1.
ART history
and emergency : crises in the visual arts and humanities / edited by David
Breslin and Darby English. - Williamstown (Mass.) : Sterling and Francine Clark
Art Institute, cop. 2016. - X, 147 str. : ilustr. ; 24 cm. - (Clark studies in
the visual arts)
"This publication was conceived by the Research and
Academic Program at the Sterling and Francine Clark Art Institute. A related
conference, titled "Art History and Emergency," was held 7-8 November 2014 at
the Clark." --> v kolofonu. - "Art History and Emergency assesses art
history's role and responsibilities in what has been described as the
"humanities crisis"-the perceived decline in the practical applications of the
humanities in modern times. This timely collection of critical essays and
creative pieces addresses several thought-provoking questions on the subject.
For instance, as this so-called crisis is but the latest of many, what part has
"crisis" played in the humanities' history? How are artists, art historians,
and professionals in related disciplines responding to current pressures to
prove their worth? How does one defend the practical value of knowing how to
think deeply about objects and images without losing the intellectual intensity
that characterizes the best work in the discipline? Does art history as we know
it have a future?" --> na ov. - Opombe z bibliografijo na koncu prispevkov
ISBN 978-1-935998-25-9 (Sterling and Francine Clark Art Institute)
a) svetovne krize b) globalna ekonomska kriza c) umetnostna zgodovina d)
odzivi e) eseji f) konference
7.01(082)
COBISS.SI-ID 864751
2.
BAJT, Drago
Kar je Sonce za Luno, to je Rusija za nas : kaj je socialistični realizem
/ Drago Bajt ; [prevod angleškega povzetka Nada Grošelj]. - Ljubljana :
Literarno-umetniško društvo Literatura, 2016 (Begunje : Cicero). - 407 str., XVI
str. pril. ; 19 cm. - (Zbirka Novi pristopi ; 63)
400 izv. -
Bibliografija: str. 357-378. - Kazali. - Povzetek v slov. in angl.
ISBN
978-961-6952-72-9
a) Socialistični realizem - Literarna veda - Sovjetska
zveza b) Sovjetske književnosti - Socialistični realizem c) Ruska književnost -
Socialistični realizem d) Slovenska književnost - Socialistični realizem e)
socialistični realizem f) likovna umetnost g) literarna zgodovina h)
književnost i) politični vidik j) ruska umetnost k) slovenska umetnost l) 20.st.
82.02(47+57)"19"
821.161.1.09"19"
821.163.6.09"19"
COBISS.SI-ID 283377664
3.
BENJAMIN, Andrew E.
Art's philosophical work / Andrew Benjamin. - London ; New York :
Rowman & Littlefield International, cop. 2015. - XXIV, 271 str. : ilustr. ;
22 cm
"What is the work of art? How does art work as art? Andrew
Benjamin contends that the only way to address these questions is by developing
a radically new materialist philosophy of art, and by rethinking the history of
art from within that perspective. A materialist philosophy of art starts with
the contention that meaning is only ever the after effect of the way in which
materials work. Starting with the relation between history, materials and work
(art's work), this book opens up a highly original reconfiguration of the
philosophy of art. Benjamin undertakes a major project that seeks to develop a
set of complex interarticulations between art history and an approach to art's
work that emphasizes art's material presence. A philosophy of art emerges from
the limitations of aesthetics." --> na ov. - Bibliografija: str. 257-267. -
Kazalo
ISBN 978-1-7834-8289-4 (trda vezava)
ISBN 978-1-7834-8290-0
(broš.)
a) filozofija umetnosti b) teorija umetnosti c) umetnostna
zgodovina
7.01
COBISS.SI-ID 863983
4.
BERNS, Roy S., 1954-
Color science and the visual arts : a guide for conservators,
curators, and the curious / Roy S. Berns. - Los Angeles : Getty Conservation
Institute, cop. 2016. - 208 str. : ilustr. ; 26 cm
"A curator, a
paintings conservator, a photographer, and a conservation scientist walk into a
bar." What happens next? In lively and accessible prose, color science expert
Roy S. Berns helps the reader understand complex color-technology concepts and
offers solutions to problems that occur when art is displayed, conserved,
imaged, or reproduced. Berns writes for two types of audiences: museum
professionals seeking explanations for common color-related issues and students
in conservation, museum studies, and art history programs. The seven chapters
in the book fall naturally into two sections: fundamentals, covering topics such
as spectral measurements, metamerism, or color inconstancy; and applications,
where artwork display, painting materials, and color reproduction are discussed.
A unique feature of this book is the use of more than 200 images as its main
medium of communication, employing color physics, color vision, and imaging
science to produce visualizations throughout the pages. An annotated
bibliography complements the main text with suggestions for further reading and
more in-depth study of particular topics. Engaging, incisive, and absolutely
critical for any scholar or student interested in color science, Color Science
and the Visual Arts is sure to become a key reference for the entire field."
--> na ov. - Bibliografija pri posameznih poglavjih in na str. 201-204. -
Kazalo
ISBN 978-1-60606-481-8 (broš.)
a) barva b) barvna
tehnologija c) teorija barv d) barvno zaznavanje e) barvni prostor f) barvna
metrika g) barvna reprodukcija h) pigmenti i) slikarski materiali j)
konservatorji k) kustosi l) fotografi m) priročniki
7.017.4(035)
COBISS.SI-ID 865775
5.
