COBISS Kooperativni online bibliografski sistem in servisi COBISS


AMOR, Mónica
        Theories of the nonobject : Argentina, Brazil, Venezuela, 1944-1969 / Mónica Amor. - Oakland : University of California Press, cop. 2016. - X, 309 str., [16] str. pril. : ilustr. ; 26 cm

"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela. Monica Amor, a native of Venezuela, presents case studies of specific movements, artists, and critics, tracing their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in "Theory of the Nonobject," a seminal essay published in 1959 in the Suplemento Dominical do Jornal do Brasil. Based on deep archival research, this distinctive book brings scholarly attention to a group of major art figures, including Lygia Clark, Helio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object." --> na zavihku ov. - Opombe z bibliografijo: str. 219-285. - Kazalo

ISBN 978-0-520-28662-7 (trda vezava)
a) Clark, Lygia (1920-1988) b) Oiticica, Helio (1937-1980) c) Gego (1912-1994) d) nepredmetna likovna umetnost e) konkretna umetnost f) južnoameriška umetnost g) h) 1944-1969 i) konstruktivizem j) neokonkretna umetnost k) geometrijska abstrakcija l) manifesti m) argentinska umetnost n) brazilska umetnost o) venezuelska umetnost


ARS Electronica (Linz ; 2011)
        Origin : wie alles beginnt : [Ars Electronica, Linz, August 31 - September 6, 2011] / edited by Gerfried Stocker, Christine Schöpf, Hannes Leopoldseder. - Ostfildern : Hatje Cantz, cop. 2011. - 423 str. : ilustr. ; 24 cm

Nasl. na ov.: Ars electronica 2011 : Festival für Kunst, Technologie und Gesellschaft. - Biografije avtorjev: str. 418-423. - Vzpor. nem. in angl. besedilo

ISBN 978-3-7757-3180-5
a) Ars Electronica (Linz) - 31. 8.-6. 9. 2012 - Razstavni katalogi b) digitalna umetnost c) digitalni mediji d) video umetnost e) vesolje f) veliki pok g) nastanek vesolja h) znanost in likovna umetnost i) tehnologija in likovna umetnost j) Ars Electronica k) multimedijska umetnost l) zvočne instalacije m) roboti n) festivali o) računalniške animacije p) interaktivna umetnost q) skupinske razstave


ARS Electronica (Linz ; 2012)
        The big picture : new concepts for a new world = [Weltbilder für die Zukunft] : [Ars Electronica, Linz, August 30 - September 3, 2012] / edited by Gerfried Stocker, Christine Schöpf, Hannes Leopoldseder. - Ostfildern : Hatje Cantz, cop. 2012. - 423 str. : ilustr. ; 24 cm

Nasl. na ov.: Ars electronica 2012 : Festival für Kunst, Technologie und Gesellschaft. - Biografije avtorjev: str. 416-423. - Vzpor. nem. in angl. besedilo. - "If every crisis is also an opportunity, what opportunities are we missing thanks to our unwillingness to deal with changes? What we need is a more open point of view that allows us to see beyond the limitations of our habits, areas of expertise, and outdated ideologies and to picture the plurality and contradictions of our modern, networked globe. A new big picture, without any central perspective one that is no longer projected from the center of a single power, but is instead a patchwork made up of a variety of stances. The 2012 Ars Electronica collects examples from art and science that show, in inspiring ways, how the open-minded perspective allows us to see more of the larger whole and also brings new knowledge to light. How does this sort of big picture have to be constituted in our day and age, and what strategies are required to bring it about?" --> na ov.

ISBN 978-3-7757-3434-9
a) Ars Electronica (Linz) - 30. 8.-3. 9. 2012 - Razstavni katalogi b) digitalna umetnost c) digitalni mediji d) video umetnost e) kartografija f) globalizacija g) svetovni splet h) znanost in likovna umetnost i) tehnologija in likovna umetnost j) Ars Electronica k) multimedijska umetnost l) futuristični laboratorij m) digitalna glasba n) festivali o) računalniške animacije p) interaktivna umetnost q) roboti r) skupinske razstave


ARS Electronica (Linz ; 2014)
        C : --- what it takes to change : [Ars Electronica, Linz, September 4 - 8, 2014] / edited by Hannes Leopoldseder, Gerfried Stocker, Christine Schöpf. - Ostfildern : Hatje Cantz, cop. 2014. - 271 str. : ilustr. ; 24 cm

