1.
AGAMBEN, Giorgio
The highest poverty : monastic rules and form-of-life / Giorgio
Agamben ; translated by Adam Kotsko. - Stanford : Stanford University Press,
2013. - XIII, 157 str. ; 22 cm. - (Meridian : crossing aesthetics)
Prevod dela: Altissima povertà: regole monastiche e forma di vita. -
"What is a rule, if it appears to become confused with life? And what is a
human life, if, in every one of its gestures, of its words, and of its silences,
it cannot be distinguished from the rule? It is to these questions that
Agamben's new book turns by means of an impassioned reading of the fascinating
and massive phenomenon of Western monasticism from Pachomius to St. Francis.
The book reconstructs in detail the life of the monks with their obsessive
attention to temporal articulation and to the Rule, to ascetic techniques and
to liturgy. But Agamben's thesis is that the true novelty of monasticism lies
not in the confusion between life and norm, but in the discovery of a new
dimension, in which "life" as such, perhaps for the first time, is affirmed in
its autonomy, and in which the claim of the "highest poverty" and "use"
challenges the law in ways that we must still grapple with today.How can we
think a form-of-life, that is, a human life released from the grip of law, and a
use of bodies and of the world that never becomes an appropriation? How can we
think life as something not subject to ownership but only for common use?"
--> z ov. - Bibliografija: str. 147-157
ISBN 978-0-8047-8405-4
(trda vezava)
ISBN 978-0-8047-8406-1 (broš.)
a) Redovništvo - Evropa -
Srednji vek b) samostanski red c) redovniška pravila d) meništvo e) askeza f)
frančiškani g) cerkvena zgodovina
27-788(4)"653"
COBISS.SI-ID 1104588126
2.
AGAMBEN, Giorgio
The use of bodies : Homo sacer IV, 2 / Giorgio Agamben ;
[translated by Adam Kotsko]. - Standford : Standford University Press, 2016. -
XXI, 291 str. ; 23 cm. - (Meridian : crossing aesthetics)
Prevod dela:
Lʼuso dei corpi. - "Giorgio Agamben's Homo Sacer was one of the seminal works of
political philosophy in recent decades. It was also the beginning of a series
of interconnected investigations of staggering ambition and scope, investigating
the deepest foundations of Western politics and thought. The Use of Bodies
represents the ninth and final volume in this twenty-year undertaking, breaking
considerable new ground while clarifying the stakes and implications of the
project as a whole. It comprises three major sections. The first uses
Aristotle's discussion of slavery as a starting point for radically rethinking
notions of selfhood; the second calls for a complete reworking of Western
ontology; and the third explores the enigmatic concept of "form-of-life," which
is in many ways the motivating force behind the entire Homo Sacer project.
Interwoven between these major sections are shorter reflections on individual
thinkers (Debord, Foucault, and Heidegger), while the epilogue pushes toward a
new approach to political life that breaks with the destructive deadlocks of
Western thought. The Use of Bodies represents a true masterwork by one of our
greatest living philosophers." --> na ov. - Bibliografija: str. 281-291
ISBN 978-0-8047-9840-2 (trda vezava)
ISBN 978-0-8047-9234-9 (broš.)
a) Heidegger, Martin (1889-1976) b) Foucault, Michel (1926-1984) c) Debord,
Guy (1931-1994) d) filozofija e) filozofska antropologija f) ontologija g)
sebstvo h) človeško telo i) suženjstvo j) Homo sacer
141.319.8:572.5
COBISS.SI-ID 60751202
3.
AKADEMIJA za likovno umetnost in
oblikovanje (Ljubljana)
Oblikovanje je
povsod okoli nas = Design is all around us : 30 let oblikovanja na ALUO = 30
years of design at ALUO : [1984-2014] / uredili, edited by Petra Černe Oven,
Barbara Predan ; [besedila Boštjan Botas Kenda ... [et al.] ; prevod v
angleščino Borut Praper in Boris Benko (seznami) ; fotografije avtorji izbranih
del ... et al.]. - 1. ponatis = 1st reprint. - Ljubljana : Akademija za likovno
umetnost in oblikovanje = Academy of Fine Arts and Design, 2015 ([Ljubljana] :
Matformat). - 175 str. : ilustr. ; 23 cm
Drugi dodatek k nasl. na ov.
in na str. 3. - Vzpor. slov. besedilo in prevod v angl. - Istoimenska razstava
Oblikovanje je povsod okoli nas: 30 let oblikovanja na ALUO: izbor oblikovalcev
in oblikovalk šolanih na oddelkih za oblikovanje, Kongresni trg, Ljubljana,
4.-24. 10. 2014. --> na hrbtni str. nasl. str. - 500 izv. - Kazalo
ISBN 978-961-93514-3-7
a) Kongresni trg (Ljubljana) - 4.-24. 10.
2014 b) Akademija za likovno umetnost in oblikovanje (Ljubljana) - Zborniki c)
Design - Študij - 1984-2014 - Zborniki d) umetniške akademije e) visokošolski
študij f) jubilejni zborniki g) oblikovanje h) grafično oblikovanje i)
industrijsko oblikovanje j) fotografija k) intervjuji l) študenti
378.6:73/77(497.4Ljubljana)
7.05(497.4Ljubljana)"1984/2014"
COBISS.SI-ID 279754240
4.
ANĐELKOVIĆ, Bojan
Umetniški ustroj Noordung : filozofija in njen dvojnik / Bojan
Anđelković ; [imensko kazalo Marko Plahuta, Maja Murnik, pojmovno kazalo
ZavodYugoTranslate]. - 1. izd., 1. natis. - Ljubljana : Založba ZRC, ZRC SAZU,
2016 ([Kranj] : Gorenjski tisk). - 454 str. : ilustr. ; 24 cm
Opus
Dragana Živadinova: str. 438-443. - 500 izv. - Recenzenta: Bojana Kunst, Mladen
Dolar. - Bibliografija: str. 444-454. - Kazala
ISBN 978-961-254-934-3
a) Živadinov, Dragan (1960-) b) Sodobna umetnost - Performans - Slovenija c)
Umetnost - Scenske umetnosti d) Gledališče - Igralska umetnost
792(497.4):929Živadinov D.
7.038.531:929Živadinov D.
COBISS.SI-ID 286248448
5.
The ARCHIVE as
a productive space of conflict / [edited by Markus Miessen and Yann
Chateigné ; with Dagmar Füchtjohann, Johanna Hoth, and Laurent Schmid]. -
Berlin : Sternberg Press, cop. 2016. - 728 str. : ilustr. ; 22 cm
Avtorji navedeni na ov. - "What are the processes that enable archives
to become productive? Conventional archives tend to be defined through the
content-specific accumulation of material, which conforms to an existing order
or narrative. They rarely transform their structure. In contrast to this model
of archival practice and preservation, the conflictual archive has an open
framework in which it actively transforms itself, allowing for the creation of
new and surprising relationships. Illustrating how spaces of knowledge can be
devised, developed, and designed, this archive reveals itself as a space in
which documents and testimonies open up a stage for productive dispute and
struggle. Exploring nontraditional archives, such as those of Harald Szeemann,
Hans Ulrich Obrist, Sitterwerk, and the publishing house Merve, The Archive as
a Productive Space of Conflict offers new perspectives on archival practice,
interrogating whether archives need spatial permanence, and, if so, which
design framework should be applied for the archive to take on more than a
singular form of existence. The research project is a collaboration between the
Karlsruhe University of Art and Design and the Geneva School of Art and
Design." --> z ovoja. - Bibliografija z opombami na dnu str.