BOCCIONI, Umberto, 1882-1916
Futurist painting sculpture : (plastic dynamism)
/ Umberto Boccioni ; introduction by Maria Elena Versari ; translation by
Richard Shane Agin and Maria Elena Versari. - Los Angeles : Getty Research
Institute, cop. 2016. - IX, 293 str. : ilustr. ; 26 cm. - (Texts &
documents)
Vsebuje tudi prevod dela: Pittura scultura futuriste. -
"This fiery and influential book, available for the first time in English,
presents an Italian Futurist's radical ideas about art and architecture
Futurist Painting Sculpture (Plastic Dynamism), a truly radical book by Umberto
Boccioni (1882-1916), claimed a central position in artistic debates of the
1910s and 1920s, exerting a powerful influence on the Italian Futurist movement
as well as on the entire European historical avant-garde, including Dada and
Constructivism. Today, Boccioni is best known as an artist whose paintings and
sculptures are prized for their revolutionary aesthetic by American and European
museums. But Futurist Painting Sculpture demonstrates that he was also the
foremost avant-garde theorist of his time. In his distinctive, exhilarating
prose style, Boccioni not only articulates his own ideas about the Italian
movement's underpinnings and goals but also systematizes the principles
expressed in the vast array of manifestos that the Futurists had already
produced. Featuring photographs of fifty-one key works and a large selection of
manifestos devoted to the visual arts, Boccioni's book established the canon of
Italian Futurist art for many years to come.First published in Italian in 1914,
Futurist Painting Sculpture has never been available in English-until now. This
edition includes a critical introduction by Maria Elena Versari. Drawing on the
extensive Futurist archives at the Getty Research Institute, Versari
systematically retraces, for the first time, the evolution of Boccioni's ideas
and arguments; his attitude toward contemporary political, racial,
philosophical, and scientific debates; and his polemical view of Futurism's role
in the development of modern art." --> na ov. - Opombe z bibliografijo: str.
265-283. - Kazalo
ISBN 978-1-60606-475-7
a) Boccioni, Umberto b)
Carrà, Carlo c) Russolo, Luigi d) Balla, Giacomo e) Severini, Gino f) Soffici,
Ardengo g) italijanski futurizem h) italijansko slikarstvo i) italijansko
kiparstvo j) dinamizem k) besedila umetnikov l) umetniki o umetnosti m)
manifesti n) 1910-1915 o) razstave p) predgovori v razstavnih katalogih
7.03(450)
COBISS.SI-ID 865007
6.
BRANCUSI, Constantin
Brancusi, Rosso, Man Ray : framing sculpture : [Museum Boijmans
van Beuningen, Rotterdam, February 8-May 11, 2014] / [editors, Peter van der
Coelen, Francesco Stocchi ; authors, Peter van der Coelen ... et al.]. -
Rotterdam : Museum Boijmans van Beuningen, cop. 2014. - 271 str. : ilustr. ; 27
cm
Biografije umetnikov: str. 260-265. - Drugi dodatek k nasl. naveden
v kolofonu. - Bibliografija: str. 267-270
ISBN 978-90-6918-270-4
(English)
ISBN 978-90-6918-269-8 (Dutch)
a) Brancusi, Constantin
(1876-1957) b) Rosso, Medardo (1858-1928) c) Man Ray (1890-1976) d) Museum
Boijmans van Beuningen (Rotterdam) - 8. 2.-11. 5. 2014 - Razstavni katalogi e)
kiparstvo f) fotografija in kiparstvo g) 19.st. h) 20.st. i) kiparji fotografi
j) fotografiranje kipov k) postavitve razstav l) opisi umetnin
730.071(083.824)
COBISS.SI-ID 862703
7.
BRANCUSI, Constantin
Constantin Brancusi : sculpting the essence of things / [text]
James Pearson. - 3rd ed. - Maidstone : Crescent Moon Publishing, 2011. - 160
str. : ilustr. ; 24 cm. - (Sculptors series)
"Constantin Brancusi is
one of the greatest of all sculptors, and a key sculptor of the modern era, with
Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide
range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean
Arp, Barbara Hepworth, Minimalists and land artists. This new book studies the
religious and mythical dimensions of Constantin Brancusi's distinctive
scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest
was for the 'essence of things', which resulted in purifying a form until only
the essence was left." --> na ov. - Bibliografija: str. 157-160
ISBN
978-1-86171-284-4
a) Brancusi, Constantin (1876-1957) b) romunsko kiparstvo
c) abstraktno kiparstvo d) vplivi na mlajše umetnike e) vplivi na sodobno
umetnost
730.071(478):929Brancusi C.
COBISS.SI-ID 863471
8.