Nasl. na ov.: Ars electronica 2014 : festival for art, technology and society. - Biografije avtorjev: str. 262-271. - "Knowledge, creativity, ideas: the raw materials of the future. This insight has been making the rounds for quite a while now, and opinion leaders in politics and business are only too eager to hop on the bandwagon. Everyone's for creativity, everybody calls for a better trained staff, and all want to profit from new ideas. But who is prepared to contribute to this? Who understands that these raw materials don't have to be depleted, they have to be maximized; that they can't be harvested, they can only be invested? Creativity and innovation don't just appear out of the blue, and they resist being conjured up, no matter how clever the design thinking and strategic innovation management methods implemented to bring them forth. Only when we grasp the workings of the ecosystem of creativity and innovation, when we respect it and provide it with sufficient nourishment, only then can we as a society hope to profit from it. 2014, the Ars Electronica Festival's mission is to discover what it takes to change and to call for answers from all directions, from various disciplines, and from different places all over the world." --> na ov.

ISBN 978-3-7757-3849-1
a) Sedlaček, Sašo (1974-) b) Jahić, Sanela (1980-) c) Ars Electronica (Linz) - 4.-8. 9. 2015 - Razstavni katalogi d) digitalna umetnost e) digitalni mediji f) civilizacija in tehnologija g) tehnologija in likovna umetnost h) Ars Electronica i) multimedijska umetnost j) futuristični laboratorij k) digitalna glasba l) festivali m) računalniške animacije n) interaktivna umetnost o) roboti p) skupinske razstave


ARS Electronica (Linz ; 2015)
        Post city : habitats for the 21st century : [Ars Electronica, Linz, September 3 - 7, 2015] / edited by Gerfried Stocker, Christine Schöpf, Hannes Leopoldseder. - Ostfildern : Hatje Cantz, cop. 2015. - 381 str. : ilustr. ; 24 cm

Nasl. na ov.: Ars electronica : festival for art, technology and society. - Biografije avtorjev: str. 370-381. - "Much of which makes up our cities today stems from the industrial era. But how will cities and habitats be organized thereafter? What will they look like when more robots than people work in the factories, when objects are intelligently linked with one another, when cars drive by themselves and mail is delivered by drones, when climate change makes itself felt, the new megacities run out of air to breathe and the new ones run out of money? Rethinking urban habitats has already begun, and exciting ideas for new architecture and forms of social organization are emerging throughout the world that can keep pace with the changes taking place in upcoming decades. Experts from all corners of the earth assemble in Linz to be part of an extraordinary think tank. With a total area of 100,000 square meters, the former mail and package distribution center on the railroad grounds becomes the venue for the festival and a laboratory for the city of the future." --> na ov.

ISBN 978-3-7757-4021-0
a) Jazbec, Maša b) Smrekar, Maja c) Ars Electronica (Linz) - 3.-7. 9. 2015 - Razstavni katalogi d) digitalna umetnost e) digitalni mediji f) urbana sociologija g) urbani prostor h) mesto i) futuristična družba j) civilizacija in tehnologija k) urbana ekologija l) tehnologija in likovna umetnost m) Ars Electronica n) multimedijska umetnost o) futuristični laboratorij p) digitalna glasba q) festivali r) računalniške animacije s) interaktivna umetnost t) roboti u) skupinske razstave


        Artpool : the experimental art archive of East-Central Europe : history of an active archive for producing, networking, curating and researching art since 1970 / [edited by György Galántai and Júlia Klaniczay]. - Budapest : Artpool Art Research Center, cop. 2013. - 535 str. : ilustr. ; 30 cm

Bibliografija: str. 513-514. - Kazalo

ISBN 978-963-08-7225-6
a) Galántai, György (1941-) b) Klaniczay, Júlia (1954-) c) Artpool (umetniški zavod) d) madžarska umetnost e) alternativni razstavni prostori f) arhivi umetnosti g) arhivi umetnikov h) dokumentiranje umetniške ustvarjalnosti i) 1970-2013 j) konceptualizem k) mail art l) Fluxus m) vizualna poezija n) knjige umetnikov o) vzhodnoevropska umetnost p) srednjeevropska umetnost q) intervjuji


        Using art as art : how to emancipate work through art / Zdenka Badovinac. - Ilustr. - Opombe z bibliografijo na dnu nekaterih str.

V: What's the use? / [editors Nick Aikens, Thomas Lange, Jorinde Seijdel, Steven ten Thije]. - Amsterdam : Valiz, 2016. - ISBN 978-94-92095-12-1. - Str. 394-405.