ISBN
978-1-934105-86-3
a) arhivi b) arhivi umetnikov c) arhivi umetnosti d)
znanje e) muzejske knjižnice f) muzeji g) umetniške intervencije h)
dokumentiranje umetniške ustvarjalnosti i) intervjuji j) zborniki
7.01(082)
COBISS.SI-ID 880879
6.
BACHELARD, Gaston
The dialectic of duration / Gaston Bachelard ; translated and
annotated by Mary McAllester Jones ; introduction by Cristina Chimisso. -
London ; New York : Rowman & Littlefield, 2016. - XVI, 145 str. ; 22 cm. -
(Groundworks)
Prevod dela: La dialectique de la durée. - "In The
Dialectic of Duration Gaston Bachelard addresses the nature of time in response
to the writings of his great contemporary, Henri Bergson. The work is motivated
by a refutation of Bergson's notion of duration - "lived time", experienced as
continuous. For Bachelard, experienced time is irreducibly fractured and
interrupted, as indeed are material events. At stake is an entire conception of
the physical world, an entire approach to the philosophy of science. It was in
this work that Bachelard first marshalled all the components of his visionary
philosophy of science, with its steady insistence on the human context and
subtle encompassing of the irrational within the rational. The Dialectic of
Duration reaches far beyond local arguments over the nature of the physical
world to gesture toward the building of an entirely new form of philosophy."
--> na ov. - Bibliografija pri posameznih poglavjih. - Kazalo
ISBN
978-1-78660-059-2 (broš.)
ISBN 978-1-78660-058-5 (trda vezava)
a)
Bergson, Henri (1859-1941) b) francoska filozofija c) 20.st. d) čas e)
filozofija časa f) teorija umetnosti g) prostor in čas h) percepcija časa
7.01
COBISS.SI-ID 874991
7.
BENGLIS, Lynda
Lynda Benglis : beyond process / [text] Susan Richmond. - London ;
New York : I. B. Tauris, 2015. - XIV, 190 str., [16] str. pril. : ilustr. ; 24
cm
"In four decades of abstract art practice, Lynda Benglis has not
merely challenged the status quo. She has tied it in knots, melted it down and
poured it across the floor, cast it in glass, clay and bronze. Daring and
sometimes outrageous, her intense and provocative practice has produced some of
the most iconic pieces of art from the late twentieth century. Richmond gives
serious critical attention to work often dismissed as trivial and rootless,
recovering the themes that link the different phases of the artist's quest to
capture the 'frozen gesture'. Whether challenging popular tastes and
definitions of art with her 1970s abstract knotwork or mocking puritanical
aesthetics of gender with her colourful latex pourings and their allusions to
corporeal topographies, Benglis never failed to provoke. Her sculptures
commemorate and celebrate the processes of creation themselves, combining
architectonic abstraction and feminized sensuality in a haunting, visceral
theme of the strangeness of the body that runs through all her experiments in
glass, video, metals, ceramics, gold leaf, paper and plastics. Lynda Benglis:
Beyond Process examines in depth the work and critical neglect of an artist who,
perhaps more than any of her contemporaries, changed the face of American art
in the 1960s and 1970s, and continues to fetishise, provoke and demand your
attention." --> z ov. - Bibliografija: str. 176-184. - Kazalo
ISBN
978-1-78453-436-3 (broš.)
a) Benglis, Lynda (1941-) b) ameriško kiparstvo
c) kiparske instalacije d) sodobno kiparstvo e) umetniki in njihovi sodobniki f)
vosek g) lateks h) umetne mase i) video umetnost j) ženske umetnice
730.071(73):929Benglis L.
COBISS.SI-ID 879087
8.
BERARDI, Franco
Kognitarci in semiokapital / Franco Berardi - Bifo ; prevedla
Polona Petek ; [spremna beseda Nikolai Jeffs]. - Ljubljana : Maska, 2016
([Begunje] : Cicero). - 321 str. ; 20 cm. - (Zbirka Mediakcije ; knj. št.16)
Revolucionarni dolg, odlog in Berardijeva stava / Nikolai Jeffs: str.
95-155. - 500 izv. - Bibliografija z opombami na dnu str. - Vsebuje tudi
izvirnik: Cognitarians and semiocapital
ISBN 978-961-6572-45-3
a)
Kapitalizem b) Postindustrijska družba c) Družbena gibanja d) kapitalistična
družba e) informacijska tehnologija f) vloga medijev v družbi g) postfordizem
h) prekarno delo
316.323.6
316.324.8
316.45
COBISS.SI-ID
287211520
9.
CUBISM,
constructivism, form art : [Belvedere, Vienna, from March 10 to June 19,
2016] / edited by Agnes Husslein-Arco and Alexander Klee ; [translations from
German Andrew Horsfield ... et al.]. - Munich ; London ; New York : Prestel,
cop. 2016. - 311 str. : ilustr. ; 29 cm
Dodatek k nasl. v kolofonu. -
Biografije umetnikov: str. 296-305. - "From the 14th Vienna Secession exhibition
in 1902 to the development of Constructivism in the 1920s, art in Austria-
Hungary underwent a seismic change that challenged preconceptions, and broke
the rules to shake up European Art. Tracing the evolution of art during this
time period, this book makes valuable connections between the seemingly
disparate Formkunst of Vienna, Cubism in Prague, and Hungarian Constructivism.
Focusing on the works of artists such as Josef Hoffmann, Gustav Klimt, Josef
Čapek, Koloman Moser, Egon Schiele, František Kupka, Lajos Kassak, and Laszlo
Moholy- Nagy, and drawing from the latest scholarly research, this book
presents a fundamental reinterpretation of turn-of-the-century art as it
flourished in the Habsburg Empire." --> s spletne str. založnika. -
Bibliografija z opombami pri posameznih prispevkih. - Kazalo
ISBN
978-3-7913-5547-4 (English trade edition)
ISBN 978-3-7913-5546-7 (German
trade edition)
ISBN 978-3-903114-00-5 (German museum edition)
ISBN
978-3-903114-01-2 (English museum edition)
a) Belvedere (Vienna) - 10.
3.-19. 6. 2016 - Razstavni katalogi b) Avstro-Ogrska c) 1902-1920 d) kulturna
zgodovina e) dunajska secesija f) Wiener Werkstätte g) konstruktivizem h)
kinetična umetnost i) kubizem j) češka umetnost k) madžarska umetnost l)
avstrijska umetnost m) skupinske razstave
7.03(083.824)
COBISS.SI-ID 878831
10.
