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AI, Weiwei
        Ai Weiwei / edited by Hans Werner Holzwarth ; with texts by Roger M. Buergel ... [et al.]. - Köln : Taschen, cop. 2016. - 599 str. : ilustr. ; 34 cm

Besedilo v angl., nem. in franc. - Biografija: str. 560-561, 562-563, 564-565. - "Renowned for his political activism and social media activity almost as much as for his social interventions, contemporary approach to the readymade, and knowledge of Chinese traditional crafts, Ai s fame extends throughout and beyond the art world. Drawn from Taschen's limited Collector s Edition, this monograph explores each of Ai s career phases up until his release from Chinese custody. It features extensive visual material to trace Ai s development from his early New York days right through to his recent practice. Focus moments include his international breakthrough in the early 2000s, his porcelain Sunflower Seeds at the Turbine Hall of the Tate Modern, his response to the Sichuan earthquake of 2008, and his police detention in 2011. With behind-the-scenes studio pictures, production shots, and numerous statements derived from exclusive interviews with Ai, we gain privileged access to the artist s process, influences, and importance.The book includes texts from Uli Sigg, Ai s longtime friend and former Swiss ambassador to China; Roger M. Buergel, who curated the 2007 documenta and hosted the artist s Fairytale piece; and experts on Chinese culture and politics: Carlos Rojas, William A. Callahan, and James J. Lally." --> s spletne str. založnika. - Bibliografija: str. 573-590

ISBN 978-3-8365-2649-4 (trda vezava)
a) Ai, Weiwei (1957-) b) kitajska umetnost c) sodobna umetnost d) kitajsko kiparstvo e) kiparske instalacije f) kiparske postavitve g) site-specific art h) umetniški aktivizem i) besedila umetnikov j) umetniški ateljeji k) opisi umetnin l) postavitve razstav m) porcelan n) intervjuji

730(510):929Ai W.
COBISS.SI-ID 3598190

        Machine art in the twentieth century / Andreas Broeckmann. - Cambridge (Mass.) ; London : The MIT Press, cop. 2016. - X, 376 str., [12] str. pril. : ilustr. ; 24 cm. - (Leonardo)

"Machine art is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift." --> na zavihku ov. - Bibliografija: str. 331-365. - Kazalo

ISBN 978-0-262-03506-4 (trda vezava)
a) Peljhan, Marko (1969-) b) mašinska estetika c) tehnologija in likovna umetnost d) e) računalniška umetnost f) kinetična umetnost g) človeško telo h) performance art i) multimedijska umetnost j) interaktivna umetnost k) roboti l) mobili


        This brutal world / Peter Chadwick. - Ponatis. - London ; New York : Phaidon Press, 2017. - 223 str. : ilustr. ; 29 cm

"A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer." --> na zavihku ov. - Kazali

ISBN 978-0-7148-7108-0
a) Mušič, Marko b) Enota (arhitekturni biro) c) arhitektura d) brutalizem e) betonska arhitektura f) betonske konstrukcije g) beton v arhitekturi h) javni spomeniki i) spomeniško kiparstvo j) k) l) arhitekturna fotografija


CHAUBIN, Frédéric
        CCCP : cosmic communist constructions photographed / photographs and essay by Frédéric Chaubin ; [English translation Charles Penwarden, German translation Helmut Roß]. - Köln : Taschen, cop. 2015. - 312 str. : ilustr. ; 35 cm

Vzpor. besedilo v angl., nem. in franc. - "Photographer Frederic Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end." --> s splet. str. založnika

ISBN 978-3-8365-2519-0 (trda vezava)
a) ruska arhitektura b) Sovjetska zveza c) arhitekturna fotografija d) betonske konstrukcije e) javna arhitektura f) javni spomeniki g) kiparstvo na prostem h) spomeniško kiparstvo i) 1970-1990

77.04(44):929Chaubin F.

        CONCEPTUAL art in Britain : 1964-1979 : [Tate Britain, London, 12 April-29 August 2016] / [[texts by] Andrew Wilson, Elena Crippa, Jo Melvin, Luke Skrebowski, George Clark]. - London : Tate Publishing, 2016. - 159 str. : ilustr. ; 25 cm