CÉZANNE, Paul
Paul Cézanne / [text] Jon Kear. - London : Reaktion Books, 2016. - 245
str. : ilustr. ; 20 cm. - (Critical lives)
"Few artists have exerted
such an influence on modern art as Paul Cezanne. Picasso, Braque and Matisse all
acknowledged a profound debt to his painting, and many historians regard him as
the father of modernism. This new biography reexamines Cezanne's life and art,
discussing the central events and people who shaped his work and placing his
oeuvre in the context of nineteenth- and early twentieth-century art and
culture.Jon Kear examines Cezanne's youth in Provence, a formative period which
left a deep and abiding impression on the artist's painting, as well as
exploring his turbulent time in Paris and the larger-than-life artistic persona
he created for himself during these years. His initial style, characterized by
violent and explicit subject-matter and a rugged manner of painting, gave rise
to an enduring mythology of the artist. Paul Cezanne explores the personal and
artistic relationships that influenced Cezanne: from his close friendship with
Emile Zola to his artistic dialogue with Manet, collaboration with Camille
Pissarro and association with the Impressionists. Above all, Paul Cezanne tells
the story of his life as a part of the pivotal shift towards the twentieth
century, illuminating how much his work and ideas helped to usher it in."
--> na ov. - Selected bibliography: str. 236-243
ISBN
978-1-78023-573-8
a) francosko slikarstvo b) 19.st. c) impresionizem d)
postimpresionizem e) biografije umetnikov f) umetniki in njihovi sodobniki
75.071(44):929Cézanne P.
COBISS.SI-ID 866543
9.
CORK, Richard
Face to face : interviews with artists / Richard Cork. - London : Tate
Publishing, 2015. - 256 str. : ilustr. ; 24 cm
Kazalo
ISBN
978-1-84976-324-0 (trda vezava)
a) sodobna umetnost b) angleška umetnost c)
angleški umetniki d) intervjuji e) umetniki o umetnosti f) fotografski portreti
umetnikov
7.036/.038(420)(047.53)
COBISS.SI-ID 864239
10.
CRIPPA, Elena
Exhibition, design, participation : 'An exhibit' 1957 and related
projects / Elena Crippa ; with additional essays by Martin Beck and Owen
Hatherley ; texts by Lawrence Alloway and David Sylvester ; interviews with
artists Richard Hamilton (conducted by Dorothy Morland) and Victor Pasmore
(conducted by Leif Sjöberg) ; and an introduction by Lucy Steeds. - London :
Koenig Books : Afterall Books, 2016. - 239 str. : ilustr. ; 22 cm. -
(Exhibition histories)
"The radical project an Exhibit emerged from a
decade of testing the formats and possibilities of exhibition-making. A
collaboration between two artists, Richard Hamilton and Victor Pasmore, and
critic Lawrence Alloway, the show was simultaneously an investigation into
abstract environmental forms and a participatory experiment that would
fundamentally transform the role of the viewer. Comprehensive documentation of
the original exhibition is presented alongside coverage of other key projects
from the era and contextualised through the detailed analysis of Elena Crippa.
Archival texts conveying the different voices of an Exhibits three creators and
an essay from the time by David Sylvester are accompanied by new contributions
by Martin Beck, Owen Hatherley and Lucy Steeds. This book addresses the diverse
legacies of an Exhibit from its reverberations in contemporary art practice to
its influence on urban design and social housing." --> na ov. - Selected
bibliography: str. 228-233. - Kazalo
ISBN 978-3-86335-897-6 (Koenig
Books, London)
ISBN 978-1-84638-167-6 (Afterall Books, London)
a)
razstave b) postavitve razstav c) zgodovina razstav d) dokumentacija razstav e)
oblikovanje razstav f) odzivi na razstave g) intervjuji h) fotografsko
dokumentarno gradivo i) petdeseta leta 20.st. j) ponatisi starejših besedil k)
1957
7.036/.038(082)
COBISS.SI-ID 865519
11.
The
CURATORIAL : a philosophy of curating / edited by Jean-Paul Martinon. - New
York ; London : Bloomsbury Academic, cop. 2015. - XIX, 255 str. : ilustr. ; 24
cm
"This book starts from this simple premise: thinking the activity of
curating. To do that, it distinguishes between 'curating' and 'the curatorial'.
If 'curating' is a gamut of professional practices for setting up exhibitions,
then 'the curatorial' explores what takes place on the stage set up, both
intentionally and unintentionally, by the curator. It therefore refers not to
the staging of an event, but to the event of knowledge itself. In order to
start thinking about curating, this book takes a new approach to the topic.
Instead of relying on conventional art historical narratives (for example,
identifying the moments when artistic and curatorial practices merged or when
the global curator-author was first identified), this book puts forward a
multiplicity of perspectives that go from the anecdotal to the theoretical and
from the personal to the philosophical." --> na ov. - Bibliografija: str.
245-252. - Kazalo
ISBN 978-1-47422-921-0 (broš.)
ISBN
978-1-47252-560-4 (trda vezava)
a) kuratorstvo b) kuratorske prakse c)
muzeologija d) razstave e) kuratorski projekti
7.07(082)
COBISS.SI-ID 863727
12.
CURATORIAL
dreams : critics imagine exhibitions / edited by Shelley Ruth Butler and
Erica Lehrer. - Montreal ; Kingston ; London ; Chicago : McGill-Queen's
University Press, cop. 2016. - XII, 383 str. : ilustr. ; 23 cm
"What if
museum critics were challenged to envision their own exhibitions? In Curatorial
Dreams, fourteen authors from disciplines throughout the social sciences and
humanities propose exhibitions inspired by their research and critical concerns
to creatively put theory into practice. Pushing the boundaries of museology,
this collection gives rare insight into the process of conceptualizing
exhibitions. The contributors offer concrete, innovative projects, each
designed for a specific setting in which to translate critical academic theory
about society, culture, and history into accessible imagined exhibitions.
Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South
Africa, Switzerland, and the United States, the exhibitions are staged in
museums, scientific institutions, art galleries, and everyday sites. Essays
explore political and practical constraints, imaginative freedom, and experiment
with critical, participatory, and socially relevant exhibition design. While
the deconstructive critique of museums remains relevant, Curatorial Dreams
charts new ground, proposing unique modes of engagement that enrich public
scholarship and dialogue." --> na ov. - Bibliografija: str. 335-367. - Kazalo
ISBN 978-0-7735-4683-7 (broš.)
ISBN 978-0-7735-4682-0 (trda
vezava)
a) muzeologija b) teorija c) razstave d) načrtovanje razstav e)
oblikovanje razstav f) postavitve razstav g) razstavne tehnike h) kuratorski
koncepti i) študije primerov
069(082)
COBISS.SI-ID 862959
13.
EINE
Stadtkrone für Halle, Saale : Walter Gropius im Wettbewerb : [Stiftung
Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), 24. Juni - 9.
Oktober 2011, Bauhaus-Archiv, Museum für Gestaltung, Berlin, 26. Oktober 2011 -
9. Januar 2012] / hrsg. von Christine Fuhrmann und Leonhard Helten. - Halle
(Saale) : Stiftung Moritzburg ; Berlin : Bauhaus-Archiv, Museum für Gestaltung,
2011. - 132 str. : ilustr. ; 22 x 24 cm
Drugi dodatek k nasl. naveden v
kolofonu. - Bibliografija: str. 131-132
ISBN 3-86105-049-8
a)
Gropius, Walter - Razstavni katalogi b) Behrens, Peter c) Poelzig, Hans d)
Fahrenkamp, Emil e) Kreis, Wilhelm f) Stiftung Moritzburg, Kunstmuseum des
Landes Sachsen-Anhalt (Halle (Saale)) - 24. 9.-9. 10. 2011 g) Bauhaus-Archiv,
Museum für Gestaltung (Berlin) - 26. 10. 2011-9. 1. 2012 h) nemška arhitektura
i) nerealizirani arhitekturni projekti j) arhitekturni načrti k) arhitekturni
natečaji l) 1927-1928
72(1/9)(430)(083.824)
COBISS.SI-ID 860655
14.
FORMS of
education : couldn't get a sense of it / [editors Aeron Bergman, Alejandra
Salinas, and Irena Borić]. - [Seattle] : Institute for new connotative action
press, 2016. - 445 str. : ilustr. ; 20 cm
Uredniki navedeni v kolofonu.
- "With texts, essays, and art by: Gregory Sholette, Eunsong Kim, Pablo
Helguera, Duba Sambolec, MFA noMFA, Shelly Asquith, Roee Rosen, Aurora Harris,
Ted Heibert, Mohamed Ali Fadlabi, Beatriz Santiago Muñoz, Marjetica Potrč,
Escuela de Garaje, Vancouver Institute for Social Research, Judith Chicago,
Bisan Abu Eisheh, Diego Bruno, Clare Butcher, Chus Martinez, Sezgin Boynik,
Audun Mortensen, Aeron Bergman & Alejandra Salinas, Irena Borić, Sondra
Perry & Nicole Maloof, Robert Paul Wolff, Chris Kraus, Martha Rosler, Tadej
Pogačar, and Walid Raad." --> iz splet. str. založnika
ISBN
978-0-9977639-0-4
a) sodobna umetnost b) izobraževanje c) študij umetnosti
d) poučevanje umetnosti e) umetniške akademije f) umetniki profesorji g)
intervjuji
7.07(082)
COBISS.SI-ID 861679
15.
GREEN, Charles
Biennials, triennials, and documenta : the exhibitions that
created contemporary art / Charles Green and Anthony Gardner. - Chichester :
Wiley Blackwell, 2016. - VIII, 296 str. : ilustr. ; 23 cm
"In this
engaging and insightful new treatise, Charles Green and Anthony Gardner examine
in depth the history and popularization of large scale international survey
exhibitions, or biennials , and their impact on contemporary art since the
1950s. From the 1972 director driven documenta 5 at Kassel to the rise of mega
exhibitions across Asia in the 1990s and 2000s, and the renewed ascendancy of
gargantuan biennials in the 21st century, Biennials, Triennials and Documenta
offers a comprehensive history of biennialization that is global in scope. In
addition to interrogating specific curatorial models and methods, Green and
Gardner use the history of biennials as a means of illustrating and inciting
further discussions of globalization in contemporary art." --> na ov. -
Bibliografija na koncu posameznih poglavij. - Kazalo
ISBN
978-1-4443-3665-8 (broš.)
ISBN 978-1-4443-3664-1 (trda vezava)
a)
sodobna umetnost b) bienale c) trienale d) Manifesta e) Documenta f) razstave
sodobne umetnosti g) zgodovina razstav h) kustos in razstavna dejavnost i)
globalizacija in likovna umetnost j) 1950-2013
7.036/.038
COBISS.SI-ID 862191
16.
