MG+MSUM

FILM | Sven Augustijnen: Spectres
Friday, 8 March 2019 | 20.00 | Slovenska Kinoteka
#
#
#
#

Sven Augustijnen

Spectres

 Belgium, 2011, DCP, 16:9, colour, 104', ap

 

Film screening at Slovenska kinoteka, Miklošičeva 28, Ljubljana.

Friday, 8 March 2019, at 8 p.m.

 

The screening will be followed by a talk with the author moderated by Igor Prassl. In collaboration with Slovenska kinoteka.

 

Fifty years after his assassination, Patrice Lumumba, Prime Minister of the newly independent Congo, is back to haunt Belgium. Through commemorations and encounters, the top-ranking Belgian civil servant who was in Elisabethville on that tragic day of 17 January 1961 attempts to exorcise the ghosts of the past. To the sound of St John Passion by J.S. Bach, Spectres immerses us into one of the darkest days of the decolonisation of the Belgian Congo. An examination of the biopolitical body, this feature-length film by Sven Augustijnen exposes the fine line separating legitimisation and historiography and the traumatic issue of responsibility and debt.

 

Spectres won the Public Libraries Prize and GNCR Prize and received a special mention from the jury of the International Competition at FID Marseille (FR). It won the Prize of the Flemish Community at Festival Filmer à Tout Prix (BE).

 

Concept and image Sven Augustijnen
Production assistent Fairuz
Editing Mathieu Haessler and Sven Augustijnen
Sound recording Benoît Bruwier and Jeff Levillain
Sound mixing Benoît Bruwier
Music St Johns Passion, J.S. Bach (performed by La Petite Bande)

 

Produced by Auguste Orts, co-produced by Projections, Cobra Films and Jan Mot
With the support of the Flanders Audiovisual Fund, CERA Partners in Art, Mu.ZEE, Kunstenfestivaldesarts, Koninklijke Vlaamse Schouwburg, WIELS Contemporary Art Centre, Vlaams-Nederlands Huis deBuren, de Appel arts centre, Marres Centre for Contemporary Culture, Vlaamse Gemeenschapscommissie, Kunsthalle Bern, Kunst Halle Sankt Gallen, Kunstencentrum BUDA, FLACC Workplace for Visual Artists, Fonds Régional d’Art Contemporain – Région Bourgogne, Le Fresnoy studio national des arts contemporains.

 

 

The screening is part of the accompanying programme of the exhibition Southern Constellations: The Poetics of the Non-Aligned, that is part of the larger project New Mappings of Europe, co-funded by the Creative Europe Programme of the European Union, Ministry of Culture of the Republic of Slovenia, Flemish authority, Mondriaan Fund, Danish Arts Foundation, Dirac.

 

     
 
We recommend