio April 2020, 2020, photo and text, dimensions variable, 2020. Courtesy of the artist.

Thomas Hirschhorn, ME, SHE, video, 01’ 59’’, 2020.

online exhibition