1.
AI, Weiwei
Ai Weiwei / edited by Hans Werner Holzwarth ; with texts by Roger M.
Buergel ... [et al.]. - Köln : Taschen, cop. 2016. - 599 str. : ilustr. ; 34 cm
Besedilo v angl., nem. in franc. - Biografija: str. 560-561, 562-563,
564-565. - "Renowned for his political activism and social media activity
almost as much as for his social interventions, contemporary approach to the
readymade, and knowledge of Chinese traditional crafts, Ai s fame extends
throughout and beyond the art world. Drawn from Taschen's limited Collector s
Edition, this monograph explores each of Ai s career phases up until his
release from Chinese custody. It features extensive visual material to trace Ai
s development from his early New York days right through to his recent
practice. Focus moments include his international breakthrough in the early
2000s, his porcelain Sunflower Seeds at the Turbine Hall of the Tate Modern,
his response to the Sichuan earthquake of 2008, and his police detention in
2011. With behind-the-scenes studio pictures, production shots, and numerous
statements derived from exclusive interviews with Ai, we gain privileged access
to the artist s process, influences, and importance.The book includes texts from
Uli Sigg, Ai s longtime friend and former Swiss ambassador to China; Roger M.
Buergel, who curated the 2007 documenta and hosted the artist s Fairytale piece;
and experts on Chinese culture and politics: Carlos Rojas, William A. Callahan,
and James J. Lally." --> s spletne str. založnika. - Bibliografija: str.
573-590
ISBN 978-3-8365-2649-4 (trda vezava)
a) Ai, Weiwei (1957-)
b) kitajska umetnost c) sodobna umetnost d) kitajsko kiparstvo e) kiparske
instalacije f) kiparske postavitve g) site-specific art h) umetniški aktivizem
i) besedila umetnikov j) umetniški ateljeji k) opisi umetnin l) postavitve
razstav m) porcelan n) intervjuji
730(510):929Ai W.
COBISS.SI-ID
3598190
2.
BROECKMANN, Andreas
Machine art in the twentieth century / Andreas Broeckmann. -
Cambridge (Mass.) ; London : The MIT Press, cop. 2016. - X, 376 str., [12] str.
pril. : ilustr. ; 24 cm. - (Leonardo)
"Machine art is neither a
movement nor a genre, but encompasses diverse ways in which artists engage with
technical systems. In this book, Andreas Broeckmann examines a variety of
twentieth- and early twenty-first-century artworks that articulate people's
relationships with machines. In the course of his investigation, Broeckmann
traces historical lineages that connect art of different periods, looking for
continuities that link works from the end of the century to developments in the
1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An
art historical perspective, he argues, might change our views of recent works
that seem to be driven by new media technologies but that in fact continue a
century-old artistic exploration. Broeckmann investigates critical aspects of
machine aesthetics that characterized machine art until the 1960s and then
turns to specific domains of artistic engagement with technology: algorithms and
machine autonomy, looking in particular at the work of the Canadian artist
David Rokeby; vision and image, and the advent of technical imaging; and the
human body, using the work of the Australian artist Stelarc as an entry point to
art that couples the machine to the body, mechanically or cybernetically.
Finally, Broeckmann argues that systems thinking and ecology have brought about
a fundamental shift in the meaning of technology, which has brought with it a
rethinking of human subjectivity. He examines a range of artworks, including
those by the Japanese artist Seiko Mikami, whose work exemplifies the shift."
--> na zavihku ov. - Bibliografija: str. 331-365. - Kazalo
ISBN
978-0-262-03506-4 (trda vezava)
a) Peljhan, Marko (1969-) b) mašinska
estetika c) tehnologija in likovna umetnost d) 20.st. e) računalniška umetnost
f) kinetična umetnost g) človeško telo h) performance art i) multimedijska
umetnost j) interaktivna umetnost k) roboti l) mobili
7.036/.038
COBISS.SI-ID 893423
3.
