The exhibition asks how to contend with the end that we are already living and will be dealing with for the foreseeable future, without veering into the utopian or dystopian, since neither hope nor despair provide a solid base or have much to contribute.

In the installation, Maruša Sagadin references architectural elements from public spaces, such as columns, arches, facades and benches. These forms are not simply translated; instead, their basic structure is expanded.

The exhibition asks how to contend with the end that we are already living and will be dealing with for the foreseeable future, without veering into the utopian or dystopian, since neither hope nor despair provide a solid base or have much to contribute.