1.
BAUMAN, Zygmunt, 1925-
Kolateralna škoda : družbena neenakost v globalni dobi /
Zygmunt Bauman ; uredila Ksenija Vidmar Horvat ; [prevod Urban Tarman, Tjaša
Učakar] ; [izdal] Oddelek za sociologijo, Katedra za občo sociologijo. - 1. izd.
- Ljubljana : Znanstvena založba Filozofske fakultete, 2013 ([Ljubljana] :
Birografika Bori). - 137 str. ; 24 cm. - (Zbirka Prevodi / Oddelek za
sociologijo ; 2)
Prevod dela: Collateral damage. - 200 izv. - K prevodu
/ Ksenija Vidmar Horvat: str. 5-6. - Bibliografija: str. 131-133. - Kazalo
ISBN 978-961-237-615-4
a) Družbena neenakost b) sociologija
316.344.23
FRASCATI:
5-410
COBISS.SI-ID 270315520
2.
DŽUVEROVIĆ, Lina
Pop art tendencies in self-managed socialism : pop reactions and
countercultural pop in Yugoslavia in 1960s and 1970s / Lina Džuverović. -
London : [L. Džuverović], 2017. - 388 str. : ilustr. ; 29 cm
Abstract.
- Bibliografija: str. 373-382. - Royal College of Art, London
a)
jugoslovanska umetnost b) pop art c) ekspresivna figuralika d) šestdeseta leta
20.st. e) sedemdeseta leta 20.st. f) neuvrščeni g) feminizem in likovna
umetnost h) doktorske disertacije
7.03(497.1)(043.3)
COBISS.SI-ID
894447
3.
FROM postwar
to postmodern : art in Japan 1945-1989 : primary documents / edited by
Doryun Chong, Michio Hayashi, Kenji Kajiya, Fumihiko Sumitomo. - New York : The
Museum of Modern Art, cop. 2012. - 440 str. : ilustr. ; 25 cm
"Brings
together critical historical documents, many of which are translated into
English for the first time, in Japanese arts from the end of World War II
through the next four and a half decades." --> str. 14. - "A trove of primary
source materials, From Postwar to Postmodern, Art in Japan 1945-1989 is an
invaluable scholarly resource for readers who wish to explore the fascinating
subject of avant-garde art in postwar Japan. In this comprehensive anthology,
an array of key documents, artist manifestos, critical essays, and roundtable
discussions are translated into English for the first time. The pieces cover a
broad range of artistic mediums -- including photography, film, performance,
architecture, and design -- and illuminate their various points of convergence
in the Japanese context. The collection is organized chronologically and
thematically to highlight significant movements, works, and artistic phenomena,
such as the pioneering artist collectives Gutai and Hi Red Center, the
influential photography periodical Provoke, and the emergence of video art in
the 1980s. Interspersed throughout the volume are more than twenty newly
commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on
art and the Occupation and Reiko Tomii on the Yomiuri Independent Exhibition,
these pieces supplement and provide a historical framework for the primary
source materials. From Postwar to Postmodern, Art in Japan 1945-1989 offers an
unprecedented look at over four decades of Japanese art -- both as it unfolded
and as it is seen from the perspective of the present day." --> na zavihku
ov. - Kronologija 1945-1989: str. 414-423. - Kazalo
ISBN
978-0-8223-5368-3
a) japonska umetnost b) 1945-1989 c) 20.st. d)
dokumentarno gradivo e) primarni viri f) antologije besedil g) manifesti
7(1/9)(520)(082)
COBISS.SI-ID 895727
4.
HESSE, Eva, 1936-1970
Irrational judgments : Eva Hesse, Sol Lewitt, and 1960s New
York / [text] Kirsten Swenson. - New Haven (Conn.) ; London : Yale University
Press, cop. 2015. - IX, 189 str. : ilustr. ; 24 cm
"Irrational
Judgments examines the close friendship and significant exchange of ideas
between Eva Hesse and Sol LeWitt in New York City during the 1960s. Taking its
title from LeWitt's statement'Irrational judgments lead to new experience', this
book examines the breakthroughs of the artists' intertwined careers, offering a
new understanding of minimal, post-minimal, and conceptual art amid the era's
political and social upheavals." --> na zavihku ov. - Bibliografija z
opombami: str. 173-184. - Kazalo
ISBN 978-0-300-21156-6 (trda vezava)
a) Hesse, Eva (1936-1970) b) LeWitt, Sol (1928-2007) c) minimalizem d)
konceptualizem e) New York f) šestdeseta leta 20.st. g) umetniki in njihovi
sodobniki h) umetniški pari i) postminimalizem
7.036/.038
COBISS.SI-ID 895983
5.
