1.
BIENALE slovenskega oblikovanja (8 ; 2017
; Ljubljana)
Brumen 8 / 8. bienale
slovenskega oblikovanja = 8th Biennial of Slovenian Design, [3. 10.-26. 11.
2017, Ljubljana ; urednik Ajda Schmidt ; besedila Ajdin Bašić ... [et al.] ;
prevodi Hana Cirman, Ajda Schmidt ; portreti žirantov Robert Ilovar]. -
Ljubljana : Fundacija Brumen, 2017 ([Izlake] : Grafex). - 405 str. : ilustr. ;
22 cm
Dostopno tudi na:
https://brumen.awardsplatform.com/gallery/bjKGePjx. - Vzpor. slov. in angl.
besedilo. - 300 izv. - Kazalo
ISBN 978-961-94106-2-2
a) Narodna
galerija (Ljubljana) - 3. 10.-26. 11. 2017 b) Bienale vidnih sporočil Slovenije
(8 ; 2017 ; Ljubljana) c) Grafično oblikovanje - Slovenija - 21.st. - Razstavni
katalogi d) slovensko grafično oblikovanje e) bienale f) 2017 g) nagrade h)
intervjuji i) besedila oblikovalcev j) skupinske razstave
766(497.4)"20"(083.824)
7.05:62(497.4)"20"(083.824)
COBISS.SI-ID 292572672
2.
BOREDOM /
[edited by Tom McDonough]. - Cambridge (Mass.) ; London : The MIT Press ; London
: Whitechapel Gallery, 2017. - 236 str. ; 21 cm. - (Documents of contemporary
art)
Urednik naveden na vzpor. nasl. str. - "Artists surveyed include:
Chantal Akerman, Francis Alys, John Baldessari, Vanessa Beecroft, Bernadette
Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp,
Fischli & Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd,
Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne
Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist
International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet Zweig."
--> z ov. - "Writers include: Ina Blom, Nicolas Bourriaud, Jennifer Doyle,
Alla Efimova, Jonathan Flatley, Julian Jason Haladyn, The Invisible Committee,
Jonathan D. Katz, Chris Kraus, Tan Lin, Sven Lutticken, John Miller, Agne
Narusyte, Sianne Ngai, Peter Osborne, Patrice Petro, Christine Ross, Moira
Roth, David Foster Wallace, Aleksandr Zinovyev." --> z ov. - "Without
boredom, arguably there is no modernity: the current sense of the word emerged
simultaneously with industrialisation, mass politics and consumerism. From Manet
onwards, when art represents the everyday within modern life, encounters with
tedium are inevitable. And from modernism's retreat into abstraction to
subsequent demands placed on audiences, from the late 1960s to the present, the
viewer's endurance of repetition, slowness or other forms of monotony has
become an anticipated feature of gallery-going. In contemporary art, boredom is
no longer viewed as a singular experience; rather, it is contingent on diverse
social identifications and cultural positions, and extends from a malign
condition to be struggled against, to an experience to be embraced, or explored
as a site of resistance.In this anthology, the range of boredoms associated with
our neoliberal moment is contextualized in a long view which encompasses the
political critique of boredom in 1960s France; the simultaneous aesthetic
embrace in the USA of silence, repetition or indifference in Fluxus, Pop,
Minimalism and conceptual art; the development of feminist diagnoses of malaise
in art, performance and film; Punk's social critique and its influence on
theories of the postmodern; and the recognition from the end of the 1980s of a
specific form of ennui experienced in former communist states. Today, with the
emergence of new forms of labour alienation and personal intrusion, deadening
forces extend even further into subjective experience, making the divide
between a critical and an aesthetic use of boredom ever more tenuous." --z ov.
- Bibliografija: str. 228-231. - Kazalo
ISBN 978-0-85488-252-6
(Whitechapel Gallery)
ISBN 978-0-262-53344-7 (The MIT Press)
a)
sodobna umetnost b) dolgčas c) čustva v likovni umetnosti d) besedila umetnikov
7.01
COBISS.SI-ID 913135
3.