IRWIN, Robert, 1928-
Robert Irwin : a conditional art / [text] Matthew Simms. -
New Haven ; London : Yale University Press, cop. 2016. - 351 str. : ilustr. ;
28 cm
"Robert Irwin (b. 1928) began as an abstract painter in the
1950s. Since that time, he has worked in architectural and outdoor
interventions, developing and expanding what he terms a "conditional" art
practice. He employs a wide range of media, such as scrim veils, chain link
fencing, Cor-ten walls, flowering plants, palm trees, fluorescent light bulbs,
and more. Ultimately, Irwin's medium is none of these specific materials, but
rather perception itself - its forms, limits, and possibilities for expansion
and change." --> iz uv. - Bibliografija: str. 338-346. - Kazalo
ISBN 978-0-300-17383-3 (trda vezava)
a) Irwin, Robert (1928-) -
Likovne monografije b) ameriška umetnost c) instalacije d) instalacije na
prostem e) svetloba f) prostor g) neon objekti h) javni prostor i) vrtovi j)
oblikovanje vrtov k) site-specific art
7.036/.038(73):929Irwin R.
COBISS.SI-ID 866031
17.
JAEGER, C. Stephen
Enchantment : on charisma and the sublime in the arts of the West
/ C. Stephen Jaeger. - Philadelphia : University of Pennsylvania Press, cop.
2012. - 424 str. : ilustr. ; 23 cm. - (Haney Foundation series)
"What
is the force in art, C. Stephen Jaeger asks, that can enter our consciousness,
inspire admiration or imitation, and carry a reader or viewer from the world as
it is to a world more sublime? We have long recognized the power of individuals
to lead or enchant by the force of personal charisma-and indeed, in his
award-winning Envy of Angels, Jaeger himself brilliantly parsed the ability of
charismatic teachers to shape the world of medieval learning. In Enchantment,
he turns his attention to a sweeping and multifaceted exploration of the
charisma not of individuals but of art. For Jaeger, the charisma of the visual
arts, literature, and film functions by creating an exalted semblance of life,
a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies
and actions, and superhuman abilities, so as to dazzle the humbled spectator
and lift him or her up into the place so represented. Charismatic art makes us
want to live in the higher world that it depicts, to behave like its heroes and
heroines, and to think and act according to their values. It temporarily
weakens individual will and rational critical thought. It brings us into a state
of enchantment. Ranging widely across periods and genres, Enchantment
investigates the charismatic effect of an ancient statue of Apollo on the poet
Rilke, of the painter Durer's self-portrayal as a figure of Christ-like
magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the
black-and-white projection of Fred Astaire dancing across the Depression-era
movie screen. From the tattoos on the face of a Maori tribesman to the haunting
visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary
book explores the dichotomies of reality and illusion, life and art that are
fundamental to both cultic and aesthetic experience." --> na ov. - Opombe z
bibliografijo: str. 379-415. - Kazalo
ISBN 978-0-8122-4329-1 (trda
vezava)
ISBN 978-0-8122-2335-4 (broš.)
a) sublimno v umetnosti b)
likovna umetnost c) književnost d) film e) karizmatičnost v umetnosti f) ikone
g) Kristus
7.01
COBISS.SI-ID 864495
18.
KEMP, Wolfgang
Der explizite Betrachter : zur Rezeption zeitgenössischer Kunst /
Wolfgang Kemp. - Konstanz : Konstanz University Press, cop. 2015. - 242 str. :
ilustr. ; 22 cm
"Be a participant!, Mach mit! ruft die Kunst seit den
sechziger Jahren ihrem Modellbetrachter zu: dem expliziten Betrachter, der im
Gegensatz zum impliziten und im Werk vorgesehenen Rezipienten jetzt direkt
adressiert und zur physischen Beteiligung aufgefordert wird. Diese neue
Situation erfordert eine neue Theorie: Der explizite Betrachter versucht sie zu
entwerfen. Die Gegenwartskunst hat ihren partizipatorischen Ansatz
unterschiedlich ausgeformt: Das Buch von Wolfgang Kemp behandelt den Betrachter
als Probanden im Erfahrungsraum der Installation (Bruce Nauman), als Akteur bei
Werkhandlungen (Franz Erhard Walther), als Teilnehmer an interaktiven Settings
und Prozessen (Relationale Kunst) und als "Prosumer", der gewissermaßen Hals
über Kopf in eine neue Kunst des Spektakels eintaucht (Olafur Eliasson).
Entscheidenden Anteil an diesen Ausformungen haben die Museen und
Ausstellungsinstitutionen, die Rezeption und Produktion der Kunst überformen,
indem sie Zugangsbedingungen festlegen und "kulturelles Kapital" verteilen oder
vorenthalten. Die früher selbstverständliche Position einer "Kunst für alle"
scheint dabei derzeit von einer Kunst für Käufer abgelöst zu werden. 1967 wurde
die Rezeptionsästhetik in Konstanz geprägt. In der Bildenden Kunst erwies sich
seitdem und das bei immer wieder neuen ästhetischen Herausforderungen keine
Methode als so zeitgemäß. Der Betrachter-Teilnehmer ist dabei längst nicht mehr
allein mit dem Kunstwerk: Er wird von der Institution regelrecht bevormundet
und seiner Herkunft, deren soziale und bildungsmäßige Bedingungen von Pierre
Bourdieu untersucht worden waren, wächst eine neue Bedeutung zu. Ist
Kunstrezeption also eine elitäre, exklusive Klassensache? Man darf annehmen,
dass der Boom, den die Kunstausstellungen erleben, auch das Verhalten und die
Art des Publikums verändert hat. "Kunstausstellungen produzieren
Ausstellungskunst" konstatierte Werner Hofmann bereits 1970." --> na zavihku
ov. - Opombe z bibliografijo: str. 223-242
ISBN 978-3-86253-075-5 (trda
vezava)
a) sodobna umetnost b) participatorna umetnost c) recepcijska
estetika d) gledalec in videnje umetnine e) interaktivnost f) relacijska
estetika g) instalacije h) muzeji sodobne umetnosti
7.01
COBISS.SI-ID 862447
19.