MOHAR, Katarina, 1982-
Vila Bled / Katarina Mohar. - Ljubljana : Založba ZRC, 2016
(Ljubljana : Collegium graphicum). - 82 str. : ilustr. ; 21 cm. - (Umetnine v
žepu, ISSN 2232-3775 ; 13)
Potiskana zadnja notr. str. ov. - 400 izv. -
Bibliografija: str. [84-87]
ISBN 978-961-254-978-7
a) Glanz, Vinko
(1902-1977) b) Pengov, Slavko (1908-1966) c) Arhitektura - Kulturne znamenitosti
- Arhitekturne znamenitosti - Bled - Umetnostni vodniki d) Bled - Vile
(arhitektura) - Umetnostni vodniki e) slovenska arhitektura f) vile g) dvorci h)
kulturnozgodovinski spomeniki i) protokolarni objekti j) oblikovanje parkov k)
likovna oprema l) freske
728.84(497.4Bled)(036)
COBISS.SI-ID 288008192
6.
MUYBRIDGE, Eadweard
Eadweard Muybridge : the human and animal locomotion photographs /
Hans Christian Adam (ed.). - Köln : Taschen, cop. 2010. - 804 str. : ilustr. ;
25 x 34 cm
Vzpor. nem., angl. in franc. besedilo. - Biografija: str.
770-778, 779-788, 789-798. - "English photographer Eadweard Muybridge
(1830-1904) was a pioneer in visual studies of human and animal locomotion. In
1872, he famously helped settle a bet for former California governor Leland
Stanford by providing photographic proof that when galloping, a horse
momentarily lifts all of its legs off of the ground. Muybridge accomplished
this feat by inventing a complex system of shutter releases that allowed him to
capture freeze frames of the horse's gallop - proving conclusively, for the
first time, that the horse does indeed lift all of its hooves in the air for a
fraction of a second. For the next three decades, Muybridge continued his quest
to fully catalog many an aspect of human and animal movement, shooting hundreds
of nude or draped subjects engaged in various activities such as running,
walking, boxing, fencing, and descending a staircase (the latter study inspired
Marcel Duchamp's famous 1912 painting). This resplendent book traces the life
and work of Muybridge, from his early thinking about anatomy and movement to
his latest photographic experiments, and is copiously illustrated with his
complete locomotion plates as well as biographical pictures and texts. The work
of this icon of 19th century photography, still very relevant today, is most
deserving of this long overdue XL tome that will delight art and photography
fans as well as horse lovers." --> na zavihku ov. - Bibliografija: str.
800-801
ISBN 978-3-8365-0941-1 (trda vezava)
a) Muybridge,
Eadweard (1830-1904) b) angleška fotografija c) gibanje d) lokomocija e)
kronofotografija f) človek g) žival h) 19.st.
77-051(420):929Muybridge
E.
COBISS.SI-ID 895471
7.
NACIONALNA naučna konferencija "Skulptura:
medij, metod, društvena praksa" (2016 ; Novi Sad)
Skulptura : medij, metod, društvena praksa : zbornik radova [sa
Nacionalne naučne konferencije održane u Novom Sadu 25. novembra 2016] /
[urednice Suzana Vuksanović, Ana Bogdanović ; prevod na engleski Vera Krmpot]. -
Novi Sad : Muzej savremene umetnosti Vojvodine, 2016. - 165 str. : ilustr. ; 21
cm
Podatek o konferenci prevzet iz preliminarne str. - "Zbornik radova
"Skulptura: Medij, metod, društvena praksa" sa jednodnevnog simpozijuma
održanog krajem 2016. godine u Muzeju savremene umetnosti Vojvodine (MSUV) u
Novom Sadu, nastao je, kao i sama konferencija, iz težnje da se inicira radni i
misleći prostor za stvaranje i dijalog novih ideja i značenja koji se mogu
čitati iz raznorodnih umetničkih gestova i širih kulturnih i političkih praksi
u vezi sa skulpturom i njenim izlaganjem u izložbenom, muzejskom i javnom
prostoru u Srbiji u 20. i 21. veku. Publikacija "Skulptura. Medij, metod,
društvena praksa", u izdanju MSUV, objavljena je u okviru nacionalne naučne
konferencije koja je u tom muzeju održana u novembru 2016. godine, a čiji
učesnici su bili: dr Dejan Sretenović, mr Katarina Mitrović, dr Mariela Cvetić,
dr Maja Stanković, Milica Pekić, dr Lidija Merenik, dr Jasmina Čubrilo, kao i ma
Ana Bogdanović i mr Suzana Vuksanović, koje su i urednice tog zbornika." -->
s spletne str. založnika. - Bibliografija pri posameznih prispevkih. - Abstract
; Summary
ISBN 978-86-6333-035-1 (broš.)
a) kiparstvo b) teorija
kiparstva c) simpoziji d) zborniki e) jugoslovansko kiparstvo f) srbsko
kiparstvo g) spomeniško kiparstvo h) javni spomeniki i) 20.st. j) 21.st.