CHADWICK, Peter
This brutal world / Peter Chadwick. - Ponatis. - London ; New York
: Phaidon Press, 2017. - 223 str. : ilustr. ; 29 cm
"A curated
collection of some of the most powerful and awe-inspiring Brutalist architecture
ever built This Brutal World is a global survey of this compelling and
much-admired style of architecture. It brings to light virtually unknown
Brutalist architectural treasures from across the former eastern bloc and other
far flung parts of the world. It includes works by some of the best contemporary
architects including Zaha Hadid and David Chipperfield as well as by some of
the master architects of the 20th century including Le Corbusier, Mies van der
Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer." --> na
zavihku ov. - Kazali
ISBN 978-0-7148-7108-0
a) Mušič, Marko b)
Enota (arhitekturni biro) c) arhitektura d) brutalizem e) betonska arhitektura
f) betonske konstrukcije g) beton v arhitekturi h) javni spomeniki i)
spomeniško kiparstvo j) 20.st. k) 21.st. l) arhitekturna fotografija
72
COBISS.SI-ID 893167
4.
CHAUBIN, Frédéric
CCCP : cosmic communist constructions photographed / photographs
and essay by Frédéric Chaubin ; [English translation Charles Penwarden, German
translation Helmut Roß]. - Köln : Taschen, cop. 2015. - 312 str. : ilustr. ; 35
cm
Vzpor. besedilo v angl., nem. in franc. - "Photographer Frederic
Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which
express what could be considered as the fourth age of Soviet architecture. They
reveal an unexpected rebirth of imagination, an unknown burgeoning that took
place from 1970 until 1990. Contrary to the twenties and thirties, no "school"
or main trend emerges here. These buildings represent a chaotic impulse brought
about by a decaying system. Their diversity announces the end of Soviet Union.
Taking advantage of the collapsing monolithic structure, the holes of the
widening net, architects revisited all the chronological periods and styles,
going back to the roots or freely innovating. Some of the daring ones completed
projects that the Constructivists would have dreamt of (Druzhba sanatorium),
others expressed their imagination in an expressionist way (Tbilisi wedding
palace). A summer camp, inspired by sketches of a prototype lunar base, lays
claim to its suprematist influence (Promethee). Then comes the speaking
architecture widespread in the last years of the USSR: a crematorium adorned
with concrete flames (Kiev crematorium), a technological institute with a flying
saucer crashed on the roof (Kiev institute), a political center watching you
like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles
testifies to all the ideological dreams of the period, from the obsession with
the cosmos to the rebirth of privacy and it also outlines the geography of the
USSR, showing how local influences made their exotic twists before bringing the
country to its end." --> s splet. str. založnika
ISBN
978-3-8365-2519-0 (trda vezava)
a) ruska arhitektura b) Sovjetska zveza c)
arhitekturna fotografija d) betonske konstrukcije e) javna arhitektura f) javni
spomeniki g) kiparstvo na prostem h) spomeniško kiparstvo i) 1970-1990
72(47)(084.12)
77.04(44):929Chaubin F.
COBISS.SI-ID 892655
5.
CONCEPTUAL art
in Britain : 1964-1979 : [Tate Britain, London, 12 April-29 August 2016] /
[[texts by] Andrew Wilson, Elena Crippa, Jo Melvin, Luke Skrebowski, George
Clark]. - London : Tate Publishing, 2016. - 159 str. : ilustr. ; 25 cm
"In the 1960s artists began to abandon traditional approaches and made
ideas the essence of their work. This fascinating exhibition explores this
pivotal period in British history, which changed the way we think about art to
this day. It gathers together artists who took art beyond its traditional
boundaries to suggest new ways of engaging with the realities of the world
beyond the studio, which ultimately led to a questioning of the function and
social purpose of art. The radical and controversial work both scrutinised and
consistently took inspiration from the real world. Asking what art is, as well
as what it might be for, inevitably led some artists to create work that was
often politically engaged with themes and issues ranging from feminism to the
Troubles in Northern Ireland. Seen within the context of its time, spanning
Harold Wilson's first Labour government to the election of Margaret Thatcher,
this show reveals conceptual art's lasting legacy. Artists featured within the
show include, among others: Keith Arnatt, Art & Language, Conrad Atkinson,
Victor Burgin, Michael Craig-Martin, Hamish Fulton, Margaret Harrison, Susan
Hiller, John Hilliard, Mary Kelly, John Latham, Richard Long, Bruce McLean,
David Tremlett and Stephen Willats." --> s spletne str. založnika. - Drugi
dodatek k nasl. naveden v kolofonu. - Izbrana bibliografija: str. 152-153. -
Kazalo
ISBN 978-1-84976-368-4
a) Tate Britain (London) - 12.