LÉGER, Marc James
Brave new avant garde : essays on contemporary art and politics /
Marc James Léger. - Winchester ; Washington : Zero Books, 2012. - X, 197 str. :
ilustr. ; 22 cm
"Brave New Avant Garde is a collection of essays that
ask the questions: what is an adequate model of contemporary avant garde
practice and what are its theoretical premises? With this it asks the related
question, echoing Alain Badiou: must the avant garde hypothesis be abandoned?
Brave New Avant Garde stands in opposition to postmodern post-politics and the
view that radical practice has no other future than its reduction to the
workings of the free market in the form of the "simple process of cultural
production" or to variations on the cultural politics of representation.
Today's avant garde, formed in the wake of the end of the Soviet Union and the
rise of the anti-globalization movement, represents a counter-power that
rejects the inevitability of capitalist integration. The way out for artists in
today's world of creative industries is defined in these pages as a
psychoanalytically informed sinthomeopathic practice, a critical identification
with prevailing conditions of production that avoids the surplus enjoyment of
the ideology of postmodern pluralism." --> na ov. - Opombe z bibliografijo:
str. 161-197
ISBN 978-1-78099-050-7 (broš.)
a) Janša Janša Janša
(umetniška skupina) b) Neue Slowenische Kunst (umetniška skupina) c) Laibach
(glasbena skupina) d) avantgardna umetnost e) sodobna umetnost f) socialno
angažirana umetnost g) politika in likovna umetnost h) antiglobalizacija i)
antineoliberalizem j) intervjuji
7.01
COBISS.SI-ID 863215
20.
LIPPINCOTT, Jonathan D.
Large scale : fabricating sculpture in the 1960s and 1970s
/ Jonathan D. Lippincott ; [foreword by Hugh M. Davies ; introduction by
Patterson Sims]. - New York : Princeton Architectural Press, cop. 2010. - 256
str. : ilustr. ; 28 cm
In 1966, if artists wanted to create works
larger than their studios or their own metalworking abilities, they had to turn
to industrial manufacturers, usually steel fabricators or boat builders, who
were unable to accommodate nonlinear, creative process of making art.
Lippincott Inc. was the first company to put the tools of industrial fabrication
at the disposal of artists, and for nearly a decade and a half the only company
of its kind. Its founders, Donald Lippincott and Roxanne Everett, meticulously
and fortuitously documented the working process of the most important American
artists of the twentieth century as they created some of the most iconic
sculptures of the time and their careers. Large Scale: Fabricating Sculpture in
the 1960s and 1970s includes over 300 previously unseen of photographs that
offers unique insights into key artists works and their working process. Many
of the sculptures are shown at different stages of fabrication; sculptures
being installed in public spaces, museums, and galleries. The images, culled
from photographs in Lippincott s archives,were taken primarily by Everett, who
was vice president at the company from its inception until 1978. Very few of the
photographs have been published before, and the collection has not been
accessible. The photographs are presented with narrative captions, providing a
visual history of the artists at work. The author, Don Lippincott s son, was
familiar with most of the work as well as the artists, having often visited the
shop as a child, and provides a unique look at this body of work. An
introduction by Patterson Sims as well as new information, interviews, and
commentary from artists, Lippincott fabricators, curators, and collectors.
Artists who worked with Lippincott included: Ronald Bladen; Jonathan Borofsky;
Robert Breer; Jean Dubuffet; Nancy Graves; Red Grooms; Robert Grosvener; Keith
Haring; Robert Indiana; Donald Judd; Menashe Kadishman; Ellsworth Kelly; June
Leaf; Roy Lichtenstein; Marisol; Clement Meadmore; Robert Morris; Robert
Murray; Forrest Myers; Louise Nevelson; Barnett Newman; Claes Oldenberg; George
Rickey [to be confirmed]; James Rosati; Tony Rosenthal; Lucas Samaras; Tony
Smith; Tal Streeter; George Sugarman; Michael Todd; Ernst Trova; William
Underhill; David Von Schlegell; Tom Wesselmann; William Wiley; Isaac Witkin."
--> na ov. - Bibliografija: str. 250-251. - Kazalo
ISBN
978-1-56898-934-1
a) ameriško kiparstvo b) kiparski objekti velikih
dimenzij c) kiparstvo na prostem d) javno kiparstvo e) šestdeseta leta 20.st. f)
sedemdeseta leta 20.st. g) fotografsko dokumentarno gradivo h) dokumentiranje
umetniške ustvarjalnosti i) proces ustvarjanja umetnine j) kiparske delavnice
k) izdelava kiparskih objektov l) intervjuji
730(1/9)(73)
COBISS.SI-ID 861935
21.
MAECHTIG, Saša J.