730(082)
COBISS.SI-ID 896239
8.
RACHLEFF, Melissa
Inventing downtown : artist-run galleries in New York City,
1952-1965 / Melissa Rachleff ; introduction by Lynn Gumpert ; interviews by
Billy Klüver and Julie Martin. - New York : Grey Art Gallery, New York
University ; Munich ; London ; New York : DelMonico Books/Prestel, 2017. - 296
str. : ilustr. ; 32 str.
Nasl. raztegnjen čez dve str. - "Catalogue
accompanies exhibition held 10 January - 8 December 2017, Grey Art Gallery, New
York University, New York; 28 September 2017 - 25 November 2018, Kunstmuseum
Luzern, Lucerne, Switzerland." --> v kolofonu. - "This enlightening and
thought-provoking look at New York City s postwar art scene focuses on the
galleries and the artists that helped transform American art. While the
achievements of New York City s most renowned postwar artists de Kooning,
Pollock, Rothko, Franz Kline have been studied in depth, a large cadre of
lesser-known but influential artists came of age between 1952 and 1965. Also
understudied are the early, experimental works by more well- known figures such
as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on
innovative artist-run galleries, this book invites readers to reevaluate the
period uncovering its diversity, creativity, and nuances, and tracing the
spaces influence during the decades that followed. Inventing Downtown charts
the development of artist-run galleries in Lower Manhattan from the early 1950s
to the mid-1960s, showing how the area s multicultural spirit played a major
role in shaping the artworks exhibited there. The book explores 14 key spaces
in which styles such as Pop, Minimalism, and performance and installation art
thrived. Excerpts from 33 revealing interviews with artists, critics, and
dealers, conducted by Billy Klu ver and Julie Martin, offer unique personal
insight into the era s creative milieu. Taken together, the book s essays and
interviews provide a distinctly new assessment of how downtown New York s
fertile environment nurtured an innovative art scene." --> na zavihku ov. -
Selected bibliography: str. 285-287. - Kazalo
ISBN 978-3-7913-5558-0
(trda vezava)
a) Grey Art Gallery, New York University (New York) - 10.
1.-8. 12. 2017 b) Kunstmuseum (Luzern) - 28. 9. 2017-25. 11. 2018 c) ameriške
galerije d) zasebne galerije e) umetniki galeristi f) ateljejske razstave g) New
York h) 1952-1965 i) ameriška umetnost j) intervjuji k) otvoritve razstav l)
postavitve razstav
7.07(73)
COBISS.SI-ID 896495
9.
RECONSTRUCTION, voice, identity / [edited by Jedrt Jež Furlan ;
translation Maja Lovrenov]. - Special ed. - Ljubljana : Maska, 2010 ([Begunje]
: Cicero). - 94 str. : ilustr. ; 17 cm
Dostopno tudi na:
https://issuu.com/zavodmaska/docs/reconstructionvoiceidentity. - 500 izv. -
Bibliografija pri posameznih prispevkih
ISBN 978-961-6572-17-0
a)
Janša, Janez (1973-) b) Janša, Janez (1964-) c) Janša, Janez (1970) d)
Performance art - Zborniki e) slovenska umetnost f) performativne prakse g)
uprizoritvene prakse h) 2001-2010
7.038.531(082)
792.038.531(082)
COBISS.SI-ID 251830016
10.
The RENAMING
machine : the book / project curator Suzana Milevska ; [editor Suzana
Milevska ; texts by Suzana Milevska ... [et al.] ; Slovene-to-English
translation Rawley Grau]. - Ljubljana : Zavod P.A.R.A.S.I.T.E. =
P.A.R.A.S.I.T.E. Institute, 2010 (Ljubljana : Formatisk). - 415 str. : ilustr.
; 24 cm
"The Renaming Machine is imagined as a two-year (2008-2010)
umbrella project comprising a series of events: conferences, exhibitions,
debates, video programmes, bloggers' posts, etc. that take place in Ljubljana,
Skopje, Prishtina, Zagreb and Vienna." --> iz uv. - Bibliografija pri večini
prispevkov
ISBN 978-961-6807-02-9
a) sodobna umetnost b)
preimenovanja c) nacionalne identitete d) osebnostne identitete e) kulturne
identitete f) politični vidik g) umetniški projekti h) zborniki
7.038.53:008(082)
COBISS.SI-ID 252270080
11.