        Graphic passion : Matisse and the book arts : [Morgan Library & Museum, New York, 30 October 2015 - 18 January 2016] / John Bidwell ; with contributions by Michael M. Baylson ... [et al.]. - University Park, Pennsylvania : The Pennsylvania State University Press ; New York : The Morgan Library & Museum, cop. 2015. - IX, 250 str. : ilustr. ; 29 cm. - (The Penn State series in the history of the book)

"The great painter Henri Matisse was also a great book illustrator. A pioneering member of the Fauves, a supreme colorist, a remarkable draftsman, and a creative genius: this is the Matisse known and admired by everyone with even a passing interest in modern art. But few know Matisse as an artist who designed and illustrated his own books. From 1912 until his death in 1954, he engaged in nearly fifty illustration projects, many of which rank among the greatest artists books of the twentieth century. A master printmaker, equally adept in various media, he ensured that his prints would appear to best advantage in conjunction with the printed page. He directly participated in page layout, typography, lettering, ornament, cover design, and even the choice of text. More than any others of his rank and stature, he knew the principles of visual communication and perceived the potential of letterpress printing. Graphic Passion recounts the publication history of nearly fifty books illustrated by Matisse, including masterworks such as Lettres portugaises, Mallarme s Poesies, and his own Jazz. It is the first comprehensive, in-depth analysis of his book-production ventures and the first systematic survey of this topic in English. Drawing on unpublished correspondence and business documents, it contains new information about his illustration methods, typographic precepts, literary sensibilities, and staunch opinions about the role of the artist in the publication process." --> na zavihku ov. - Drugi dodatek k nasl. naveden v kolofonu. - Bibliografija: str. 235-241. - Kazalo

ISBN 978-0-271-07111-4 (trda vezava)
a) Matisse, Henri (1869-1954) - Razstavni katalogi b) Morgan Library & Museum (New York) - 30. 10. 2015-18. 1. 2016 c) francosko slikarstvo d) francoska grafika e) knjižne ilustracije f) knjižne opreme g) oblikovanje knjig h) knjige umetnikov i) tipografija j) opisi publikacij k) besedila umetnikov l) donacije m)

75(44):929Matisse H.

BOGLE, Elizabeth
        Museum exhibition planning and design / Elizabeth Bogle. - Lanham [etc.] : AltaMira Press, cop. 2013. - XX, 393 str. : ilustr. ; 26 cm

Bibliografija: str. 269-373. - Kazalo

ISBN 978-0-7591-2229-1 (trda vezava : brezkislinski papir)
ISBN 978-0-7591-2230-7 (broš. : brezkislinski papir)
ISBN 978-0-7591-2231-4 ! (e-knjiga)
a) razstave b) postavitve razstav c) oblikovanje razstav d) načrtovanje razstav e) organizacija razstav f) muzejski standardi g) muzeologija h) študije primerov i) terminologija

COBISS.SI-ID 37555717

BRAČUN Sova, Rajka
        Umetnina - ljubezen na prvi pogled? [Elektronski vir] : pedagoški pomen interpretacije v umetnostnem muzeju / Rajka Bračun Sova. - El. knjiga. - Ljubljana : Pedagoški inštitut, 2016. - (Digitalna knjižnica. Dissertationes, ISSN 1855-9638 ; 28)

Način dostopa (URL): - Nasl. z nasl. zaslona. - El. publikacija v PDF formatu obsega 195 str. - Povzetek ; Summary. - Bibliografija: str. 171-184. - Kazalo

ISBN 978-961-270-240-3 (pdf)
ISBN 978-961-270-241-0 (html)
a) Muzeji - Odnosi z javnostmi - Pedagoški vidik b) muzejska pedagogika c) interpretacija muzejskih zbirk d) muzejske zbirke e) dostopnost muzejev f) muzejski obiskovalci g) študije primerov

COBISS.SI-ID 284258304

BRAČUN Sova, Rajka
        Umetnina - ljubezen na prvi pogled? [Elektronski vir] : pedagoški pomen interpretacije v umetnostnem muzeju / Rajka Bračun Sova. - Ljubljana : Pedagoški inštitut, 2016. - 1 optični disk (CD-ROM) ; 12 cm. - (Digitalna knjižnica. Dissertationes, ISSN 1855-9638 ; 28)

Način dostopa (URL): - Povzetek ; Summary. - Bibliografija: str. 171-184. - Kazalo

ISBN 978-961-270-239-7
a) Muzeji - Odnosi z javnostmi - Pedagoški vidik b) muzejska pedagogika c) interpretacija muzejskih zbirk d) muzejske zbirke e) dostopnost muzejev f) muzejski obiskovalci g) študije primerov h) CD-ROM

