Gorgona
Croatia 1959–1966
Gorgona was a Zagreb-based group of artists, architects, critics, and art historians. It existed from 1959 to 1966, and its driving force was the painter Josip Vaništa. It was not a tightly-bound group with a defined program and goals, but more an association of creative individuals who were, and still are, highly original and unconventional in their work. Basing their work in absurdity, anti-aestheticism, and confrontation with official and established art forms, Gorgona members’ activities included exhibitions, meetings, group walks, and other events. An essential part of their activity was the “antimagazine” Gorgona, which was not a proper magazine but rather a series of artists’ contributions. A strong tendency in the group was replacing visual and material art objects with proposals, descriptions, and concepts, several of which, from today’s perspective, seem quite visionary. In 1964, for example, Vaništa created a painting which existed only in its verbal description. Also deserving of mention are Ivan Kožarić’s proposals (for example to cast in plaster the interior spaces of buildings, cars, public spaces, or even the heads of all the group members) and the contributions of Dimitrije Mangelos and Julije Knifer.
Anti-magazine Gorgona, 1961–66
Josip Vaništa, No. 1, 1961
Julije Knifer, No. 2, 1961
Marijan Jevšovar, No. 3, 1962
Victor Vasarely, No. 4, 1961
Ivan Kožarić, No. 5, 1961
Josip Vaništa, No. 6, 1961
Miljenko Horvat, No. 7, 1965
Harold Pinter, No. 8, 1965
Dieter Rot, No. 9, 1966
Josip Vaništa, No. 10, 1966
Josip Vaništa, No. 11, 1966
screenprint, offset, photographs on paper
Print: Josip Vaništa
Number of copies: 100–300
Painting (Silver Line on White Background), 1964
typescript on paper
Thoughts for the Month, 1964
Thoughts for February (Abstract painting…), 1964
Thoughts for February (The world around us…), c. 1964
Thoughts for March (I did not care about…), 1964
Thoughts for May (Gedanken für Mai), 1962 (1977)
Thoughts for June (Buddhist monks…)
There is a path, but no travellers on it, . 1961–1964
typescript on paper, 6 x (29,5 x 20,8 cm)
Placing the Painting, 1986
Vaništa’s painting Black Line on Silver Ground (1964) left in the snow in Jelenovac, b/w photographs, 8 x (24 x 24 cm)
Members and friends of Gorgona, 1961
b/w photographs, 17,7 x 24,2 cm,
photo: Branko Balić