4.-29. 8. 2016 - Razstavni katalogi b) angleška umetnost c) konceptualizem d)
konceptualna fotografija e) 1964-1979 f) opisi umetnin g) umetniške tehnike h)
besedilo na sliki i) knjige umetnikov j) poučevanje umetnosti k) skupinske
razstave
7.036/.038(420)
COBISS.SI-ID 892911
6.
EGMOND, Florike
Eye for detail : images of plants and animals in art and science,
1500-1630 / Florike Egmond. - London : Reaktion books, cop. 2017. - 280 str. :
ilustr. ; 24 cm
Dostopno tudi na:
http://www.reaktionbooks.co.uk/display.asp?ISB=9781780236407 (Informacije o
knjigi, naslovnica). - Bibliografija: str. 247-269. - Kazala
ISBN
978-1-78023-640-7 (trda vez.)
a) Natural history illustration - History b)
Naravoslovje - Slikarstvo - 1500-1630 c) narava d) slikarstvo e) ikonografija f)
slike rastlin g) slike živali h) naravoslovne ilustracije i) zgodovina
slikarstva j) 16. stol. k) natural history art l) art m) pictorial works n)
plants in art o) animals in art p) scientific illustration q) naturalia drawings
r) history s) sixteenth century
75:58/59
57:75
COBISS.SI-ID
1764597
7.
The FAMILY of
man / created by Edward Steichen ; prologue by Carl Sandburg. - 3. izd., 13.
ponatis. - New York : The Museum of Modern Art, 2013. - 192 str. : ilustr. ; 28
cm
"Hailed as the most successful exhibition of photography ever
assembled, The Family of Man opened at The Museum of Modern Art, New York in
January 1955. This book, the permanent embodiment of Edward Steichen's
monumental exhibition, reproduces all of the 503 images that Steichen described
as "a mirror of the essential oneness of mankind throughout the world.
Photographs made in all parts of the world, of the gamut of life from birth to
death." --> z ov.
ISBN 978-0-87070-341-6 (broš.)
a) The Museum
of Modern Art (New York) - 1955 b) fotografske razstave c) umetniška fotografija
d) 20.st.
930.85(100)"19"(084.12)
COBISS.SI-ID 893935
8.
INSIDE out
: critical discourses concerning institutions / edited by Alenka Gregorič &
Suzana Milevska ; [texts by Zdenka Badovinac ... et al.]. - Ljubljana : Muzej
in galerije mesta Ljubljane, Mestna galerija Ljubljana = Museum and Galleries
of Ljubljana, City Art Gallery, 2017 (Zagreb : Kerschoffset). - 170 str. ; 24
cm
"The reader "Inside Out: Critical Artistic Discourses Concerning
Institutions" is the result of the long-term research project "Inside Out". The
project initiators Alenka Gregorič and Suzana Milevska are the co-editors of
this publication which is mapping relations of various artistic practices with
institutional policies in Eastern Europe. The project "Inside Out" consisted of
two exhibitions, a conference and two publications. The first exhibition titled
Inside Out - Not So White Cube took place at the City Art Gallery Ljubljana in
September of 2015 and the second exhibition titled Upside Down: Hosting the
Critique - was organized with Museum of Contemporary Art in Belgrade in June of
2016." --> s spletne str. Erste Stiftung ob predstavitvi zbornika 4. 5. 2017.
- 400 izv. - Selected bibliography of books, texts and conferences: str.
165-170. - Bibliografija pri posameznih prispevkih
ISBN
978-961-6969-18-5
a) sodobna umetnost b) kritika institucij c) muzeji
sodobne umetnosti d) feminizem e) jugoslovanska umetnost f) vzhodnoevropska
umetnost g) kuratorske prakse h) umetniške prakse i) pogovori j) zborniki
7:069.53(082)
7.078"20"(082)
COBISS.SI-ID 289860864
9.