BRYZGEL, Amy
Performance art in Eastern Europe since 1960 / Amy Bryzgel. - Manchester
: Manchester University Press, 2017 . - XVII, 366 str. : ilustr. ; 24 cm. -
(Rethinking art's histories)
"This volume presents the first
comprehensive academic study of the history and development of performance art
in the former communist countries of Central, Eastern and South Eastern Europe
since the 1960s. Covering 21 countries and more than 250 artists, this text
demonstrates the manner in which performance art in the region developed
concurrently with the genre in the West, highlighting the unique contributions
of Eastern European artists. The discussions are based on primary source
material-interviews with the artists themselves. It offers a comparative study
of the genre of performance art in countries and cities across the region,
examining the manner in which artists addressed issues such as the body,
gender, politics and identity, and institutional critique." --> z ov. -
Bibliografija: str. 340-345. - Kazalo
ISBN 978-1-7849-9422-8 (broš.)
ISBN 978-1-7849-9421-1 (trda vezava)
a) Janša, Janez b) Janša, Janez c)
Janša, Janez d) OHO (umetniška skupina) e) Irwin (umetniška skupina) f) Laibach
(glasbena skupina) g) vzhodnoevropska umetnost h) srednjeevropska umetnost i)
performance art j) konceptualizem k) land art l) body art m) študije spolov n)
od 1960 dalje o) 20.st. p) 21.st.
7.038.531
COBISS.SI-ID 64377698
4.
EGENHOFER, Sebastian
Towards an aesthetics of production / Sebastian Egenhofer ;
[translated by James Gussen]. - Zurich ; Berlin : Diaphanes, cop. 2017. - 299
str. : ilustr. ; 23 cm
"Throughout the twentieth century, art history
has been too narrowly focused on formalism. As a result, analyses regularly
reduced works of art to their materials, texture, and composition. By contrast,
art historian Sebastian Egenhofer takes Gilles Deleuze's readings of Spinoza,
Nietzsche, and Bergson as the basis for a new resistance to the overly reductive
account of art history. After laying out his argument for a new aesthetics of
production in introductory chapters that discuss the work of Spinoza, Nietzsche,
and Bergson, as well as Heidegger and Kant, Egenhofer applies this theoretical
framework to case studies on Michael Asher, Marcel Duchamp, Thomas Hirschhorn,
and Piet Mondrian. An aesthetics of production does not, he argues, imply a
nostalgia for the artisanal or for a work of art's singularity, but a way to
bring together elements of critical materialism with a thorough reevaluation of
the modern art and abstraction." --> z ov. - Bibliografija z opombami na dnu
str.
ISBN 978-3-03734-885-7
a) Asher, Michael b) Duchamp, Marcel
c) Hirschhorn, Thomas d) Mondrian, Piet e) teorija umetnosti f) filozofski vidik
g) abstraktna umetnost h) postabstraktna umetnost i) od 1960 dalje j)
neoplasticizem k) ready made l) site-specific art m) intervencije v prostor
7.01
COBISS.SI-ID 912623
5.
