Last two evening lectures of the Summer School The Big Shift: the 1990s. Avant-gardes in Eastern Europe and Their Legacy by Marko Peljhan, Here We Go Again...Resolutions, Decision-making and Strategies and Eda Čufer, EAST ART MAP – Is it Art or Art History?, followed by a performance by Walid Raad, LES LOUVRES and/or KICKING THE DEAD at the Ljubljana Puppet Theatre in frames of the Mladi levi festival.

In his artworks, Raad explores how wars and decades of socio-political instability, such as those experienced in the Middle East, cause lasting physical and psychological violence that is reflected in bodies, psyches, spaces, traditions and memories.

In the 1970s, an extraordinary cinematic impulse formed at the intersection of countercultural mysticism, poststructuralist doubt, and emerging media technologies: to film what eludes the eye, to make the world visible through a sensory ritual that becomes a channel for communication in discovering the unseen.