+MSUM | TODAY

In the 1970s, an extraordinary cinematic impulse formed at the intersection of countercultural mysticism, poststructuralist doubt, and emerging media technologies: to film what eludes the eye, to make the world visible through a sensory ritual that becomes a channel for communication in discovering the unseen.

In the installation, Maruša Sagadin references architectural elements from public spaces, such as columns, arches, facades and benches. These forms are not simply translated; instead, their basic structure is expanded.

The exhibition Archival Chain Reactions emerges from a collaborative project dedicated to connecting and activating important yet precarious archives of feminist art.

Between Roots and Crowns: Branches as a Porous Border presents some of the practices and themes Robida explores in Topolove/Topolò, a village on the border between Italy and Slovenia.