COBISS.SI-ID 284257280

CAGE, John
        Diary : how to improve the world (you will only make matters worse) / John Cage ; edited by Joe Biel and Richard Kraft. - 1st ed. - Los Angeles : Siglio, 2015. - 173 str. ; 22 cm

ISBN 978-1-938221-10-1 (trda vezava)
a) Cage, John (1912-1992) b) ameriška umetnost c) besedila umetnikov d) umetniki o umetnosti e) dnevniki


ČADEŽ, Vesna
        Vesna Čadež : Galerija Kosova graščina, Jesenice, 28. januar - 6. marec 2016 / [avtor besedila Aljaž Pogačnik ; fotograf Mišo Čadež]. - Jesenice : Gornjesavski muzej, 2016 ([Žirovnica] : Medium). - 34 str. : ilustr. ; 22 cm

a) Čadež, Vesna (1976-) - Razstavni katalogi b) Galerija Kosova graščina (Jesenice) - 28. 1.-6. 3. 2016 c) slovensko slikarstvo d) ženske umetnice e) f) osebne razstave

75(497.4):929Čadež V.
COBISS.SI-ID 12060829

ČRV, Franc
        Človek in jeklo = Mann und Stahl / [fotografije] Franc Črv ; [avtorji besedil Irena Lačen Benedičič, Tomaž Tom Mencinger, Aljaž Pogačnik ; prevajalka Mojca Jemec]. - Jesenice : Gornjesavski muzej, 2014 ([Žirovnica] : Medium). - 119 str. : fotogr. ; 23 cm

Vzpor. slov. besedilo in nem. prevod. - Biografija: str. 117-118. - 500 izv. - Predgovor = Vorwort / Tomaž Tom Mencinger: str. 5-6. - Knjigi na pot = Zum Buch / Irena Lačen Benedičič: str. 7-8. - Fran Črv - Človek in jeklo = Mann und Stahl / Aljaž Pogačnik: str. 11-17

ISBN 978-961-6467-35-3
a) Črv, Franc (1929-) - Fotomonografije b) slovenska fotografija c) dokumentarna fotografija d) delo v železarni (motiv) e) športna fotografija f) krajinska fotografija g) h) Jesenice

77.04(497.45):929Črv F.
COBISS.SI-ID 275501568

        Noah's ark : essays on architecture / Hubert Damisch ; edited and introduction by Anthony Vidler ; translated by Julie Rose. - Cambridge (Mass.) ; London : The MIT Press, cop. 2016. - XIX, 371 str. : ilustr. ; 20 cm. - (Writing architecture)

"Trained as an art historian but viewing architecture from the perspective of a "displaced philosopher," Hubert Damisch in these essays offers a meticulous parsing of language and structure to "think architecture in a different key," as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides "an open series of structural models," Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-Francois Blondel to Eugene Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylopedie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylopedie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood. In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought. The essays are, as Vidler says, "a set of exercises" in thinking about architecture." --> na zavihku ov. - Opombe z bibliografijo: str. 329-359. - Kazalo

ISBN 978-0-262-52858-0 (broš.)
a) arhitektura b) teorija arhitekture c) eseji o arhitekturi


ESANU, Octavian
        Transition in post-Soviet art : the Collective Action Group before and after 1989 : with an abridged translation of the Dictionary of Moscow conceptualism / Octavian Eşanu ; foreword by Boris Groys. - Budapest ; New York : Central European University Press, 2013. - XVII, 357 str. : ilustr. ; 24 cm

Bibliografija: str. 329-344. - Kazalo. - Vsebuje tudi Appendix: Dictionary of Moscow conceptualism / editor's preface Andrei Monastyrsky

ISBN 978-615-5225-11-6 (trda vezava)
a) moskovski konceptualizem b) Collective Action c) Kollektivnye deistvia d) Moskva e) 1975-2008 f) kolektivne umetniške prakse g) ruska umetnost h) perforamnce art i) politični vidik j) družbena tranzicija k) komunizem l) postkomunizem

COBISS.SI-ID 59148898

FINEBERG, Jonathan David
        Modern art at the border of mind and brain / Jonathan Fineberg ; foreword by James B. Milliken. - Lincoln ; London : University of Nebraska Press, cop. 2015. - VIII, 181 str. : ilustr. ; 26 cm

Opombe z bibliografijo: str. 155-176. - Kazalo

ISBN 978-0-8032-4973-8 (trda vezava)
a) Motherwell, Robert (1915-1991) b) Calder, Alexander (1898-1976) c) psihologija in likovna umetnost d) nevroznanost e) politični vidik f) vidno zaznavanje g) abstraktna umetnost h) nevropsihologija