DEMOS, T. J.
Decolonizing nature : contemporary art and the politics of ecology
/ T. J. Demos. - Berlin : Sternberg Press, cop. 2016. - 296 str. : ilustr. ; 21
cm
"While ecology has received little systematic attention within art
history, its visibility and significance has grown in relation to the threats
of climate change and environmental destruction. By engaging artists- widespread
aesthetic and political engagement with environmental conditions and processes
around the globe-and looking at cutting-edge theoretical, political, and
cultural developments in the Global South and North-Decolonizing Nature offers
a significant, original contribution to the intersecting fields of art history,
ecology, visual culture, geography, and environmental politics. Art historian
T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in
Contemporary Art (2013), considers the creative proposals of artists and
activists for ways of life that bring together ecological sustainability,
climate justice, and radical democracy, at a time when such creative proposals
are urgently needed." --> s spletne str. založnika. - Bibliografija z
opombami na dnu str. - Kazalo
ISBN 978-3-95679-094-2
a) Potrč,
Marjetica (1953-) b) sodobna umetnost c) klimatske spremembe d) ekološki vidik
e) politični vidik f) politična ekologija g) okoljevarstveni aktivizem h)
umetniške prakse i) trajnostni razvoj j) Documenta
7.01
COBISS.SI-ID 880111
11.
DENEGRI, Ješa
Ideologija postavke Muzeja savremene umetnosti : jugoslovenski
umetnički prostor / Ješa Denegri ; [[razgovore vodile] Vesna Perić, Milena
Marjanović, Marija Đorđević]. - Beograd : J. Denegri, 2011 (Beograd : Hektor
print). - 66 str. ; 20 cm
300 izv.
ISBN 978-86-914491-0-0
a) Muzej savremene umetnosti (Beograd) - Razstave b) jugoslovanska umetnost
c) Beograd d) srbski muzeji e) postavitve stalnih zbirk f) muzejske zbirke g)
1900-1991 h) ideologija in likovna umetnost i) intervjuji j) 20.st.
069.01(497.11)"19/20"
COBISS.SI-ID 880367
12.
DENEGRI, Ješa
Modernizam / avangarda : ogledi o međuratnom modernizmu i
istorijskim avangardama na jugoslovenskom umetničkom prostoru / Ješa Denegri. -
Beograd : Službeni glasnik, 2012 (Beograd : Glasnik). - 271 str. : ilustr. ; 24
cm. - (Biblioteka Umetnost i kultura. Kolekcija Umetnost u istoriji)
500 izv. - Opombe z bibliografijo na dnu str.
ISBN
978-86-519-1302-3
a) jugoslovanska umetnost b) avantgardna umetnost c)
zgodovinske avantgarde d) modernizem e) medvojno obdobje f) 1918-1941 g) nova
stvarnost h) ekspresionizem i) nadrealizem
7.03(497.1)"1918/1941"
COBISS.SI-ID 193930252
13.
DENEGRI, Ješa
Posleratni modernizam / neoavantgarde / postmodernizam : ogledi o
jugoslovenskom umetničkom prostoru : 1950-1990 / Ješa Denegri. - Beograd :
Službeni glasnik, 2016. - 270 str. : ilustr. ; 24 cm. - (Biblioteka Umetnost i
kultura. Kolekcija Umetnost u istoriji)
"Tekstovi sabrani u ovoj
knjizi odnose se na umetnička zbivanja u drugoj polovini XX veka, u društvenom i
kulturnom kontekstu, koji se može obeležiti pojmom "jugoslovenski umetnički
prostor". On podrazumeva činjenicu da je u vreme postojanja države Jugoslavije
postojao i funkcionisao zajednički i decentralizovani prostor odvijanja
umetničkog života, u kojem su svojim doprinosima u različitim stilskim i
medijskim područjima učestvovali pripadnici više generacija umetnika, koji su
ostvarili svoje, uvažavanja vredne, opuse (Ivan Tabaković, Petar Lubarda,
Gabrijel Stupica, Marij Pregelj, Vojin Bakić, Olga Jevrić, Dušan Džamonja,
Vjenceslav Rihter, Mića Popović, Miodrag B. Protić, Julije Knifer, Leonid
Šejka, Damnjan, Marina Abramović, Braco Dimitrijević, Raša Todosijević, Neša
Paripović, kao i grupe EXAT-51, Gorgona, Mediala, Bosch + Bosch, OHO, Irwin i
druge)." --> na ov. - Bibliografija z opombami na dnu str. - Kazalo
ISBN 978-86-519-1986-5 (broš.)
a) jugoslovanska umetnost b)
1950-1990 c) modernizem d) postmodernizem e) neoavantgardna umetnost f) ponatisi
starejših besedil
73/76(497.1)"1950/1990"
73/76(497.1)"1950/1990"
COBISS.SI-ID 875247
14.
DENEGRI, Ješa
Prilozi za drugu liniju 3 / Ješa Denegri. - Zagreb : Agroinova :
Institut za istraživanja avangarde, 2015. - 451 str. ; 23 cm. - (Edicija
Artinova)
Bibliografija z opombami na dnu str.
ISBN
978-953-58675-0-0
a) hrvaška umetnost b) neoavantgardna umetnost c)
postmodernizem d) konceptualizem e) 1950-1980 f) EXAT 51 g) Nove tendencije h)
Gorgona
7.036/.038(497.5)
COBISS.SI-ID 880623
15.
FANTASIES of
the library / edited by Anna-Sophie Springer and Etienne Turpin. - Revised
and 2nd ed. - Cambridge (Mass.) : The MIT Press, 2016. - VII, 147 str. :
ilustr. ; 22 cm
"Fantasies of the Library lets readers experience the
library anew. The book imagines, and enacts, the library as both keeper of books
and curator of ideas--as a platform of the future. One essay occupies the
right-hand page of a two-page spread while interviews scrolls independently on
the left. Bibliophilic artworks intersect both throughout the
book-as-exhibition. A photo essay, "Reading Rooms Reading Machines" further
interrupts the book in order to display images of libraries (old and new, real
and imagined), and readers (human and machine) and features work by artists
including Kader Atta, Wafaa Bilal, Mark Dion, Rodney Graham, Katie Paterson,
Veronika Spierenburg, and others. The book includes an essay on the
institutional ordering principles of book collections; a conversation with the
proprietors of the Prelinger Library in San Francisco; reflections on the role
of cultural memory and the archive; and a dialogue with a new media theorist
about experiments at the intersection of curatorial practice and open source
ebooks. The reader emerges from this book-as-exhibition with the growing
conviction that the library is not only a curatorial space but a bibliological
imaginary, ripe for the exploration of consequential paginated affairs." -->
s spletne str. založnika. - Bibliografija z opombami na dnu str.