Sistemi, strukture, strategije / Saša J. Mächtig ; [besedila Špela
Šubic, Barbara Predan, Maja Vardjan] ; uredila, [intervjuji in opisi projektov]
Maja Vardjan ; [prevod iz angleščine v slovenščino Darja Horvatič]. - Ljubljana
: Muzej za arhitekturo in oblikovanje : Akademija za likovno umetnost in
oblikovanje, 2016 (Begunje : Cicero). - 224 str. : ilustr. ; 24 cm
Nasl. str. na str. 33. - 500 izv. - Bibliografija: str. 219-221
ISBN 978-961-6669-37-5 (Muzej za arhitekturo in oblikovanje)
a)
Muzej za arhitekturo in oblikovanje (Ljubljana) - 26. 11. 2015-3. 4. 2016 b)
slovensko industrijsko oblikovanje c) osebne razstave
7.05(497.4):929Maechtig S. J.
COBISS.SI-ID 283519232
22.
MAECHTIG, Saša J.
Systems, structures, strategies / Saša J. Mächtig ; [texts Špela
Šubic, Barbara Predan, Maja Vardjan ; editor, [interviews and project
descriptions] Maja Vardjan ; English translations Andreja Šalamon Verbič]. -
Ljubljana : Museum of Architecture and Design : Academy of Fine Arts and
Design, 2016 (Begunje : Cicero). - 224 str. : ilustr. ; 24 cm
Nasl.
str. na str. 33. - 400 izv. - Bibliografija: str. 219-221
ISBN
978-961-6669-38-2 (Museum of Architecture and Design)
a) Muzej za
arhitekturo in oblikovanje (Ljubljana) - 26. 11. 2015-3. 4. 2016 b) slovensko
industrijsko oblikovanje c) osebne razstave
7.05(497.4):929Maechtig S.
J.
COBISS.SI-ID 283519488
23.
MANIFESTA (11 ; 2016 ; Zürich)
Manifesta 11 : the european biennial of
contemporary art, 11. 6. - 18. 9. 2016, Zurich, Switzeralnd = die europäische
Biennale für zeitgenössische Kunst, 11. 6. -18. 9. 2016, Zürich, Schweiz /
[Herausgeber, editor Christian Jankowski]. - Zürich : Lars Müller Publishers,
cop. 2016. - 317 str. : ilustr. ; 26 cm
Nasl. na ov.: What people do
for money. - Vzpor. nem. in angl. besedilo. - "What People Do for Money is
published on the occasion of the 11th edition of Manifesta, the European
Biennial of Contemporary Art. Curated by artist Christian Jankowski, the
biennial permeates the social fabric of Zurich by initiating collaborative
projects between artists and citizens from different worlds of work. The
catalogue features over thirty of these joint ventures-along with illustrations
of the thematic exhibition, documentation of the Pavillon of Reflections on
Lake Zurich, and coverage of the participatory artists' guild at Cabaret
Voltaire. Including commentaries from the artists' collaborators, stills from
the film programme, sociological research, and new literary texts, it presents a
multifaceted portrait of Zurich-one which by generating and gauging discussions
serves to contextualise the Swiss capital within Europe today. With
contributions from Franco Berardi, Harald Falckenberg, Hedwig Fijen, Sarah
Schilliger, Mikhail Shishkin, and Jakob Tanner, among others." --> na ov.
ISBN 978-3-03778-488-4
a) sodobna umetnost b) Manifesta c) bienale
d) 2016 e) skupinske razstave
73/76(083.824)
COBISS.SI-ID 865263
24.
MEDOSCH, Armin
New tendencies : art at the threshold of the information
revolution (1961-1978) / Armin Medosch. - Cambridge (Mass.) ; London : The MIT
Press, 2016. - X, 395 str. : ilustr. ; 24 cm. - (Leonardo book series)
"New Tendencies, a nonaligned modernist art movement, emerged in the
early 1960s in the former Yugoslavia, a nonaligned country. It represented a
new sensibility, rejecting both Abstract Expressionism and socialist realism in
an attempt to formulate an art adequate to the age of advanced mass production.
In this book, Armin Medosch examines the development of New Tendencies as a
major international art movement in the context of social, political, and
technological history. Doing so, he traces concurrent paradigm shifts: the
change from Fordism (the political economy of mass production and consumption)
to the information society, and the change from postwar modernism to
dematerialized postmodern art practices. Medosch explains that New Tendencies,
rather than opposing the forces of technology as most artists and intellectuals
of the time did, imagined the rapid advance of technology to be a springboard
into a future beyond alienation and oppression. Works by New Tendencies cast
the viewer as coproducer, abolishing the idea of artist as creative genius and
replacing it with the notion of the visual researcher. In 1968 and 1969, the
group actively turned to the computer as a medium of visual research,
anticipating new media and digital art. Medosch discusses modernization in
then-Yugoslavia and other nations on the periphery; looks in detail at New
Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and
considers such topics as the group's relation to science, the changing
relationship of manual and intellectual labor, New Tendencies in the
international art market, their engagement with computer art, and the group's
eventual eclipse by other "new art practices" including conceptualism, land art,
and arte povera. Numerous illustrations document New Tendencies' works and
exhibitions." --> na zavihku ov. - Bibliografija: str. 303-354. - Kazalo
ISBN 978-0-262-03416-6 (trda vezava)
a) OHO (umetniška skupina) b)
Nove tendencije c) Zagreb d) hrvaška umetnost e) tehnologija in likovna umetnost
f) znanost in likovna umetnost g) računalniška umetnost h) računalniška grafika
i) Gorgona j) EXAT 51 k) Jugoslavija l) šestdeseta leta 20.st. m) 1961-1978
7(1/9)(497.5)
COBISS.SI-ID 866287
25.