JELINEK, Alana
This is not art : activism and other 'not-art' / Alana Jelinek. -
Ponatis. - London ; New York : I. B. Tauris, 2014. - 184 str. ; 22 cm
"Art is not political action. Art is not education. Art does not exist
to make society stronger, or the world a better place. Art disrupts and resists
the comfortable, the stiflingly familiar and the status quo, or it only serves
to deaden a disenfranchised society further. So argues This Is Not Art, a
radical and vigorous critique that debunks myths about art in order to celebrate
its real and unique importance. With the postmodern deconstruction of
now-outdated shibboleths such as 'genius', 'authenticity' and 'beauty', new and
neoliberal myths about art have arisen to take their place: that art's value is
primarily monetary as a prized and marketable commodity, or that art is
important because it ameliorates social problems. These ideas are not only the
province of art-dealers and power-brokers, but pervade the part of the artworld
that defines itself as radical, political or ethical too. Highlighting the
social mechanisms of legitimisation and dissemination that exclude the
genuinely disruptive or defiant, This Is Not Art draws on Foucault and Marx to
uncover an artworld obsessed with profit and from which diversity,
individuality and freedom have been erased. In the search for a new way to
understand art's urgent importance, Alana Jelinek returns to the question of
'what is art?', retelling the history of art practice for our contemporary
moment and exposing the ways in which neoliberal norms and values have seeped
into every aspect of our lives. From the author's unique perspective as a
practicing artist and theoretician, This Is Not Art offers not just a searing
criticism of the artworld as it is, but a vision of a new way of understanding
and practicing art - as the embodiment of power and agency within us, the
possibility of thinking and acting differently, of finding new stories to
tell." --> z ov. - Bibliografija z opombami: str. 163-181. - Kazalo
ISBN 978-1-84885-857-2 (broš.)
ISBN 978-1-84885-856-5 (trda vezava)
a) sodobna umetnost b) politični vidik c) filozofski vidik d) umetniški
aktivizem e) umetniške prakse f) neoliberalizem
7.01
COBISS.SI-ID
912879
6.
KAWAKUBO, Rei
Rei Kawakubo : Comme des Garçons : art of the in-between / [text] Andrew
Bolton ; [photography by Nicholas Alan Cope ... et al.]. - New York : The
Metropolitan Museum of Art, cop. 2017. - 244 str. : ilustr. ; 37 cm + 1 plakat
(68 x 98 cm)
"Catalog of an exhibition at The Metropolitan Museum of
Art from May 4-September 4, 2017." --> v kolofonu. - Bibliografija: str.
240-241. - Vsebina: Introduction : Art of the in-between ; Kawakubo/Bolton: a
conversation ; Fashion, antifashion ; Design, not design ; Model, multiple ;
Then, now : Past, present, future ; Birth, marriage, death ; High, low : Elite
culture, popular culture ; Good taste, bad taste ; Self, other : East, west ;
Male, female ; Child, adult ; Object, subject ; Clothes, not clothes : Form,
function ; Beautiful, grotesque ; War, peace ; Life, loss ; Fact, fiction ;
Order, chaos ; Abstraction, representation ; Quote, unquote ; Chronology ;
Collection titles
ISBN 978-1-58839-620-4
a) Kawakubo, Rei (1942-)
- Razstavni katalogi b) The Metropolitan Museum of Art (New York) - 4. 5.-4. 9.
2017 c) modni oblikovalci d) japonska moda e) oblikovanje tekstila f) modna
fotografija g) Comme des Garcons h) besedila umetnikov i) intervjuji j) osebne
razstave k) kronologija
391-05
COBISS.SI-ID 3431280
7.
MIHA Maleš,
slikajoči pesnik / zasnovala, zbrala eseje in slikovno gradivo Breda Ilich
Klančnik ; [uredila Nela Malečkar ; slikovno gradivo Galerija Miha Maleš Kamnik
... et al.]. - 1. izd. - Ljubljana : Mladinska knjiga ; Kamnik : Medobčinski
muzej, 2017 ([Maribor] : Ma-tisk). - 278 str. : ilustr. ; 27 cm. - (Zbirka Album
/ Mladinska knjiga)
Ilustr. na spojnih listih. - 1.000 izv. -
Bibliografija z opombami na dnu str. pri večini prispevkov. - Izbrana
bibliografija Miha Maleša / pripravila Breda Ilich Klančnik: str. 271-277
ISBN 978-961-01-4573-8
a) Maleš, Miha (1903-1987) - Likovne
monografije b) slovensko slikarstvo c) slovenska grafika d) poezija in likovna
umetnost e) portretna fotografija f) umetniške revije g) besedila umetnikov h)
umetniki in njihovi sodobniki i) dokumentarno gradivo j) Četrta generacija k)
intervjuji
75(497.4):929Maleš M.
COBISS.SI-ID 291886080
8.