        HABITAT : [İstanbul Modern Sanatlar Müzesi, 23 December 2015 - 22 May 2016] / [curator Sena Çakirkaya]. - İstanbul : İstanbul Modern Sanatlar Müzesi, 2015. - 111 str. : ilustr. ; 28 cm

Vzpor. tur. besedilo in prevod v angl. - Dodatek k nasl. naveden v kolofonu. - Sodelujoči umetniki: Kürşat Bayhan, Kerem Ozan Bayraktar, Zeynep Beler, Görkem Ergun, Beril Gür, Çağlar Kanzik, Oğuz Karakütük, Barbaros Kayan, Gündüz Kayra, Neslihan Koyuncu, Desislava Şenay Martinova, Ali Taptik, Serkan Taycan.

ISBN 978-975-6167-77-9
a) İstanbul Modern Sanatlar Müzesi (İstanbul) - 23. 12. 2015-22. 5. 2016 - Razstavni katalogi b) turška fotografija c) sodobna fotografija d) skupinske razstave e)


LAM, Wifredo
        Wifredo Lam : [Museo Nacional de Arte Reina Sofía, Madrid, 5 de abril - 15 de agosto de 2016] / bajo la dirección de Catherine David. - Madrid : Museo Nacional de Arte Reina Sofía, cop. 2016. - 245 str. : ilustr. ; 28 cm

Biografija: str. 203-220. - Bibliografija: str. 229-233

ISBN 978-84-8026-536-2
a) Lam, Wifredo (1902-1982) - Razstavni katalogi b) Centre Pompidou - Musée national d'art moderne (Paris) - 30. 9. 2015-15. 2. 2016 c) Museo Nacional de Arte Reina Sofía (Madrid) - 5. 4.-15. 8. 2016 d) Tate Modern (Londres) - 14. 9. 2016-8. 1. 2017 e) kubansko slikarstvo f) figuralno slikarstvo g) grafika h) ilustracija i) fotografsko dokumentarno gradivo j) ponatisi starejših besedil k) l) osebne razstave

7.036/.038(729.1):929Lam W.

LE Va, Barry
        Barry Le Va : the aesthetic aftermath / [text] Michael Maizels. - Minneapolis ; London : University of Minnesota Press, cop. 2015. - XX, 209 str. : ilustr. ; 21 cm

Nasl. raztegnjen čez dve str. - "Of the conceptual artists who began their careers in the 1960s and 1970s Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator s intentions and methods, presenting itself as an aftermath of modernism s claim to permanency and civil society s preferred mode of monumentalism. For Michael Maizels, Le Va s work constitutes a particularly productive subject of inquiry because it clearly articulates the interconnection between the avant-garde s distrust of autonomous art objects, two decades of social unrest, the emergence of information theory, and lingering notions of scientific objectivity. "Barry Le Va: The Aesthetic Aftermath" explores how Le Va used such materials as shattered glass, spent bullets, sound recordings, scattered flour, and meat cleavers embedded in a floor to challenge the interlocking assumptions behind blind faith in lasting beauty, just government, and perfectible knowledge. Taking inspiration from popular crime novels as well as contemporary art theory, Le Va charged his viewers to attempt, like detectives at a crime scene, to decipher an order underlying the apparent chaos. Le Va s installations were designed to erode not simply the presumed autonomy of the art object but also the economic and political authority of the art establishment. In his concluding chapter, Maizels looks at the more fixed work of the past two decades in which Le Va turned to architectural themes and cast concrete to probe the limits of dynamism and the idea of permanence." --> na ov. - Opombe z bibliografijo: str. 185-206. - Kazalo

ISBN 978-0-8166-9469-3
a) Le Va, Barry (1941-) b) ameriška umetnost c) konceptualizem d) procesualna umetnost e) instalacije f) kiparske postavitve g) postminimalizem h) šestdeseta leta i) sedemdeseta leta

7.036/.038(73):929Le Va B.

MAJSKI salon (2016 ; Ljubljana)
        Majski salon : Narodni muzej Slovenije - Metelkova, 19. maj - 2. oktober 2016 / [avtorji besedil Milena Koren Božiček ... [et al.] ; predgovor Aleš Sedmak, Mojca Smerdu ; prevod Jasna Levanič ; fotografije avtorji]. - Ljubljana : Zveza društev slovenskih likovnih umetnikov, 2016 ([Grosuplje] : Partnergraf). - 99 str. : ilustr. ; 17 x 23 cm

Vzpor. slov. besedilo in prevod v angl. - 300 izv.