JUVANEC, Borut
Besednjak vernakularne arhitekture = Dictionary of vernacular
architecture / Borut Juvanec, Domen Zupančič ; [prevajanje Martin Cregeen, Mark
Wollrab, Hélène Erjavec ; grafike, fotografije in skice Domen Zupančič, Borut
Juvanec ; predgovori Andrej Kranjc, Vera Smole, Peter Fister]. - 1. izd., 1.
natis. - Ljubljana : Slovenska akademija znanosti in umetnosti SAZU : Univerza v
Ljubljani, Fakulteta za arhitekturo : i2 Družba za založništvo, izobraževanje
in raziskovanje, 2014 ([Nova Gorica] : Grafika Soča). - 158 str. : ilustr. ; 24
cm
Besedilo v slov. in delni prevod v angl. - O avtorjih na zadnjem
zavihku ov. - Predgovori / Andrej Kranjc, Vera Smole, Peter Fister: str. 6-13.
- "Besednjak vernakularne arhitekture je zbirka pojmov, ki se pojavljajo kot
knjižne besede, kot (skoraj) splošno slovenski ali ozko lokalni izrazi, ki jih
najdemo v nekaterih delih Slovenije, v regijah ali povsem ozko na geografskih
območjih, ali pa jih uporabljajo pri svojem delu oblikovalci prostora,
obrtniki, rokodelci ali izdelovalci etnoloških izdelkov. Pri tem ni poudarek le
na arhitekturi, pač pa širše, na delu in na izdelkih, ki so jih ljudje
uporabljali in jih uokvirja vernakularna arhitektura. Vernakularna arhitektura
je tista najpreprostejša, skromna, a iskrena in zato najbolj občutljivi,
ogroženi del naše kulture, kjer so dobili graditelji svoje znanje z dediščino,
ki so jo oplemenitili s svojim lastnim nabojem, z inventivnostjo. To je
neopazna, a istočasno visoka arhitektura, ki je ni postavljalo 'ljudstvo', pač
pa strokovnjaki svojih področij, ki niso imeli šol, znanja in izkušenj pa na
pretek." --> iz uv. - 300 izv. - Bibliografija: str. 156-158. - Izvleček ;
Abstract ; Extrait ; Zusammenfassung
ISBN 978-961-6348-80-5 (i2)
a) Slovenska arhitektura - Avtohtoni slogi - Besedišče b) Slovenija -
Arhitekturna dediščina - Besedišče c) vernakularna arhitektura d) ljudska
arhitektura e) slovenska arhitektura f) arhitekturna dediščina g) nepremična
kulturna dediščina h) arhitekturna terminologija i) terminološki slovarji
72.031.4(497.4):81'373
COBISS.SI-ID 271168768
10.
KANDEL, Eric R.
Reductionism in art and brain science : bridging the two cultures
/ Eric R. Kandel. - New York : Columbia University Press, 2016. - X, 226 str. :
ilustr. ; 24 cm
"In Reductionism in Art and Brain Science, Kandel shows
how this radically reductionist approach, applied to the most complex puzzle of
our time-the brain-has been employed by modern artists who distill their
subjective world into color, form, and light. Kandel demonstrates through
bottom-up sensory and top-down cognitive functions how science can explore the
complexities of human perception and help us to perceive, appreciate, and
understand great works of art. At the heart of the book is an elegant
elucidation of the contribution of reductionism to the evolution of modern art
and its role in a monumental shift in artistic perspective. Reductionism steered
the transition from figurative art to the first explorations of abstract art
reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian.
Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis,
Turrell, and Flavin used a reductionist approach to arrive at their abstract
expressionism and how Katz, Warhol, Close, and Sandback built upon the advances
of the New York School to reimagine figurative and minimal art. Featuring
captivating drawings of the brain alongside full-color reproductions of modern
art masterpieces, this book draws out the common concerns of science and art
and how they illuminate each other." --> na zavihku ov. - Bibliografija:
str. 197-208
ISBN 978-0-231-17962-1 (trda vezava)
a) sodobna
umetnost b) vidno zaznavanje c) proces vidnega zaznavanja d) nevropsihologija e)
nevroznanost f) znanost in likovna umentost g) redukcionizem h) abstraktna
umetnost i) abstraktni ekspresionizem j) minimalizem
7.036/.038
COBISS.SI-ID 893679
11.
PEZELJ, Andrej
Umetnost in disciplina : zgodovina urjenja umetnikov, tkalcev in
beračev v klasični dobi / Andrej Pezelj ; [spremna beseda Rastko Močnik]. -
Ljubljana : Založba /*cf., 2016 ([Maribor] : Darima). - 298 str. : ilustr. ; 20
cm + 1 razglednica. - (Oranžna zbirka)
O avtorju: str. 255. - Umetnost
v sodobnosti / Rastko Močnik: str. 281-296. - 400 izv. - Bibliografija: str.
