+MSUM | 2018

With this exhibition, we are bringing together a collection of the best new VR and 360° experiences in author animated film: some of these international works are waiting to be explored, while others encourage guests to actively participate in the virtual world. On top of that, we will present also some groundbraking computer generated interactive games.

Cities look increasingly alike. This homogenization is reflected in the geography of economic pressures, tourist destinations, rivalry for territory, and also in the vulnerability of urban authenticity.

The display foregrounds alternative models of artistic production, such as they developed in Eastern Europe in socialist times, in particular in the territory of former Yugoslavia. Between the 1950s and the 1990s, artists in Yugoslavia, the Soviet Union, Hungary, Poland, and GDR devised various alternative models of artistic production, in particular as a performative aspect of their art.

Choreographic statements are part of the Temporary Slovene Dance Archive’s exhibition programme hosted by +MSUM's Draught Series series. With them we introduce to the documentation and archiving process such kind of use of time in dance work that inventories the individual phases of the relevant choreographic process and its developmental logic.

A program of performances, guided tours, lectures, workshops and discussions following Heavenly Beings: Neither Human Nor Animal.

The exhibition opposes any form of essentialism, any reference to the pure nature of humans or animals, and it reminds us that both people and animals are the product of a long history of various kinds of resistance and attempts to escape the given circumstances.

At the core of the duo P L A T E AU R E S I D U E’s installation is an ice mass, or more precisely, a stalactite brought by the artists from an ice cave to the museum and kept there as a museum exhibit. This is a reminder of the rapid disappearance of ice as a consequence of global warming, which has affected ice deposits in Slovenia as well; at the same time, the artists were guided by their fascination with ice and its optical properties, which led them to experiment and identify creative potential in a block of ice.

Matej Stupica You Are Here Museum of Contemporary Art Metelkova   Open the museums! Open the museums! Europe is haunted By spectral i...

Italian Limes explores the modern notion of the border within the context of the most recent advancement of the technologies for spatial representation and the massive consequences of climate change that hit the Alpine ecosystem over the last decade.

Rok Vevar, the founder of the Temporary Slovene Dance Archive (2012) has dedicated a great deal of time and effort to creating an historical overview of the development of dance in Slovenia, in the process compiling his own documentary and audiovisual archive. Most of the material concerns contemporary scenic arts, dance and theater of the non-institutional scene over the past 20 years.

Following the survey exhibitions of Marko Pogačnik in 2012 and Andraž Šalamun in 2017, both held in the Moderna galerija, we are now presenting the third founding member of the OHO group, one of the most outstanding art phenomena in Slovenia. The exhibition is dedicated to the year 1968.

iMstrument   Tomaž Grom: concept Ana Čigon: recording and video editing Vasja Progar: processing, coding Tilen Sepič: interface design and prod...

Note to an Entirety Triptych of photographs Artists: Simona Semenič, Nada Žgank Number of prints: 1 / 3 + 2AP Year of production: 2009 Year of ...

Slovenia and Yugoslavia Through the Prism of Events, Exhibitions and Discourses

In her video essay the artist showcases the non-human subject, the Mexican salamander axolotl as a cultural heritage in the biopolitical (decolonial) conditions, displaying the connection between mythology and the contemporary world. Piscis ludicrous / Transfixed Gaze presents the subject through different narratives: either as a species facing extinction in its natural environment; or as a subject of scientific research.

The current exhibition gives prominence to works showing how artists drew attention to their repressive environments by torturing or disciplining their bodies, particularly in the 1960s and 1970s. The other section explores the topic of living conditions, more specifically, dwellings. A part of the exhibition is also the special project The Lives of Monuments.

MG+MSUM PROGRAM for 2018   Museum of Modern Art, MG+ Marij Pregelj (1913 – 1967): A Retrospective Curator: Martina Vovk 14 Decemb...