OKUMURA, Lydia
Lydia Okumura : situations : [UB Art Gallery, Buffalo, September 8
- December 17, 2016, UB Anderson Gallery, Buffalo, September 8, 2016 - January
8, 2017] / [[texts] Rachel Adams, Mari Rodriguez Binnie ; translation Justin
Read ... et al.]. - Berlin : Sternberg Press ; Buffalo : University at Buffalo
Art Galleries, cop. 2016. - 110 str. : ilustr. ; 30 cm
Vzpor. por. in
angl. besedilo. - "For almost fifty years, Lydia Okumura has explored the realm
of geometric abstraction. She challenges our perception of space through
sculptures, installations, and works on paper that blur distinctions between
dimensions. In the 1970s, a young artist in her native Sao Paulo, she studied
the Japanese art magazine Bijutsu Techou, which introduced her to Conceptual
art, Minimalism, Land art, and Arte Povera. These movements, along with
Brazilian Concretism and Neoconcretism, influenced Okumura's work. Using simple
materials such as string, glass, and paint, her dynamic work balances line,
plane, and shadow. Okumura's oeuvre-although reminiscent of the work of Latin
American artists such as Lygia Pape and Carmen Herrera, as well as
contemporaries such as Dorothea Rockburne and Robert Irwin-has remained
under-recognized. She has exhibited widely in Sao Paulo and is part of multiple
museum collections, but she is much less known in her adopted country, the
United States. 'Lydia Okumura: Situations' (September 8, 2016 January 8, 2017)
is the artist's first solo exhibition in the United States. Through the
exhibition and catalogue, the UB Art Galleries seek to encourage a critical
reassessment of Okumura's oeuvre within art history. The catalogue includes an
essay on Okumura and her work, by curator Rachel Adams; an account of
vanguardism in Brazilian art from 1960 to 1975, by art historian Mari Rodriguez
Binnie; a conversation between Adams and Okumura; and extensive photo
documentation of Okumura's work from the 1970s until today." --> iz uv.
ISBN 978-3-95679-291-5
a) Okumura, Lydia (1948-) - Razstavni
katalogi b) UB Art Gallery (Buffalo) - 8. 9.-17. 12. 2016 c) UB Anderson Gallery
(Buffalo) - 8. 9. 2016-8. 1. 2017 d) brazilska umetnost e) latinskoameriška
umetnost f) geometrijska abstrakcija g) prostor h) prostorske postavitve i)
instalacije j) neokonstruktivizem k) neokonkretna umetnost l) sedemdeseta leta
20.st. m) osemdeseta leta 20.st. n) intervjuji o) osebne razstave
7(1/9)(81):929Okumura L.
COBISS.SI-ID 913391
9.
POČIVAVŠEK, Matjaž
Matjaž Počivavšek : sine cera. cum cera : [Muzej za umjetnost i
obrt, Zagreb, 12. listopada 2017 - 19. studenog 2017 = Museum of Arts and
Crafts, Zagreb, October 12th, 2017 - November 19th, 2017] / [tekstovi Miroslav
Gašparović, Jure Mikuž ; prijevod sa slovenskog jezika Milena Bekić Milinović ;
prijevod na engleski Graham McMaster ; fotografi Boris Gaberščik, Dejan Habicht,
Matija Pavlovec]. - Zagreb : Muzej za umjetnost i obrt, cop. 2017. - 46 str. :
ilustr. ; 29 cm
Vzpor. hrv. in angl. besedilo. - Drugi dodatek k nasl.
naveden v kolofonu. - Biografija: str. 43
ISBN 978-953-7641-67-2
a) Počivavšek, Matjaž (1955-) - Razstavni katalogi b) Muzej za umjetnost i
obrt (Zagreb) - 12. 10.-19.11. 2017 c) slovensko kiparstvo d) kiparske
postavitve e) vosek f) postavitve razstav g) 2007-2017 h) osebne razstave
730.071(437.6)(929):Počivavšek M.
COBISS.SI-ID 3725678