257-280 in opombe z bibliografijo na dnu str.
ISBN 978-961-257-081-1
(broš.)
a) Sociologija kulture b) Umetnost - Družbeni vidik - 17.st. c)
Sociology of culture d) Arts e) poučevanje umetnosti f) umetniki in družba g)
izobraževanje h) študij umetnosti i) akademije j) manufakture
316.74:7
7.071:316"16"
COBISS.SI-ID 288925184
12.
PHOTOGRAPHY
and the optical unconscious / Shawn Michelle Smith, Sharon Sliwinski,
editors. - Durham ; London : Duke University Press, 2017. - 381 str., [16] str.
pril. : ilustr. ; 23 cm
Avtorji besedil: Mary Bergstein, Jonathan
Fardy, Kristan Horton, Terri Kapsalis, Sarah Kofman, Elisabeth Lebovici, Zoe
Leonard, Gabrielle Moser, Mignon Nixon, Thy Phu, Mark Reinhardt, Shawn Michelle
Smith, Sharon Sliwinski, Laura Wexler, Kelly Wood, Andrés Mario Zervigón. -
"Photography is one of the principal filters through which we engage the world.
The contributors to this volume focus on Walter Benjamin's concept of the
optical unconscious to investigate how photography has shaped history,
modernity, perception, lived experience, politics, race, and human agency. In
essays that range from examinations of Benjamin's and Sigmund Freud's writings
to the work of Kara Walker and Roland Barthes's famous Winter Garden
photograph, the contributors explore what photography can teach us about the
nature of the unconscious. They attend to side perceptions, develop latent
images, discover things hidden in plain sight, focus on the disavowed, and
perceive the slow. Of particular note are the ways race and colonialism have
informed photography from its beginning. The volume also contains photographic
portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to
the optical unconscious while demonstrating how photographs communicate on
their own terms. The essays and portfolios in Photography and the Optical
Unconscious create a collective and sustained assessment of Benjamin's
influential concept, opening up new avenues for thinking about photography and
the human psyche." --> z ov. - Bibliografija z opombami pri posameznih
prispevkih. - Kazalo
ISBN 978-0-8223-6901-1
a) Benjamin, Walter
(1892-1940) b) fotografija c) psihoanaliza in fotografija d) teorija fotografije
e) zgodovina fotografije f) zborniki
77.04(082)
COBISS.SI-ID 894191
13.
REPE, Božo
Slovenija, moja dežela : družbena revolucija v osemdesetih letih / Božo
Repe, Darja Kerec ; [uredil Tine Logar ; slikovno gradivo uredili Kornelija
Ajlec, Maja Vehar]. - 1. izd. - Ljubljana : Cankarjeva založba, 2017 ([Maribor]
: Ma-tisk). - 300 str. : ilustr. ; 26 cm
3.000 izv. - O avtorjih: str.
[301]. - Bibliografija: str. 292-295 in opombe z bibliografijo na dnu str. -
Kazalo
ISBN 978-961-282-228-6
a) Slovenija - Zgodovina - 1980-1990
b) Slovenija c) Jugoslavija d) osemdeseta leta 20.st. e) družbene razmere f)
politični vidik g) ekonomski vidik h) punk i) alternativna kultura j)
propagandna sporočila k) kronologija
94(497.4)"1980/1990"
COBISS.SI-ID 288528640
14.
ŠUVAKOVIĆ, Miško
Trijumf savremene umetnosti : mapiranja diskontinuiteta opsesija,
uživanja, posedovanja, fantazija i subverzija unutar materijalnih umetničkih
praksi u Srbiji tokom dvadesetog veka / Miško Šuvaković, Ješa Denegri, Nikola
Dedić ; [fotografija Aleksandar Milosavljević, Nemanja Maraš]. - Novi Sad :
Muzej savremene umetnosti Vojvodine ; Beograd : Fond Vujičić kolekcija, 2010
(Novi Sad : Stojkov). - 327 str. : ilustr. ; 27 cm
Na hrbtu numeracija:
1. - Naklada 700. - Biografije: str. 321-327. - Bibliografija z opombami na dnu
str.
