The Art at Work exhibition looks at three different segments of the genealogy of the concept of (artistic) work in the region of the former Yugoslavia: first, the way work was conceived by the avant-garde artists of the 1960s, 1970s, and 1980s; next, the transformations of the concept of artistic work and art spaces in the 1990s; and lastly, the labor-related political art practices since 2000.

No less than six partner institutions have joined forces in the Up Close project: the three main organizers, MG+MSUM Ljubljana, UL ALUO and MSU Zagreb, and the associated institutions: the Faculty of Chemistry and Chemical Technology of the University of Ljubljana, the Restoration Center of the Institute for the Protection of Cultural Heritage of Slovenia, and the Academy of Fine Arts of the University of Zagreb.

Vuk Ćosić is an Internet veteran and pioneer of web art, as well as the co-founder of the Ljubljana Digital Media Lab Ljudmila. His artworks can be found in almost all international overviews of (new)media and web art.

Mapping (Un)Solidarities stems from a series of Southern Constellations. It hinges on examining (un)solidarity as means of questioning the notion of solidarity itself and its exigency nowadays

This exhibition, opening at the Museum of Modern Art in Ljubljana in the year of the centennial of Marijan Tršar’s birth, brings together two domains of his activities: his artistic practice and his theory of the visual arts.

The exhibition Rewinding Internationalism explores developments, ideas and stories from the 1990s and how they resonate in the world today. The end of the Cold War, the AIDS pandemic and increasing globalization brought about dramatic changes, also in the art world. What became of the questions and experiences of those days?

By Non-grupa, photo: Črt Piksi

New electronic publications Class and Redistribution and Architectural Dissonances have been published on the L'Internationale Online.