ISBN 978-961-93680-4-6
a) Narodni muzej (Ljubljana) - 19. 5.-2. 10. 2016 b) Slovenska umetnost - - Razstavni katalogi c) Majski salon d) 2016 e) društvene razstave f) nagrade g) skupinske razstave

COBISS.SI-ID 284708096

        Matisse in the Barnes Foundation / edited by Yve-Alain Bois ; with essays and entries by Karen K. Butler, Claudine Grammont ; and technical contributions by Barbara A. Buckley, Jennifer Mass, Thomas Primeau. - Philadelphia : The Barnes Foundation ; New York : Thames & Hudson, cop. 2015. - 3 zv. (200, 364, 330 str.) : ilustr. ; 34 cm + škatla

Nasl. raztegnjen čez dve str. - Bibliografija: zv. 3, str. 285-308. - Kazalo

ISBN 978-0-500-23941-4
a) Matisse, Henri (1869-1954) b) Barnes, Albert C. (1872-1951) c) francosko slikarstvo d) francoska risba e) zasebne zbirke f) zbiratelji g) korespondenca h) slikarske tehnike i) slikarski materiali j) tehnične analize umetnin k) opisi slik l) provenienca m) catalogue raisonné n)

75(44):929Matisse H.

MUŠIČ, Zoran, 1909-2005
        Zoran Mušič : (1909-2005) : from the Ljuban, Milada and Vanda Mušič collection : donation and loan to the National Gallery of Slovenia / [texts Jean Clair, Vanda Mušič, Gojko Zupan ; forewords Barbara Jaki, Vanda Mušič ; edited by Mateja Krapež ; English translation Branka Klemenc, Michel Mohor ; documentation Tina Buh, Mateja Krapež ; photography Janko Dermastja ... et al.]. - Ljubljana : Narodna galerija, 2016 ([Kranj] : Gorenjski tisk storitve). - 229 str. : ilustr. ; 27 cm

500 izv.

ISBN 978-961-6743-54-9
a) Mušič, Zoran (1909-2005) - Razstavni katalogi b) Narodna galerija (Ljubljana) - Stalne zbirke c) slovensko slikarstvo d) slovenska grafika e) slikarske zbirke f) stalne razstave g) donacije h)

75(497.4):929Mušič Z.
COBISS.SI-ID 284645376

MUŠIČ, Zoran, 1909-2005
        Zoran Mušič : (1909-2005) : iz umetniške zbirke Ljubana, Milade in Vande Mušič : Narodni galeriji podarjena in posojena dela / [avtorji besedil Jean Clair, Vanda Mušič, Gojko Zupan ; predgovor Barbara Jaki, Vanda Mušič ; uredila Mateja Krapež ; prevod iz francoščine Veronika Simoniti ; dokumentacija Tina Buh, Mateja Krapež ; fotografija Janko Dermastja ... et al.]. - Ljubljana : Narodna galerija, 2016 ([Kranj] : Gorenjski tisk storitve). - 229 str. : ilustr. ; 27 cm

1.000 izv.

ISBN 978-961-6743-53-2
a) Mušič, Zoran (1909-2005) - Razstavni katalogi b) Narodna galerija (Ljubljana) - Stalne razstave c) slovensko slikarstvo d) slovenska grafika e) slikarske zbirke f) stalne razstave g) donacije h)

75(497.4):929Mušič Z.
COBISS.SI-ID 284644096

        PROSTORI spreminjanj : 40 let Bežigrajske galerije : [Bežigrajska galerija 2, Ljubljana, 11. maj - 30. junij 2016] / [urednik kataloga Miloš Bašin ; besedila Miloš Bašin ... et al.]. - Ljubljana : Muzej in galerije mesta Ljubljane = Cily of Ljubljana Museum and Art Galleries, [2016?] ([Žabnica] : Košir). - 48 str. : ilustr. ; 16 x 24 cm

Ov. nasl. - Dodatek k nasl. v kolofonu: Likovna in dokumentarna razstava : slike, risbe, grafike, objekti, fotografije, knjige, lepaki, notacije, žigi, vizualna poezija, 1928-2014. - Drugi dodatek k nasl. naveden v kolofonu. - Besedilo delno tudi v angl. - 300 izv.
a) Bežigrajska galerija 2 (Ljubljana) - 11. 5.-30. 6. 2016 - Razstavni katalogi b) dokumentarne razstave c) slovenske galerije d) Ljubljana e) zgodovina galerij f) 1976-2016 g) dokumentacija razstav

7:069(497.4 Ljubljana)Bežigrajska g.