The NEW
curator : researcher, commissioner, keeper, interpreter, producer,
collaborator / [writing and editing Coline Milliard, Rafal Niemojewski, Ben
Borthwick, Jonathan Watkins ; interviews, chapter-opening texts and curator
introductions Natasha Hoare]. - London : Laurence King Publishing, 2016. - 240
str. : ilustr. ; 29 cm
"This book presents a snapshot of the most
interesting curatorial practices in the art world today. There is an emphasis on
the "now": the introduction sketches in the development of curatorial practices
since the 1980s but the shows under scrutiny in the following twenty-five case
studies have all taken place in the last few years. The selected exhibitions -
chosen by an expert panel of curators - run the global gamut, from Europe and
the U.S. through Africa and the Middle East to China, and illustrate the
particular challenges for curators working in both the commercial and public
sectors. Large-scale shows and pop-up exhibits, permanent-collection rehangs and
art fairs all have a place here. Each highly illustrated case study is
structured around an interview with the curator responsible for the show. The
text both tells the story of the show's making and fills in background
information about the curator's work, resulting in an accessible guide to
contemporary curating." --> na ov. - Kazalo
ISBN 978-1-78067-747-7
a) Šušteršič, Apolonija b) sodobna umetnost c) kuratorstvo d) kuratorske
prakse e) kustosi f) kuratorji g) kustos in umetnik h) vloga kustosov v družbi
i) razstave j) postavitve razstav k) 1980-2015 l) intervjuji m) študije primerov
n) net art o) spletna umetnost p) bienale
7.07(082)
COBISS.SI-ID
861423
26.
STAVRINAKI, Maria
Dada presentism : an essay on art & history / Maria Stavrinaki
; translated by Daniela Ginsburg. - Stanford : Stanford University Press, cop.
2016. - 107 str. : ilustr. ; 22 cm
"Dada is often celebrated for its
strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki
provides a new picture of Dada art and writings as a lucid reflection on
history and the role of art within it. The original (Berlin-based) Dadaists'
acute historical consciousness and their modern experience of time, she
contends, anticipated the formulations of major historians such as Reinhart
Koselleck and, more recently, Francois Hartog. The book explores Dada
temporalities and concepts of history in works of art, artistic discourse, and
in the photographs of the Berlin Dada movement. These photographs-including the
famous one of the First International Dada Fair-are presented not as simple,
transparent documents, but as formal deployments conforming to a very concrete
theory of history. This approach allows Stavrinaki to link Dada to more
contemporary artistic movements and practices interested in history and the
archive. At the same time, she investigates what seems to be a real oxymoron of
the movement: its simultaneous claim to the ephemeral and its compulsive
writing of its own history. In this way, Dada Presentism also interrogates the
limits between history and fiction." --> na ov. - Bibliografija: str.
95-104. - Kazalo
ISBN 978-0-8047-9812-9 (broš.)
ISBN
978-0-8047-9424-4 (trda vezava)
a) dadaizem b) Berlin c) politični vidik d)
20.st.
7.03(430)
COBISS.SI-ID 866799
27.
THEA, Carolee
On curating 2 : paradigm shifts : interviews with fourteen
international curators / interviews by Carolee Thea ; Nancy Adajania, Wassan
Al-Kudhairi, David Elliott, Mami Kataoka, Sunjung Kim, Koyo Kouoh, Carol Yinghua
Lu, Gerardo Mosquera, Ugochukwu-Smooth Nzewi, Jack Persekian, José Roca, Bisi
Silva, Alia Swastika, WHW ; edited by Carolee Thea and Thomas Micchelli ;
foreword by Carolyn Christov-Bakargiev. - New York : D.A.P./Distributed Art
Publishers, cop. 2016. - 135 str. : ilustr. ; 25 cm
"On Curating 2,
Carolee Thea's new volume of interviews with 14 of today's leading curators,
explores the lively system of art biennials that is thriving around the world -
particularly outside Europe and America. Spawned by their more formal Western
predecessors and motivated by the forces of history and politics, the newer
incarnations of the biennial often occur in the cities of the postcolonial
world and the Global South, as well as in former socialist countries. The new
generation of curators who are organizing these surprisingly provocative and
experimental exhibitions hail from cities as diverse as Bogotá, Dakar, Havana,
Jakarta, Jerusalem, Lagos, Mumbai, Seoul and Zagreb, and they are the subjects
of the interviews collected in this book." --> na zavihku ov.
ISBN
978-1-938922-90-9
a) Potrč, Marjetica (1953-) b) sodobna umetnost c)
kuratorji d) kuratorske prakse e) kuratorski koncepti f) muzeji sodobne
umetnosti g) kustos in razstavna dejavnost h) kustos in umetnik i) intervjuji
j) globalizacija k) bienale l) postkolonializem m) postavitve razstav
7.07(047.53)
COBISS.SI-ID 867311