ISBN
978-0-262-03520-0 (trda vezava)
a) knjižnice b) filozofski vidik c)
intervjuji d) knjižnične zbirke e) ureditev knjižnic f) muzejske knjižnice g)
knjižnične zbirke h) umetniški projekti i) knjižnice umetnikov j) knjige
umetnikov
02:7.04
COBISS.SI-ID 877295
16.
GROYS, Boris
Particular cases / Boris Groys. - Berlin : Sternberg Press, cop.
2016. - 291 str. : ilustr. ; 20 cm
"This collection of essays does not
aim to illustrate a prefabricated theory of art, but rather follows the impulses
given by artworks themselves. Philosopher and art critic Boris Groys writes
about significant works and artists over the last century that have pushed his
thinking in new directions. His compelling arguments do not try to replace the
singular content or message of an artwork. Instead, his writings are inspired
by art as a mind-changing practice as if contemporary artists, completely
secularized, can still produce a kind of conversion within the spectator.
Particular Cases is an original exploration of pivotal concerns related to the
development of contemporary art-originality and repetition, the valuation of
artworks, materiality and production, historical and personal archives, and the
language of power." --> z ov. - "Essays on Paweł Althamer, Francis Alÿs,
Yael Bartana, Paul Chan, Olga Chernysheva, Marcel Duchamp, Peter Fischli and
David Weiss, Martin Honert, Rebecca Horn, IRWIN, Wassily Kandinsky, Piero
Manzoni, Anri Sala, Thomas Schütte, Mladen Stilinović, Inga Svala Thorsdottir
and Wu Shanzhuan, Jeff Wall, Andy Warhol." --> z ov. - Bibliografija z
opombami pri posameznih poglavjih
ISBN 978-3-95679-221-2 (broš.)
a) eseji o sodobni umetnosti b) ponatisi že objavljenih besedil
7.01
COBISS.SI-ID 879343
17.
KELLY, Mary, 1941-
Mary Kelly / edited by Mignon Nixon ; esasys and interviews by
Mary Kelly ... [et al.]. - Cambridge (Mass.) ; London : The MIT Press, 2016. -
X, 196 str. : ilustr. ; 23 cm. - (October files ; 20)
"When Mary
Kelly's best-known work, Post-Partum Document (1973--1979), was shown at the
Institute of Contemporary Art in London in 1976, it caused a sensation--an
unexpected response to an intellectually demanding and aesthetically restrained
installation of conceptual art. The reception signaled resistance to the work's
interrogation of feminine identity and the cultural mythologizing of motherhood.
This volume of essays and interviews begins with this foundational work,
offering an early statement by the artist, a subsequent interview, and an essay
situating the work within a broader broader discourse of art and social purpose
in the early 1970s. Throughout, the collection addresses such themes as labor,
war, trauma, and the politics of care, while emphasizing the artist's sustained
engagement with histories of feminism and generations of feminists. The
contributions also consider such specific works as Kelly's Interim (1984--1989),
the subject of a special issue of October; Gloria Patri (1992), an installation
conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi
(2001), an extensive project including a 200-foot narrative executed in the
medium of compressed lint and the performance of a musical score by Michael
Nyman; and two recent works, Love Songs (2005-2007), which explores the role of
memory in feminist politics, and Mimus (2012), a triptych that parodies the
House Un-American Activities Committee's 1962 investigation of the pacifist
group, Women Strike for Peace. Essays and Interviews by Parveen Adams, Emily
Apter, Rosalyn Deutsche, Hal Foster, Margaret Iversen, Mary Kelly, Helen
Molesworth, Laura Mulvey, Mignon Nixon, Griselda Pollock, Paul Smith." --> z
ovoja. - Kazalo
ISBN 978-0-262-03478-4 (trda vezava)
ISBN
978-0-262-52932-7 (broš.)
a) Kelly, Mary (1941-) b) ameriška umetnost c)
konceptualizem d) feminizem in likovna umetnost e) ženske umetnice f) intervjuji
g) besedila umetnikov h) umetniki o umetnosti
7.036/.038(73):929Kelly
M.
COBISS.SI-ID 878319
18.
KIESEWALTER, George
George Kiesewalter : insider : [Garage Museum of
Contemporary Art, Moscow, 12 June - August 23, 2015] / [editors Sasha Obukhova,
Ruth Addison ; texts Anton Belov, Kate Fowle, George Kiesewalter, Sasha Obukhova
; translators Tobin Auber ... et al.]. - Moscow : Garage Museum of Contemporary
Art, cop. 2016. - 383 str. : ilustr. ; 28 cm
"One of the key
contributors to the Moscow underground art scene of the 1970s and 1980s, George
Kiesewalter is known as a member of Collective Actions group and the
Avant-Garde Club, as well as for exhibiting his works at the legendary APTART
gallery. What is less known is that he was also a prolific photographer of the
scene in which he participated, gradually building an archive that includes
documentation of Collective Actions' happenings, apartment exhibitions,
portraits of fellow nonconformist artists and interiors of their studios, as
well as scenes from their everyday life. Offering rare glimpses into an
otherwise closed community, the artist's photographs capture the energy of the
Moscow underground in the 1970s and 1980s. As a result, his archive is an
important record of the unofficial artists that were such a vital part of the
Russian art scene in the Soviet period. The photographs are now part of Garage
Archive Collection, which is the first public resource of its kind in the
country. Consisting of an extensive holding of documentary materials relating
to the development of contemporary art in Moscow, St. Petersburg, and other
cities within Russia, the Collection records artists practices from the
mid-1950s through to the present. Insider was the title of the first
comprehensive survey of George Kiesewalter's documentary archive photographs.
It took place at Garage Museum of Contemporary Art from June 12 to August 23,
2015, curated by the Garage Archive Collection curator, Sasha Obukhova, and
marking the opening of Garage's first permanent home. This book, edited by Sasha
Obukhova and Ruth Addison, is a curated journey through Kiesewalter's archive,
providing a glimpse into the worlds he witnessed. It is testimony to his vision
in years past to take it upon himself to make a record of the artists and their
circumstances during a period that, in many ways, has become lost to the history
of Russian contemporary art." --> iz uvoda. - Kazalo
ISBN
978-5-9905612-3-6
a) Kiesewalter, George (1955-) - Razstavni katalogi b)
Garage Museum of Contemporary Art (Moscow) - 12. 6.-23. 8. 2015 c) ruska
fotografija d) dokumentarna fotografija e) fotografsko dokumentarno gradivo f)
fotografski portreti umetnikov g) Moskva h) umetniška scena i) sedemdeseta leta
20.st. j) osemdeseta leta 20.st. k) Collective Actions l) moskovski
konceptualizem m) umetniški ateljeji n) ruski muzeji o) muzejske zbirke p)
fotografske zbirke q) arhivi umetnikov r) intervjuji
77-051(47):929Kiesewalter G.
COBISS.SI-ID 876015
19.