"In the 1960s artists began to abandon traditional approaches and made ideas the essence of their work. This fascinating exhibition explores this pivotal period in British history, which changed the way we think about art to this day. It gathers together artists who took art beyond its traditional boundaries to suggest new ways of engaging with the realities of the world beyond the studio, which ultimately led to a questioning of the function and social purpose of art. The radical and controversial work both scrutinised and consistently took inspiration from the real world. Asking what art is, as well as what it might be for, inevitably led some artists to create work that was often politically engaged with themes and issues ranging from feminism to the Troubles in Northern Ireland. Seen within the context of its time, spanning Harold Wilson's first Labour government to the election of Margaret Thatcher, this show reveals conceptual art's lasting legacy. Artists featured within the show include, among others: Keith Arnatt, Art & Language, Conrad Atkinson, Victor Burgin, Michael Craig-Martin, Hamish Fulton, Margaret Harrison, Susan Hiller, John Hilliard, Mary Kelly, John Latham, Richard Long, Bruce McLean, David Tremlett and Stephen Willats." --> s spletne str. založnika. - Drugi dodatek k nasl. naveden v kolofonu. - Izbrana bibliografija: str. 152-153. - Kazalo

ISBN 978-1-84976-368-4
a) Tate Britain (London) - 12. 4.-29. 8. 2016 - Razstavni katalogi b) angleška umetnost c) konceptualizem d) konceptualna fotografija e) 1964-1979 f) opisi umetnin g) umetniške tehnike h) besedilo na sliki i) knjige umetnikov j) poučevanje umetnosti k) skupinske razstave


EGMOND, Florike
        Eye for detail : images of plants and animals in art and science, 1500-1630 / Florike Egmond. - London : Reaktion books, cop. 2017. - 280 str. : ilustr. ; 24 cm

Dostopno tudi na: (Informacije o knjigi, naslovnica). - Bibliografija: str. 247-269. - Kazala

ISBN 978-1-78023-640-7 (trda vez.)
a) Natural history illustration - History b) Naravoslovje - Slikarstvo - 1500-1630 c) narava d) slikarstvo e) ikonografija f) slike rastlin g) slike živali h) naravoslovne ilustracije i) zgodovina slikarstva j) 16. stol. k) natural history art l) art m) pictorial works n) plants in art o) animals in art p) scientific illustration q) naturalia drawings r) history s) sixteenth century

COBISS.SI-ID 1764597

        The FAMILY of man / created by Edward Steichen ; prologue by Carl Sandburg. - 3. izd., 13. ponatis. - New York : The Museum of Modern Art, 2013. - 192 str. : ilustr. ; 28 cm

"Hailed as the most successful exhibition of photography ever assembled, The Family of Man opened at The Museum of Modern Art, New York in January 1955. This book, the permanent embodiment of Edward Steichen's monumental exhibition, reproduces all of the 503 images that Steichen described as "a mirror of the essential oneness of mankind throughout the world. Photographs made in all parts of the world, of the gamut of life from birth to death." --> z ov.

ISBN 978-0-87070-341-6 (broš.)
a) The Museum of Modern Art (New York) - 1955 b) fotografske razstave c) umetniška fotografija d)


        INSIDE out : critical discourses concerning institutions / edited by Alenka Gregorič & Suzana Milevska ; [texts by Zdenka Badovinac ... et al.]. - Ljubljana : Muzej in galerije mesta Ljubljane, Mestna galerija Ljubljana = Museum and Galleries of Ljubljana, City Art Gallery, 2017 (Zagreb : Kerschoffset). - 170 str. ; 24 cm

"The reader "Inside Out: Critical Artistic Discourses Concerning Institutions" is the result of the long-term research project "Inside Out". The project initiators Alenka Gregorič and Suzana Milevska are the co-editors of this publication which is mapping relations of various artistic practices with institutional policies in Eastern Europe. The project "Inside Out" consisted of two exhibitions, a conference and two publications. The first exhibition titled Inside Out - Not So White Cube took place at the City Art Gallery Ljubljana in September of 2015 and the second exhibition titled Upside Down: Hosting the Critique - was organized with Museum of Contemporary Art in Belgrade in June of 2016." --> s spletne str. Erste Stiftung ob predstavitvi zbornika 4. 5. 2017. - 400 izv. - Selected bibliography of books, texts and conferences: str. 165-170. - Bibliografija pri posameznih prispevkih

ISBN 978-961-6969-18-5
a) sodobna umetnost b) kritika institucij c) muzeji sodobne umetnosti d) feminizem e) jugoslovanska umetnost f) vzhodnoevropska umetnost g) kuratorske prakse h) umetniške prakse i) pogovori j) zborniki

COBISS.SI-ID 289860864

        Besednjak vernakularne arhitekture = Dictionary of vernacular architecture / Borut Juvanec, Domen Zupančič ; [prevajanje Martin Cregeen, Mark Wollrab, Hélène Erjavec ; grafike, fotografije in skice Domen Zupančič, Borut Juvanec ; predgovori Andrej Kranjc, Vera Smole, Peter Fister]. - 1. izd., 1. natis. - Ljubljana : Slovenska akademija znanosti in umetnosti SAZU : Univerza v Ljubljani, Fakulteta za arhitekturo : i2 Družba za založništvo, izobraževanje in raziskovanje, 2014 ([Nova Gorica] : Grafika Soča). - 158 str. : ilustr. ; 24 cm