SOLOMON-Godeau, Abigail
Photography after photography : gender, genre, history /
Abigail Solomon-Godeau ; edited by Sarah Parsons. - Durham (N.C.) ; London :
Duke University Press, 2017. - XXV, 255 str. : ilustr. ; 23 cm
"Presenting two decades of work by Abigail Solomon-Godeau, Photography
after Photography is an inquiry into the circuits of power that shape
photographic practice, criticism, and historiography. As the boundaries that
separate photography from other forms of artistic production are increasingly
fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic,
argues that the relationships between photography, culture, gender, and power
demand renewed attention. In her analyses of the photographic production of
Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and
others, Solomon-Godeau refigures the disciplinary object of photography by
considering these practices through an examination of the determinations of
genre and gender as these shape the relations between photographers, their
images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison
photographs and the Cold War-era exhibition The Family of Man, insofar as these
illustrate photography's embeddedness in social relations, viewing relations,
and ideological formations." --> z ov. - Bibliografija: str. 237-248. -
Kazalo
ISBN 978-0-8223-6266-1 (broš.)
ISBN 978-0-8223-6251-7 (trda
vezava)
a) fotografija b) eseji o fotografiji c) študije spolov d)
feminizem in likovna umetnost
77.04
COBISS.SI-ID 894703
12.
STEYERL, Hito
Jenseits der Repräsentation = Beyond representation : essays
1999-2009 / Hito Steyerl ; [Übersetzung Brian Currid ... et al.]. - Köln :
Verlag der Buchhandlung Walther König, cop. 2016. - 261 str. : ilustr. ; 23 cm.
- (n.b.k.-Diskurs ; Band 4)
Vzpor. nem. besedilo in prevod v angl. -
Bibliografija: str. 253-262
ISBN 978-3-86560-893-2
a) Steyerl,
Hito (1966-) b) nemška umetnost c) eseji o sodobni umetnosti d) 1999-2009 e)
besedila umetnikov f) film g) video umetnost h) multimedijska umetnost i)
umetnik o umetnosti
7.038.53:791(430):929Steyerl H.
COBISS.SI-ID
894959
13.
VEVAR, Rok
Rok za oddajo : izbor kritik in člankov / Rok Vevar ; [spremna beseda
Blaž Lukan]. - Maribor : Litera, 2011 ([Ljubljana] : Demat). - 265 str. ; 19
cm. - (Nova znamenja ; 39)
350 izv. - Pogled in pisava / Blaž Lukan:
str. 255-265
ISBN 978-961-6780-54-4
a) Vevar, Rok (1973-) -
Gledališka kritika b) Slovensko gledališče - Kritike
792(497.4)"2005/2010"(049.3)
792.072(497.4):929Vevar R.
COBISS.SI-ID 68304129
14.
VISION in
motion : streams of sensation and configurations of time / edited by Michael
F. Zimmermann. - Zürich ; Berlin : Diaphanes, 2016. - 656 str. : ilustr. ; 25
cm
"Vision is not mere registration of what enters, via the gateway of
our eyes, from the outside world into our inner consciousness. Understanding
the act of seeing as mirroring the outside world in mental images overlooks its
temporal aspect. From Berkeley to Helmholtz, from Goethe to Cézanne, new
discourses based on the physiology of the sense organs lead to new conceptions
of vision not only conceived of as a mental process, but as a cognitive
activity. Even before Freud interpreted dreams, seeing was conceived of as
accompanying our life even when we sleep. However, to understand even the
stream of the sensations, we have to configure them in pictures. Since the 19th
century, the media reflect about the confrontation of seeing as a diachronic
activity and of perception as coded in synchronic images. The contributions to
the volume investigate the opposition of the stream of sensations and the
configuration of time - from early illustrations of plants to the avant-gardes,
from gesture to cinema, from decapitation to dance, from David Hume to Bergson
and Deleuze. The main objective is a critical examination of images rendering
vision in motion, without reducing them to the temporality of narrative." -->
z ov. - Bibliografija z opombami na dnu str.
ISBN 978-3-03734-522-1
(trda vezava)
a) gibanje b) ritem c) recepcijska estetika d) film e) ples
f) vidna zaznava g) proces vidnega zaznavanja h) gledalec in videnje podobe i)
čas v umetnosti j) oko k) psihologija
7.01(082)
COBISS.SI-ID 895215