KIESLER, Frederick, 1890-1965
Function follows vision, vision follows reality
: [Kunsthalle Wien, 27. Mai - 23. August 2015] / Frederick Kiesler ;
[Herausgeber Luca Lo Pinto, Vanessa Joan Müller and the Austrian Frederick and
Lillian Kiesler Private Foundation]. - Berlin : Sternberg Press, cop. 2015. -
XV, 113 str. : ilustr. ; 18 cm + 22 kartic
Nem. in angl. besedilo. -
"This collection of unpublished or rare texts by Frederick Kiesler written
between 1927 and 1957 is published on the occasion of the exhibition "Function
Follows Vision, Vision Follows Reality" at Kunsthalle Wien (May 27-August 23,
2015), curated by Luca Lo Pinto and Vanessa Joan Müller . The exhibition,
developed in cooperation with the Austrian Frederick and Lillian Kiesler
Private Foundation, focuses on Kiesler's ideas on display, and juxtaposes works
of contemporary artists with a number of original drawings by Kiesler. Views of
the exhibition are included in the pages of this publication." --> z ov. -
Dodatek k nasl. v kolofonu. - Umetniki na razstavi: Leonor Antunes, Olga
Balema, Céline Condorelli, Morton Feldman, Annette Kelm, Friedrich Kiesler,
Charlotte Moth, Francesco Pedraglio, Luca Trevisani, Nicole Wermers.
ISBN 978-3-95679-170-3
a) Kiesler, Frederick (1890-1965) -
Razstavni katalogi b) Kunsthalle (Wien) - 27. 5.-23. 8. 2015 c) arhitektura d)
oblikovanje e) besedila arhitektov f) 1927-1957 g) razstave h) oblikovanje
razstav i) postavitve razstav j) načrtovanje razstav k) razstavne tehnike l)
gledališka scenografija m) gledališke kulise n) oblikovanje pohištva
72.071(083.824)
COBISS.SI-ID 877039
20.
KJARTANSSON, Ragnar
Ragnar Kjartansson : to music = an die Musik : [Migros
Museum für Gegenwartskunst, Zürich, November 2012-January 2013] / [editor Heike
Munder]. - 2. ponatis. - Zürich : JRP Ringier : Migros Museum für
Gegenwartskunst, cop. 2015. - 219 str. : ilustr. ; 24 cm
"In his
performances--which often extend over several weeks or months--the Icelandic
artist Ragnar Kjartansson (born 1976) explores not only his own physical and
psychological limits and the themes of early performance art, but also the
artist's status and the different images of his role. For his installation "The
Schumann Machine" (2008), created for Manifesta 7, he spent several hours every
day for two weeks singing the 1840 song cycle Dichterliebe by Robert Schumann.
A characteristic feature of his performances are the many melancholy but also
absurdly comical moments. This book, now in its second printing, unites for the
first time all of Kjartansson's works related to music from 2001 to 2012. It
includes contributions by Philip Auslander, Heike Munder, Markus Andresson and a
conversation between Edek Bartz and Ragnar Kjartansson." --> s spletne str.
založnika
ISBN 978-3-03764-423-2 (trda vezava)
a) Kjartansson,
Ragnar (1976-) - Razstavni katalogi b) Migros Museum für Gegenwartskunst
(Zürich) - nov. 2012-jan. 2013 c) islandska umetnost d) performance art e)
glasba f) intervjuji g) 2001-2012 h) osebne razstave
7.036/.038(083.824)
COBISS.SI-ID 877807
21.
MADE in YU
2015 / Dino Bauk ... [et al.] ; [urednika Tanja Petrović in Jernej Mlekuž ;
fotografije Sandi Abram ... et al.]. - 1. izd., 1. natis. - Ljubljana : Založba
ZRC, ZRC SAZU, 2016 ([Žirovnica] : Medium). - 214 str. : ilustr. ; 24 cm + 2
zganj. plakata. - (Zbirka Kulturni spomin, ISSN 2232-3872 ; knj. 4)
Dostopno tudi na:
http://zalozba.zrc-sazu.si/p/1314. - Nasl. str. raztegnjena čez dve str. -
Fotogr. na spojnih listih. - 400 izv. - O avtorjih: str. 207-211. - Opombe z
bibliografijo pri vseh prispevkih
ISBN 978-961-254-876-6
a)
Sociologija kulture b) Jugoslavija c) družbene razmere d) potrošniška družba e)
socializem f) politični vidik g) postjugoslovanski prostor h) potrošniški
izdelki i) blagovne znamke j) industrijsko oblikovanje k) druga polovica 20.st.
316.728:330.567.22(497.1)(082)
366.1(497.1)(082)
COBISS.SI-ID
283752192
22.
[NON-aligned
modernity : Eastern-European art and archives from the Marinko Sudac
collection : FM Centro per l'Arte Contemporanea, Milano, October 16 - December
23 2016 = Modernità non allineata : arte e archivi dell'Est Europa dalla
collezione Marinko Sudac : FM Centro per l'Arte Contemporanea, Milano, 26
ottobre 23 dicembre 2016] / [a cura di, curated by Marco Scotini ; testi,
texts, Ivana Janković, Dorotea Fotivec ; traduzioni, translations Dorotea
Fotivec ... et al.]. - Milano : FM Centro per l'Arte Contemporanea, [2016?]. -
31 str. : ilustr. ; 38 cm
Dostopno tudi na:
http://www.fmcca.it/en/21/eve/12-non-aligned-modernity-eastern-european-art-from-the-marinko-sudac-collection/.
- Nasl. v kolofonu
a) OHO (umetniška skupina) b) FM Centro per l'Arte
Contemporanea (Milano) - 26. 10.-23. 12. 2016 - Razstavni katalogi c)
jugoslovanska umetnost d) zasebne zbirke e) skupinske razstave f) internjuji g)
srednjeevropska umetnost h) vzhodnoevropska umetnost
7.036/.038(083.824)
COBISS.SI-ID 875503
23.
OBLIKOVATELJI sjećanja : fotografi i dizajneri Dubrovačkih ljetnih igara
: Atrij Palače Sponza [i] Multimedijalni centar Visia, [Dubrovnik], 11. srpnja
- 19. kolovoza 2014 = Memory creators : Dubrovnik summer festival's
photographers and designers : Sponza Palace Atrium [i] Visia Multimedia Centre,
[Dubrovnik], 11th July - 19th August 2014 / [autorica izložbe i predgovora,
author of exhibition and text of the catalogue [i] urednik, editors Marija
Tonković ; prijevod na engleski, English translation Jasmina Knežević Killen,
Dubravka Knežević]. - Dubrovnik : Dubrovačke ljetne igre = Dubrovnik Summer
Festival ; Zagreb : Muzej za umjetnost i obrt = Museum of Arts and Crafts, cop.