Besedilo v slov. in delni prevod v angl. - O avtorjih na zadnjem zavihku ov. - Predgovori / Andrej Kranjc, Vera Smole, Peter Fister: str. 6-13. - "Besednjak vernakularne arhitekture je zbirka pojmov, ki se pojavljajo kot knjižne besede, kot (skoraj) splošno slovenski ali ozko lokalni izrazi, ki jih najdemo v nekaterih delih Slovenije, v regijah ali povsem ozko na geografskih območjih, ali pa jih uporabljajo pri svojem delu oblikovalci prostora, obrtniki, rokodelci ali izdelovalci etnoloških izdelkov. Pri tem ni poudarek le na arhitekturi, pač pa širše, na delu in na izdelkih, ki so jih ljudje uporabljali in jih uokvirja vernakularna arhitektura. Vernakularna arhitektura je tista najpreprostejša, skromna, a iskrena in zato najbolj občutljivi, ogroženi del naše kulture, kjer so dobili graditelji svoje znanje z dediščino, ki so jo oplemenitili s svojim lastnim nabojem, z inventivnostjo. To je neopazna, a istočasno visoka arhitektura, ki je ni postavljalo 'ljudstvo', pač pa strokovnjaki svojih področij, ki niso imeli šol, znanja in izkušenj pa na pretek." --> iz uv. - 300 izv. - Bibliografija: str. 156-158. - Izvleček ; Abstract ; Extrait ; Zusammenfassung

ISBN 978-961-6348-80-5 (i2)
a) Slovenska arhitektura - Avtohtoni slogi - Besedišče b) Slovenija - Arhitekturna dediščina - Besedišče c) vernakularna arhitektura d) ljudska arhitektura e) slovenska arhitektura f) arhitekturna dediščina g) nepremična kulturna dediščina h) arhitekturna terminologija i) terminološki slovarji

COBISS.SI-ID 271168768

        Reductionism in art and brain science : bridging the two cultures / Eric R. Kandel. - New York : Columbia University Press, 2016. - X, 226 str. : ilustr. ; 24 cm

"In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time-the brain-has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other." --> na zavihku ov. - Bibliografija: str. 197-208

ISBN 978-0-231-17962-1 (trda vezava)
a) sodobna umetnost b) vidno zaznavanje c) proces vidnega zaznavanja d) nevropsihologija e) nevroznanost f) znanost in likovna umentost g) redukcionizem h) abstraktna umetnost i) abstraktni ekspresionizem j) minimalizem


PEZELJ, Andrej
        Umetnost in disciplina : zgodovina urjenja umetnikov, tkalcev in beračev v klasični dobi / Andrej Pezelj ; [spremna beseda Rastko Močnik]. - Ljubljana : Založba /*cf., 2016 ([Maribor] : Darima). - 298 str. : ilustr. ; 20 cm + 1 razglednica. - (Oranžna zbirka)

O avtorju: str. 255. - Umetnost v sodobnosti / Rastko Močnik: str. 281-296. - 400 izv. - Bibliografija: str. 257-280 in opombe z bibliografijo na dnu str.

ISBN 978-961-257-081-1 (broš.)
a) Sociologija kulture b) Umetnost - Družbeni vidik - c) Sociology of culture d) Arts e) poučevanje umetnosti f) umetniki in družba g) izobraževanje h) študij umetnosti i) akademije j) manufakture

COBISS.SI-ID 288925184

        PHOTOGRAPHY and the optical unconscious / Shawn Michelle Smith, Sharon Sliwinski, editors. - Durham ; London : Duke University Press, 2017. - 381 str., [16] str. pril. : ilustr. ; 23 cm

Avtorji besedil: Mary Bergstein, Jonathan Fardy, Kristan Horton, Terri Kapsalis, Sarah Kofman, Elisabeth Lebovici, Zoe Leonard, Gabrielle Moser, Mignon Nixon, Thy Phu, Mark Reinhardt, Shawn Michelle Smith, Sharon Sliwinski, Laura Wexler, Kelly Wood, Andrés Mario Zervigón. - "Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche." --> z ov. - Bibliografija z opombami pri posameznih prispevkih. - Kazalo

ISBN 978-0-8223-6901-1
a) Benjamin, Walter (1892-1940) b) fotografija c) psihoanaliza in fotografija d) teorija fotografije e) zgodovina fotografije f) zborniki


