20th Century. Continuities and Ruptures - presentations of selected works | MG+MSUM

ROOM 1:

- Lojze Dolinar - Hard Life (Shattered Happiness), 1928

- Veno Pilon - Lacemaker (Portrait of Štefka Batič), 1923

- France Kralj - Family Portrait, 1926

ROOM 2:

- France Kralj - Town and Country Children, 1931

- Tone Kralj - Peasant Wedding, 1932

- Gojmir Anton Kos - Man with Parrot, 1926

- Zdenko Kalin - Children's Games III (Blind Man's Buff), 1953, in Children's Games V (Spinning), 1954

ROOM 3:

- Stane Kregar - Execution Wall, 1959, in After the Harvest, 1959

- Marko Šuštaršič - Document on the Pohorje Battalion, 1962

- Marij Pregelj - Pompeian Company at Table, 1962

- Zoran Mušič - We are not the Last, 1970

- Gabrijel Stupica - Self-Portrait, 1974

ROOM 4:

- Janez Bernik - Wall, 1961, and The Big Letter, 1964

- Gustav Gnamuš - Untitled, 1978

- Tugo Šušnik - Untitled, 1975

- Emerik Bernard - Chapel - Dough - Body II, 1982

- Dragica Čadež - Four-Armed Sign, 1969

ROOM 5:

- Andraž Šalamun - Bison, 1986

- IRWIN - Kapital, 1987-2008

- Jože Slak - Đoka - "Povšetova mast bi fri", 1984

Zdenko Kalin, Children’s Games III (Blind Man’s Buff), 1953, bronze (detail)

Jože Slak – Đoka, “Povšetova mast bi fri”, 1984, mixed media on canvas and wood (detail)

Gabrijel Stupica, Self-Portrait, 1974, tempera and mixed media on canvas (detail)

Tugo Šušnik, Untitled, 1975, acrylic on canvas (detail)

Tone Kralj, Peasant Wedding, 1932, oil on canvas (detail)

France Kralj, Family Portrait, 1926, oil on canvas (detail)

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