2014. - 88 str. : ilustr. ; 24 cm
Hrv. besedilo in prevod v angl. -
Biografije umetnikov: str. 21-29, 50-57. - Bibliografija: str. 85-86
ISBN 978-953-56284-4-6
a) plakat b) gledališki plakat c) hrvaško
grafično oblikovanje d) gledališka fotografija e) gledališka kostumografija f)
festivali g) Hrvaška
766(497.5)
77.03(497.5)
COBISS.SI-ID
881135
24.
OSIJEK
Kniferu / [urednici Hrvoje Duvnjak, Karmela Puljiz ; prijevod na engleski
jezik Jurica Novaković ; prijevod na francuski jezik Nada Jovanović]. - Zagreb
: Meandar media ; Osijek : Umjetnička akademija u Osijeku, 2016. - 291 str. :
ilustr. ; 21 cm
Hrv. besedilo in prevod v angl. in franc. - Avtorji
besedil: Branko Čegec, Željko Senečić, Karmela Puljiz, Zvonko Maković, Ješa
Denegri, Vlastimir Kusik, Leonida Kovač, Blaženka Perica, Sonja Briski Uzelac,
Zlatko Kozina, Igor Loinjak, Igor Gajin, Miroslav Mićanović, Krešimir Bagić,
Josip Cvenić, Anđelko Mrkonjić, Tea Gikić, Goran Rem, Ivana Buljubašić, Sanja
Heraković, Izabela Bagarić. - Bibliografija z opombami na dnu str.
ISBN 978-953-334-113-2
a) Knifer, Julije (1924-2004) b) hrvaško
slikarstvo c) Gorgona d) Nove tendencije e) 20.st. f) likovna kritika g) odzivi
na razstave h) spominski zborniki
75.071(497.5):929Knifer J.
COBISS.SI-ID 878063
25.
POGAČAR, Martin
Fičko po Jugoslaviji : zvezda domačega avtomobilizma med cestami
in spomini / Martin Pogačar ; [posamezni prispevki Zdravko Duša, Hannah
Marshall in Tanja Radež ; fotografije Tomaž Alauf ... et al.]. - 1. izd., 1.
natis. - Ljubljana : Založba ZRC, ZRC SAZU, 2016 ([Žirovnica] : Medium). - 236
str. : ilustr. ; 24 cm + 2 zganj. plakata. - (Zbirka Kulturni spomin, ISSN
2232-3872 ; knj. 5)
Dostopno tudi na:
http://zalozba.zrc-sazu.si/p/1160. - Fotogr. na spojnih listih. - 400 izv.
- Recenzenti Jure Gombač, Oto Luthar, Peter Stanković. - Bibliografija: str.
225-229. - Kazalo
ISBN 978-961-254-916-9
a) Avtomobili -
Jugoslavija b) Tehniška dediščina - Jugoslavija c) Sociologija kulture -
Avtomobilska industrija - Jugoslavija d) Zastava (Avtomobili) - Zastava 750
(Avtomobil) - Jugoslavija e) zgodovina industrije f) materialna kultura g)
kulturna zgodovina
316.7:629.331(497.1)
629.331:316.7(497.1)
COBISS.SI-ID 285012224
26.
PUBLISHING
as artistic practice / ed. Annette Gilbert ; [texts Hannes Bajohr ... [et
al.] ; translations Shane Anderson ... et al.]. - 2. izd. - Berlin : Sternberg
Press, 2016. - 304 str. : ilustr. ; 24 cm
"What does it mean to publish
today? In the face of a changing media landscape, institutional upheavals, and
discursive shifts in the legal, artistic, and political fields, concepts of
ownership, authorship, work, accessibility, and publicity are being
renegotiated. The field of publishing not only stands at the intersection of
these developments but is also introducing new ruptures. How the traditional
publishing framework has been cast adrift, and which opportunities are
surfacing in its stead, is discussed here by artists, publishers, and scholars
through the examination of recent publishing concepts emerging from the
experimental literature and art scene, where publishing is often part of an
encompassing artistic practice. The number and diversity of projects among the
artists, writers, and publishers concerned with these matters show that it is
time to move the question of publishing from the margin to the center of
aesthetic and academic discourse." --> s spletne str. založnika. - Avtorji
besedil: Hannes Bajohr, Paul Benzon, K. Antranik Cassem, Bernhard Cella, Annette
Gilbert, Hanna Kuusela, Antoine Lefebvre, Matt Longabucco, Alessandro Ludovico,
Lucas W. Melkane, Anne Moeglin-Delcroix, Aurélie Noury, Valentina Parisi,
Michalis Pichler, Anna-Sophie Springer, Alexander Starre, Nick Thurston, Rachel
Valinsky, Eva Weinmayr, Vadim Zakharov. - Bibliografija z opombami na dnu str.
- Kazalo
ISBN 978-3-95679-177-2
a) Pogačar, Tadej (1960-) b)
založništvo c) založniška dejavnost d) založniški koncepti e) avtorske pravice
f) elektronsko založništvo g) elektronske knjige h) samozaložništvo i)
publikacije j) oblikovanje publikacij k) knjige umetnikov l) umetniške prakse m)
knjige n) knjižnice
655.41
COBISS.SI-ID 875759
27.
QUARANTA, Domenico
Onkraj novomedijske umetnosti / Domenico Quaranta ; [prevod Polona
Petek]. - Ljubljana : Aksioma - Zavod za sodobne umetnosti, 2014. - 200 str. :
ilustr. ; 21 cm
Prevod dela: Beyond new media art. - Podatki o
prevajalki v kolofonu. - "Kaj je umetnost novih medijev oziroma novomedijska
umetnost? Kaj v resnici opisuje ta izraz? Kaj je povzročilo razkol med tem
izrazom in umetnostno sceno, ki naj bi jo opisoval? In končno, kaj lahko
pojasni omejeno navzočnost te umetniške prakse - za katero se zdi, da ima vse,
kar je potrebno, da bi veljala za reprezentativno prakso obdobja, v katerem
digitalni mediji odločno spreminjajo politično, ekonomsko, družbeno in kulturno
organiziranost sveta, v katerem živimo - v kritiških razpravah? Onkraj
novomedijske umetnosti je poskus analize trenutnega umeščanja tako imenovane
novomedijske umetnosti v širše polje sodobnih umetnosti in poskus raziskave
zgodovinskih, socioloških in konceptualnih razlogov za njen obroben položaj in
omejeno prepoznavnost v sodobni umetnostni zgodovini. Po drugi strani je ta
knjiga tudi poskus uvedbe novih kritiških in kuratorskih strategij, ki bi to
marginalizacijo potisnile v preteklost, in osvetlitve aktualnosti umetnosti, ki
se loteva medijev in problematike informacijske dobe." --> na ov. - Opombe z
bibliografijo na dnu str.
ISBN 978-1-312-09435-2
a) novomedijska
umetnost b) novi mediji c) multimedijska umetnost d) sodobna umetnost e)
svetovni splet f) internet g) spletna umetnost h) vloga kustosov i)
terminologija
7.038.53:791
COBISS.SI-ID 3566843
28.