REPE, Božo
        Slovenija, moja dežela : družbena revolucija v osemdesetih letih / Božo Repe, Darja Kerec ; [uredil Tine Logar ; slikovno gradivo uredili Kornelija Ajlec, Maja Vehar]. - 1. izd. - Ljubljana : Cankarjeva založba, 2017 ([Maribor] : Ma-tisk). - 300 str. : ilustr. ; 26 cm

3.000 izv. - O avtorjih: str. [301]. - Bibliografija: str. 292-295 in opombe z bibliografijo na dnu str. - Kazalo

ISBN 978-961-282-228-6
a) Slovenija - Zgodovina - 1980-1990 b) Slovenija c) Jugoslavija d) osemdeseta leta e) družbene razmere f) politični vidik g) ekonomski vidik h) punk i) alternativna kultura j) propagandna sporočila k) kronologija

COBISS.SI-ID 288528640

        Trijumf savremene umetnosti : mapiranja diskontinuiteta opsesija, uživanja, posedovanja, fantazija i subverzija unutar materijalnih umetničkih praksi u Srbiji tokom dvadesetog veka / Miško Šuvaković, Ješa Denegri, Nikola Dedić ; [fotografija Aleksandar Milosavljević, Nemanja Maraš]. - Novi Sad : Muzej savremene umetnosti Vojvodine ; Beograd : Fond Vujičić kolekcija, 2010 (Novi Sad : Stojkov). - 327 str. : ilustr. ; 27 cm

Na hrbtu numeracija: 1. - Naklada 700. - Biografije: str. 321-327. - Bibliografija z opombami na dnu str.

ISBN 978-86-84773-70-0 (broš.)
a) srbska umetnost b) sodobna umetnost c) d) socialistični modernizem e) realizem f) informel g) druga linija h) postmodernizem i) Beograd j) konceptualizem k) sedemdeseta leta l) osemdeseta leta

COBISS.SI-ID 252855047

        The USES of photography : art, politics, and the reinvention of a medium : [Museum of Contemporary Art San Diego in La Jolla, California, September 24, 2016 - January 2, 2017] / edited by Jill Dawsey ; with contributions by David Antin ... [et al.]. - La Jolla : Museum of Contemporary Art San Diego ; Oakland : University of California Press, cop. 2016. - 223 str. : ilustr. ; 28 cm

"The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today." --> z ov. - Drugi dodatek k nasl. naveden v kolofonu. - Bibliografija pri posameznih prispevkih in str. 205-207. - Kazalo

ISBN 978-0-520-29059-4 (trda vezava)
a) Museum of Contemporary Art San Diego (La Jolla) - 24. 9. 2016-2. 1. 2017 - Razstavni katalogi b) ameriška fotografija c) konceptualna fotografija d) eksperimentalna fotografija e) dokumentarna fotografija f) 1960-1980 g) skupinske razstave


WOOD, Ellen Meiksins
        Od državljanov do gospode : socialna zgodovina zahodne politične misli od antike do srednjega veka / Ellen Meiksins Wood ; prevedla Nada Grošelj ; [spremna beseda Lev Centrih]. - Ljubljana : Sophia, 2016 (Ljubljana : Collegium Graphicum). - 361 str. ; 21 cm. - (Zbirka Naprej!, ISSN 2385-880X)

Prevod dela: Citizens to lords. - 400 izv. - Ellen Meiksins Wood in zgodovina tranzicije na Slovenskem / Lev Centrih: str. 327-355. - O avtorici na prelim. str. - "Temeljno delo svetovno priznane zgodovinarke in politologinje Ellen Meiksins Wood (1942-2016). Knjigo, napisano v dveh delih, je mednarodna strokovna javnost označila za prebojno, saj avtorica snuje svoj inovativni pristop k zgodovini politične teorije. Njena socialna zgodovina se bistveno razlikuje od drugih interpretacij, saj kanonične mislece obravnava kot angažirane osebe - njihove ideje prikazuje kot ustvarjalne odzive na družbena razmerja in antagonizme v konkretnem času-prostoru, ne le kot abstrakcijo v političnem diskurzu." --> s spletne str. založnika. - Bibliografija: str. 321-326. - Kazalo

ISBN 978-961-7003-01-7
a) socialna zgodovina b) politična teorija c) filozofija

COBISS.SI-ID 286361344

ZAJC, Melita
        Medijski pojmovnik za mlade / Melita Zajc ; [ilustracije Izar Lunaček]. - 1. izd. - Maribor : Aristej, 2016 (Maribor : Dravski tisk). - 127 str. : ilustr. ; 25 cm. - (Zbirka Pojmovniki ; knj. 8)

500 izv. - Kazalo

ISBN 978-961-220-108-1
a) Mediji - Knjige za mladino b) Množični mediji c) mediji d) pojmovniki

COBISS.SI-ID 89881345