ISBN 978-86-84773-70-0 (broš.)
a) srbska umetnost b) sodobna
umetnost c) 20.st. d) socialistični modernizem e) realizem f) informel g) druga
linija h) postmodernizem i) Beograd j) konceptualizem k) sedemdeseta leta
20.st. l) osemdeseta leta 20.st.
73/76(497.11)"19"
COBISS.SI-ID
252855047
15.
The USES of
photography : art, politics, and the reinvention of a medium : [Museum of
Contemporary Art San Diego in La Jolla, California, September 24, 2016 -
January 2, 2017] / edited by Jill Dawsey ; with contributions by David Antin ...
[et al.]. - La Jolla : Museum of Contemporary Art San Diego ; Oakland :
University of California Press, cop. 2016. - 223 str. : ilustr. ; 28 cm
"The Uses of Photography examines a network of artists who were active
in Southern California between the late 1960s and early 1980s and whose
experiments with photography opened the medium to a profusion of new strategies
and subjects. These artists introduced urgent social issues and themes of
everyday life into the seemingly neutral territory of conceptual art, through
photographic works that took on hybrid forms, from books and postcards to video
and text-and-image installations. Tracing a crucial history of photoconceptual
practice, The Uses of Photography focuses on an artistic community that formed
in and around the young University of California San Diego, founded in 1960,
and its visual arts department, founded in 1967. Artists such as Eleanor Antin,
Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems
employed photography and its expanded forms as a means to dismantle modernist
autonomy, to contest notions of photographic truth, and to engage in political
critique. The work of these artists shaped emergent accounts of postmodernism in
the visual arts and their influence is felt throughout the global contemporary
art world today." --> z ov. - Drugi dodatek k nasl. naveden v kolofonu. -
Bibliografija pri posameznih prispevkih in str. 205-207. - Kazalo
ISBN
978-0-520-29059-4 (trda vezava)
a) Museum of Contemporary Art San Diego (La
Jolla) - 24. 9. 2016-2. 1. 2017 - Razstavni katalogi b) ameriška fotografija c)
konceptualna fotografija d) eksperimentalna fotografija e) dokumentarna
fotografija f) 1960-1980 g) skupinske razstave
77.04(083.824)(73)
COBISS.SI-ID 892399
16.
WOOD, Ellen Meiksins
Od državljanov do gospode : socialna zgodovina zahodne
politične misli od antike do srednjega veka / Ellen Meiksins Wood ; prevedla
Nada Grošelj ; [spremna beseda Lev Centrih]. - Ljubljana : Sophia, 2016
(Ljubljana : Collegium Graphicum). - 361 str. ; 21 cm. - (Zbirka Naprej!, ISSN
2385-880X)
Prevod dela: Citizens to lords. - 400 izv. - Ellen Meiksins
Wood in zgodovina tranzicije na Slovenskem / Lev Centrih: str. 327-355. - O
avtorici na prelim. str. - "Temeljno delo svetovno priznane zgodovinarke in
politologinje Ellen Meiksins Wood (1942-2016). Knjigo, napisano v dveh delih,
je mednarodna strokovna javnost označila za prebojno, saj avtorica snuje svoj
inovativni pristop k zgodovini politične teorije. Njena socialna zgodovina se
bistveno razlikuje od drugih interpretacij, saj kanonične mislece obravnava kot
angažirane osebe - njihove ideje prikazuje kot ustvarjalne odzive na družbena
razmerja in antagonizme v konkretnem času-prostoru, ne le kot abstrakcijo v
političnem diskurzu." --> s spletne str. založnika. - Bibliografija: str.
321-326. - Kazalo
ISBN 978-961-7003-01-7
a) socialna zgodovina b)
politična teorija c) filozofija
321.01(091)
COBISS.SI-ID 286361344
17.
ZAJC, Melita
Medijski pojmovnik za mlade / Melita Zajc ; [ilustracije Izar
Lunaček]. - 1. izd. - Maribor : Aristej, 2016 (Maribor : Dravski tisk). - 127
str. : ilustr. ; 25 cm. - (Zbirka Pojmovniki ; knj. 8)
500 izv. -
Kazalo
ISBN 978-961-220-108-1
a) Mediji - Knjige za mladino b)
Množični mediji c) mediji d) pojmovniki
316.77(0.053.2)
COBISS.SI-ID 89881345