In his artworks, Raad explores how wars and decades of socio-political instability, such as those experienced in the Middle East, cause lasting physical and psychological violence that is reflected in bodies, psyches, spaces, traditions and memories.

In the 1970s, an extraordinary cinematic impulse formed at the intersection of countercultural mysticism, poststructuralist doubt, and emerging media technologies: to film what eludes the eye, to make the world visible through a sensory ritual that becomes a channel for communication in discovering the unseen.

In the installation, Maruša Sagadin references architectural elements from public spaces, such as columns, arches, facades and benches. These forms are not simply translated; instead, their basic structure is expanded.

The Nonument Group (Neja Tomšič, Martin Bricelj Baraga, Nika Grabar, and Miloš Kosec) is an art and research collective that focuses on nonuments: hidden, abandoned, erased or forgotten architecture and public spaces whose meaning has been transformed due to political or societal changes.

The exhibition Archival Chain Reactions emerges from a collaborative project dedicated to connecting and activating important yet precarious archives of feminist art.

The artist has carried out the performance, in which she repeatedly shouts the title phrase, several times in different contexts. It addresses her multifaceted identity and the conditions that contribute to her marginalization as a woman, a Roma, an artist, and an immigrant in Germany and the US.