        QUEER / [edited by David J. Getsy]. - Cambridge (Mass.) ; London : The MIT Press, 2016. - 237 str. ; 21 cm. - (Documents of contemporary art)

Urednik naveden na vzpor. nasl. str. - Biografije umetnikov: str. 226-228. - "Historically, "queer" was the slur used against those who were perceived to be or made to feel abnormal. Beginning in the 1980s, "queer" was reappropriated and embraced as a badge of honor. While queer draws its politics and affective force from the history of non-normative, gay, lesbian, and bisexual communities, it is not equivalent to these categories, nor is it an identity. Rather, it offers a strategic undercutting of the stability of identity and of the dispensation of power that shadows the assignment of categories and taxonomies. Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships, relationships, loves, and communities. Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts. By definition, there can be no singular "queer art." Here, in the first Documents of Contemporary Art anthology to be centered on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference. Artists and writers include Nayland Blake, Gregg Bordowitz, Leigh Bowery, AA Bronson, A. K. Burns, Giuseppe Campuzano, Tee Corinne, Barbara DeGenevieve, Dyke Action Machine!, Elmgreen & Dragset, Rotimi Fani-Kayode, Simon Fujiwara, Malik Gaines, Felix Gonzalez-Torres, Gran Fury, Sunil Gupta, Hahn Thi Pham, Harmony Hammond, Sharon Hayes, Hudson, Roberto Jacoby, Derek Jarman, Isaac Julien, Mahmoud Khaled, Zoe Leonard, Lesbian Avengers, Catherine Lord, Ma Liuming, LTTR, Allyson Mitchell, Zanele Muholi, Carlos Motta, Ocana, Helio Oiticica, Catherine Opie, Ridykeulous (Nicole Eisenman & A.L. Steiner), Marlon Riggs, Emily Roysdon, Prem Sahib, Assoto Saint, Tejal Shah, Amy Sillman, Jack Smith, Wolfgang Tillmans, Toxic Titties, Danh Vo, David Wojnarowicz, Wu Tsang, Yan Xing, Las Yeguas del Apocalipsis, Akram Zaatari, Sergio Zevallos" --> na ov. - Bibliografija: str. 229-232. - Kazalo

ISBN 978-0-262-52867-2
a) homoseksualnost in likovna umetnost b) besedila umetnikov c) erotika v likovni umetnosti d) intervjuji


STRACEY, Frances, 1963-2009
        Constructed situations : a new history of the situationist international / Frances Stracey. - London : Pluto Press, 2014. - XIII, 173 str., [8] str. pril. : ilustr. ; 23 cm. - (Marxism and culture)

Opombe z bibliografijo: str. 140-169. - Kazalo

ISBN 978-0-7453-3527-8 (trda vezava)
ISBN 978-0-7453-3526-1 (broš.)
ISBN 978-1-7837-1223-6 (pdf e-book)
ISBN 978-1-7837-1225-0 (Kindle e-book)
ISBN 978-1-7837-1224-3 (e-pub, e-book)
a) situacionistična internacionala b) avantgardna umetnost c) situacionizem d) politika in kultura e) umetniški aktivizem f) umetniške prakse g) anarhizem h) 1957-1972

COBISS.SI-ID 38904621

        Why photography matters / Jerry L. Thompson. - Cambridge (Mass.) ; London : The MIT Press, cop. 2013. - 92 str. : ilustr. ; 21 cm

"Photography matters, writes Jerry Thompson, because of how it works -- not only as an artistic medium but also as a way of knowing. It matters because how we understand what photography is and how it works tell us something about how we understand anything. With these provocative observations, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. Thompson, a working photographer for forty years, constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugene Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. He questions Susan Sontag's assertion in On Photography that "nobody" can any longer imagine literate, authoritative, or transcendent photographs. He considers the money-fueled expansion of the market for photography, and he compares ambitious "meant-for-the-wall" photographs with smaller, quieter works. Forcefully and persuasively, Thompson argues for photography as a medium concerned with understanding the world we live in -- a medium whose business is not constructing fantasies pleasing to the eye or imagination but describing the world in the toughest and deepest way." --> na zavihku ščit. ov. - Bibliografija: str. 89-92

ISBN 978-0-262-01928-6 (trda vezava)
a) eseji o fotografiji b) psihološki vidik


USENIK, Milena
        Milena Usenik : povezovanja : [Bežigrajska galerija 2, Ljubljana, 18. maj - 30. junij 2016] / [besedilo Miloš Bašin, Emerik Bernard ; angleški prevod Dunja Elikan]. - Ljubljana : Muzej in galerije mesta Ljubljane = City of Ljubljana Museum and Art Galleries, [2016?] ([Žabnica] : Košir). - 31 str. : ilustr. ; 24 cm