RAZAC, Olivier
Politična zgodovina bodeče žice / Olivier Razac ; prevedla Sonja
Dular ; [spremna beseda Boštjan Nedoh]. - Ljubljana : Maska, 2016 ([Begunje] :
Cicero). - 181 str. : ilustr. ; 20 cm. - (Zbirka Mediakcije ; knj. št. 15)
Prevod dela: Histoire politique du barbelé. - Predgovor / Alain Brossat:
str. 9-18. - Rezilna žica: novo poglavje v politični zgodovini bodeče žice /
Boštjan Nedoh: str. 161-181. - 400 izv. - Bibliografija z opombami na dnu str.
ISBN 978-961-6572-44-6
a) prva svetovna vojna b) druga svetovna
vojna c) nasilje d) politični vidik e) politična zgodovina f) taborišča g)
bodeča žica h) politično nasilje
323.28(100)"18/19"
COBISS.SI-ID
287185664
29.
SAUNDERS, Frances Stonor
The cultural cold war : the CIA and the world of arts and
letters / Frances Stonor Saunders. - London ; New York : The New Press, 2013. -
XVII, 427 str., [8] str. pril. : ilustr. ; 20 cm
"During the Cold War,
freedom of expression was vaunted as liberal democracy's most cherished
possession--but such freedom was put in service of a hidden agenda. In "The
Cultural Cold War," Frances Stonor Saunders reveals the extraordinary efforts of
a secret campaign in which some of the most vocal exponents of intellectual
freedom in the West were working for or subsidized by the CIA--whether they knew
it or not. Called "the most comprehensive account yet of the [CIA's] activities
between 1947 and 1967" by the "New York Times," the book presents shocking
evidence of the CIA's undercover program of cultural interventions in Western
Europe and at home, drawing together declassified documents and exclusive
interviews to expose the CIA's astonishing campaign to deploy the likes of
Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell,
and Jackson Pollock as weapons in the Cold War. Translated into ten languages,
this classic work--now with a new preface by the author--is "a real
contribution to popular understanding of the postwar period" ("The Wall Street
Journal"), and its story of covert cultural efforts to win hearts and minds
continues to be relevant today." --> na ov. - "Originally published: Who
paid the piper? London : Granta Books, 1999" --> v kolofonu. - Selected
bibliography: str. 401-404. - Kazalo
ISBN 978-1-59558-914-9 (broš.)
a) United States. Central Intelligence Agency - Vplivi b) Hladna vojna c)
Varnostno-obveščevalne službe - Združene države Amerike d) Umetnost - Politični
vidik e) Cenzura - Združene države Amerike f) Svoboda govora - Združene države
Amerike g) Združene države Amerike - Kulturna politika h) kulturna politika i)
Amerika j) Evropa k) politika in kultura l) umetniška svoboda m) abstraktni
ekspresionizem n) kulturna propaganda o) 1947-1967
327.54
327.84(73)
351.854(73)
342.727(73)
351.751(73)
COBISS.SI-ID 874479
30.
SCOTT, Felicity Dale Elliston
Disorientation : Bernard Rudofsky in the empire
of signs / Felicity D. Scott. - Berlin : Sternberg Press, cop. 2016. - 121 str.
: ilustr. ; 15 cm. - (Critical spatial practice ; 7)
"Viennese emigre
architect Bernard Rudofsky (1905-1988) is most frequently recalled for curating
'Architecture without Architects,' the famous 1964 photography exhibition of
vernacular, preindustrial structures at the Museum of Modern Art in New York.
Far from simply a romantic or nostalgic invocation of cultures lost to
industrial modernity, Rudofsky's exhibition drew on decades of speculations
about modern architecture and urbanism, particularly their semantic,
technological, institutional, commercial, and geopolitical influences." -->
iz uv. - Bibliografija z opombami: 103-116
ISBN 978-3-95679-187-1
a) Rudofsky, Bernard (1905-1988) b) vernakularna arhitektura c) ljudska
arhitektura d) arhitekturne razstave e) petdeseta leta 20.st. f) šestdeseta
leta 20.st. g) Museum of Modern Art New York
72.071
COBISS.SI-ID
876271
31.
SMITH, Terry, 1944-
The contemporary composition / Terry Smith. - Berlin :
Sternberg Press, 2016. - 86 str. ; 19 cm. - (The contemporary condition ; 2)
"Can we speak of composition when we are in a state of unfathomable
decomposition? Art being made today defies coherent categorization, and the
world presents itself, day after day, as spinning into confused chaos,
structural disintegration, and violent disorder. Revising his well-known
histories of contemporary art, Terry Smith argues that we must respond to the
compelling need for coeval composition at a time defined by the contemporaneity
of divisive difference. This book traces how%despite many obstacles%visual
artists across the globe are rising to this challenge." --> z ov. -
Bibliografija: str. 77-85
ISBN 978-3-95679-283-0
a) eseji o
sodobni umetnosti b) sodobnost
7.01
COBISS.SI-ID 876527
32.
STAFF, Craig
Monochrome : darkness and light in contemporary art / Craig Staff.
- New York ; London : I. B. Tauris, 2015. - XIII, 193 str., [30] str. pril. :
ilustr. ; 24 cm
"Monochrome: Darkness and Light in Contemporary Art is
the first account of the monochrome s lively role in contemporary art.
Liberated from the burden of representation, the monochrome first stood for
emancipation: an ideological and artistic impulse that characterised the
avant-garde of the early twentieth century. Historically, the monochrome
embodied the most extreme form of abstraction and pure materiality. Yet more
recently, adaptations of the art form have focused on a broader range of
cultural and interpretive contexts. Provocative, innovative and timely, this
book argues that the latest artistic strategies go beyond stylistic concerns and
instead seek to re-engage with ideas around authorship, process and the
conditions of the visible as they are given and understood through both light
and darkness. Discussing works by artists such as Katie Paterson, Hiroshi
Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book
shows that the debates around an artwork s form and its possibility for meaning
that the monochrome first engendered remain very much alive in contemporary
visual culture." --> z ov. - Bibliografija: str. 177-190. - Kazalo
ISBN 978-1-78453-049-5 (broš.)
ISBN 978-1-78453-048-8 (trda vezava)
a) sodobna umetnost b) abstraktna umetnost c) monokromno slikarstvo d)
monokromno kiparstvo e) bele slike f) črne slike
7.036/.038
COBISS.SI-ID 876783
33.
STREETS and
neighbourhoods : Vladimir Braco Mušič and large scale architecture :
[exhibition at the Museum of Architecture and Design, 17 May-20 November 2016]
/ [texts Matevž Čelik ... et al.] ; Luka Skansi, editor ; [bibliography Neli
Grafenauer ; photographs Miran Kambič ; English translations Andreja Šalamon
Verbič]. - Ljubljana : The Museum of Architecture and Design, 2016 ([Velden am
Wörthersee] : GPS Group). - 237 str. : ilustr. ; 28 cm
Drugi dodatek k
nasl. naveden v kolofonu. - Izv. stv. nasl.: Soseske in ulice. - 400 izv. -
Streets and neighbourhoods / Matevž Čelik: str. 9. - Biografija arhitekta: str.
199-219. - Bibliografija z opombami na dnu str. - Kazalo
ISBN
978-961-6669-41-2
a) Mušič, Vladimir Braco (1930-2014) - Razstavni katalogi
b) Muzej za arhitekturo in oblikovanje (Ljubljana) - 17. 5.-20. 11. 2016 c)
slovenski arhitekti d) urbanizem e) urbanistično načrtovanje f) stanovanjska
naselja g) arhitekturni projekti h) osebne razstave
711(497.4):929Mušič
V.B.
COBISS.SI-ID 284931840
34.
TERRANOVA, Charissa N.
Art as organism : biology and the evolution of the digital
image / Charissa N. Terranova. - London ; New York : I. B. Tauris, 2016. - XIX,
315 str. : ilustr. ; 23 cm. - (International library of modern and contemporary
art ; 32)
"In this groundbreaking book, Charissa Terranova unearths a
forgotten narrative of modernism, which charts the influence that biology,
General Systems Theory and cybernetics had on art in the twentieth century.
From kinetic and interactive art to early computer art and installations
spanning an entire city, she shows that the digital image was a rich and
expansive artistic medium of modernism. This book links the emergence of the
digital image to the dispersion of biocentric aesthetic philosophies developed
by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts
Institute of Technology in the 1970s. It uncovers seminal but overlooked
references to biology, the organism, feedback loops, emotions and the Gestalt,
along with an intricate genealogy of related thinkers across disciplines.
Terranova interprets anew major art movements such as the Bauhaus, Op Art and
Experiments in Art and Technology (E.A.T.), by referencing contemporary
insights from architects, embryologists, electrical engineers and computer
scientists, among others.This book reveals the complex connections between
visual culture, science and technology that comprise the deep history of
twentieth-century art." --> na ov. - Glossary: str. 249-255. -
Bibliografija: str. 293-308. - Kazalo
ISBN 978-1-78453-430-1 (trda
vezava)
a) Moholy-Nagy, László (1895-1946) b) Kepes, György (1901-2001) c)
Lynch, Kevin (1918-1984) d) Bauhaus e) biologija f) biomorfne oblike g)
biocentrizem h) organska arhitektura i) organske oblike j) Gestalt k) digitalna
umetnost l) znanost in umetnost m) tehologija in umetnost n) urbani prostor o)
mesto p) op art q) Nove tendencije r) 20.st.
7.01
COBISS.SI-ID 874735
35.
VIDLER, Anthony
Zgodovine neposredne sedanjosti : invencije arhitekturnega
modernizma / Anthony Vidler ; prevod Maja Lovrenov in Monika Jerič ; urednica
in spremna študija Petra Čeferin. - 1. izd., 1. natis. - Ljubljana : Založba
ZRC, ZRC SAZU, 2016 (Begunje : Cicero). - 255 str. : ilustr. ; 20 cm. -
(Teoretska praksa arhitekture : TPA)
Prevod dela: Histories of the
immediate present. - Vez zgodovine in sedanjosti / Petra Čeferin: str. 239-247.
- "Knjiga obravnava delo štirih zgodovinarjev arhitekturnega modernizma in
načine, na katere so njihove zgodovine bile konstruirane kot bolj ali manj
očitna programska navodila za teorijo in prakso projektiranja v kontekstu njene
takratne sodobnosti. Avtor knjige Anthony Vidler podrobno proučuje zgodovinske
pristope Emila Kaufmana, Colina Rowa, Manfreda Tafurija in Reynerja Banhama, in
specifične verzije modernizma, ki so jih uveljavljaje njihove pripovedi
zgodovine. Knjiga nazorno pokaže na kompleksne in tesne povezave med vsakokratno
sodobno prakso projektiranja in zgodovino arhitekture, ki prežemajo celotni
moderni arhitekturni diskurz in ki so omogočile nekatere najbolj zanimive
arhitekturne eksperimente povojnega obdobja." --> s spletne str. založnika.
- 300 izv. - Opombe z bibliografijo na dnu str. - Kazalo
ISBN
978-961-254-895-7
a) Arhitektura - Modernizem b) teorija arhitekture
72.036
COBISS.SI-ID 285297408
36.
WHAT ever
happened to new institutionalism? / [editor James Voorhies ; contributors
Martin Beck ... et al.]. - Berlin : Sternberg Press ; Cambridge (Mass.) :
Carpenter Center for Visaual Arts, cop. 2016. - 192 str. : ilustr. ; 25 cm
"Contributions by Martin Beck, Nina Beier, Silvia Benedito, Ulla von
Brandenburg, Katarina Burin, Simon Dybbroe Møller, Jonas Ekeberg, Alex
Farquharson, Fernanda Fragateiro, Simon Fujiwara, James Goggin, Tone Hansen,
Owen Hatherley, Henriette Huldisch, Damon Krukowski, Maria Lind, Markus
Miessen, Eline Mugaas, Elise Storsveen, Gloria Sutton, James Voorhies, Naomi
Yang, Amy Yoes." --> v kolofonu. - "New Institutionalism, a mode of curating
that originated in Europe in the 1990s, evolved from the legacy of international
curator Harald Szeemann, the relational art advanced by French critic and
theorist Nicolas Bourriaud, and other influential factors of the time. New
Institutionalism's dispersed and varied approaches to curating sought to
reconfigure the art institution from within, reshaping it into an active,
democratic, open, and egalitarian public sphere. These approaches posed other
possibilities and futures for institutions and exhibitions, challenging the
consensual conception, production, and distribution of art. Practitioners
engaged the art institution with renewed confidence by imbuing it with the
potential for new aesthetic experiences and different relationships among
artists, institutions, and spectators beyond engrained modernist ideologies.
Working in these new modes, the art institution could become a site of fluidity,
unpredictability, and risk. What Ever Happened to New Institutionalism?
reflects upon the aspirations of these curatorial strategies and assesses their
critical efficacy today within the landscape of contemporary art and globalized
culture. The first in a series of readers examining changing characteristics of
art institutions, this publication thinks through New Institutionalism by
bringing together facsimiles of seminal texts, new critical essays, a history
of trends and practices, and commissioned artist projects and contributions.
These are complemented by documentation from the inaugural year of programming
at the Carpenter Center for the Visual Arts at Harvard University focused on
reimagining CCVA as a twenty-first-century institution." --> s spletne strani
založnika. - Bibliografija: str. 186-189
ISBN 978-3-95679-234-2 (trda
vezava)
a) institucije umetnosti b) intervjuji c) neinstitucionalni
prostori d) nova vloga muzejev v družbi e) kritika institucij f) študije
primerov g) postavitve razstav h) načrtovanje razstav i) muzejski obiskovalci
j) razstavni programi muzejev
069(082)
COBISS.SI-ID 879599