Ov. nasl. - Vzpor. slov. besedilo in prevod v angl. - 200 izv. - Dodatek k nasl. v kolofonu: Slike in risbe 2004-2015. - Bibliografija: str. 27-28
a) Usenik, Milena (1934-) - Razstavni katalogi b) Bežigrajska galerija 2 (Ljubljana) - 18. 5.-30. 6. 2016 c) slovensko slikarstvo d) slovenska risba e) ženske umetnice f) 2004-2015 g) osebne razstave

75(497.4):929Usenik M.

        WHAT'S the use? : constellations of art, history, and knowledge : a critical reader / [editors Nick Aikens, Thomas Lange, Jorinde Seijdel, Steven ten Thije]. - Amsterdam : Valiz, 2016. - 504 str. : ilustr. ; 24 cm

Uredniki navedeni na vzpor. nasl. str. - Avtorji besedil: Nick Aikens, Christina Aushana, Zdenka Badovinac, Manuel Borja-Villel, Tania Bruguera, John Byrne, Jesús Carrillo Castillo, Christina Clausen, constructLab, Tamara Díaz Bringas, Georges Didi-Huberman, Charles Esche, Annie Fletcher, Lara Garcia Diaz, Liam Gillick, Melinda Guillen, Jeanne van Heeswijk, Alistair Hudson, Thomas Lange, Li Mu, Wendelien van Oldenborgh, Trevor Paglen, Manuel Pelmuş, Emily Pethick, Alexandra Pirici, Laurie Jo Reynolds, Adrian Rifkin, John Ruskin, Lucía Sanromán, Catarina Simão, Sara Stehr, Subtramas, Steven ten Thije, WHW (What, How & for Whom), Stephen Wright, George Yúdice. - Biografije avtorjev: str. 488-493. - Kazali

ISBN 978-94-92095-12-1
a) družba in likovna umetnost b) družbena gibanja c) družbena omrežja d) znanje e) umetniške prakse f) umetniško delo g) politični vidik h) vloga muzejev v družbi i) intervjuji j) zborniki


        YOK Olmadan : doğa ve sürdürülebilirlik üzerine bir sergi = Till it's gone : an exhibition on nature and sustainability : [İstanbul Modern Sanatlar Müzesi, 3 January - 5 June 2016] / [curated by Çelenk Bafra, Paolo Colombo]. - İstanbul : İstanbul Modern, 2016. - 156 str. : ilustr. ; 28 cm

Vzpor. tur. in angl. besedilo. - Drugi dodatek k nasl. naveden v kolofonu. - Sodelujoči umetniki: Roger Ackling, Bas Jan Ader, Alper Aydin, Bingyi, Yasmin Blasco, Pico Studio, Charles Dellschau, Elmas Deniz, Mark Dion, Hamish Fulton, Francesco Garnier Valletti, Rodney Graham, Lars Jan, Mario Merz, Maro Michalakakos, Joni Mitchell, Yoko Ono, Camila Rocha, Canan Tolon, Pae White.

ISBN 978-975-6167-78-6
a) İstanbul Modern Sanatlar Müzesi (İstanbul) - 3. 1.-5. 6. 2016 - Razstavni katalogi b) narava in likovna uemtnost c) ekološka ozaveščenost d) ekologija in likovna umetnost e) f) g) skupinske razstave


        Rémy Zaugg : el museo de arte de mis sueños o el lugar de la obra y del hombre / [coordinación editorial Almudena Cruz Yábar] ; traducción de Juan de Sola. - Köln : Snoeck ; Madrid : Museo Nacional Centro de Arte Reina Sofia, cop. 2015. - 59 str. : ilustr. ; 24 cm

ISBN 978-84-8026-526-3 (Museo Nacional Centro de Arte Reina Sofia)
ISBN 978-3-86442-152-5 (Snoeck)
a) Zaugg, Rémy (1943-2005) - Razstavni katalogi b) Museum für Gegenwartskunst (Siegen) - 1. 11. 2015-6. 3. 2016 c) Museo Nacional Centro de Arte Reina Sofia (Madrid) - 7. 4.-28. 8. 2016 d) švicarsko slikarstvo e) konceptualizem f) umetniki o umetnosti g) besedila umetnikov h) osebne razstave

7.036/.038(494):929Zaugg R.