OHO
1966–1971, Yugoslavia, now Slovenia
Mt triglav, 1968
8 mm fim na video, 4' 26''
camera: Naško Križnar
The living sculpture Triglav was installed on 30 December 1968 in the center of Ljubljana. The park was the location of numerous OHO actions and happenings in 1968. David Nez, Milenko Matanović and Drago Dellabernardina performed this action as a New Year gift to the citizens of Ljubljana. Triglav is the highest mountain in Slovenia and Slovene national symbol (it is also presented in the coat of arms of Slovenia). The work is pun on the mountain's name that literally means the Three-Head.
AMBIENCE IX
OHO
Group schooling in Čezsoča, 1970
Solar sculpture in Nova Gorica, 1970
DAVID NEZ
Cosmology, 1969
Simultaneous-symmetrical realization on two locations, 1970
Concept: The Moon sculpture, Tribuna XVIII / 12 (2. 4.1969)
ANDRAŽ ŠALAMUN
Night, bow, burning arrows, 1970
MILENKO MATANOVIĆ
Intercontinental group project America–Europe, 1970
Concept: Milenko Matanović will exhibit planet Earth, Tribuna XVIII / 12 (2. 4.1969)
The last exhibition, 1969
The constellation of the candles in the field corresponds to the constellation of the stars in the sky, 1970
Relation Sun – the Zarica Valley – Venus, 1970
MARKO POGAČNIK
Intercontinental group project America–Europe, 1970
Medial systems, 1970
Magic steps, 1970
Multiplying a sign, 1970
Summer projects, 1969
editing Naško Križnar
Moderna galerija, 1970
editing Naško Križnar
The Šempas Family (1971–79)
Cycle of wheat, bread and compost, 1978
Concept of the Šempas community, 1977
The Šempas Family, a community, 1978
Vision of the developing new civilization of peace, 2006
Produced for the exhibition Arteast 2000+23 Collection, Moderna galerija, Ljubljana
The OHO Group, active from 1966 to 1971, were among the most interesting and important representatives of the avant-garde art of the 1960s in central and eastern Europe. In the few years of the group’s existence, its members and associates developed very different artistic strategies and approaches, from the co-called Reism (a concept of a non-anthropocentric world of “things”) to particular forms of Arte Povera, Process Art, Performance and Body Art, Land Art and Concept Art. In the last period of their work, the OHO members created an original combination of Concept Art, ecological concerns and esoteric theories, using such means as telepathy to achieve a balance between the group members themselves and harmony between them, nature and the whole universe. It is especially important that they did not merely accept the already existing art forms but developed original strategies or changed the existing models to fit their philosophy and their circumstances. The group’s Land Art projects are an especially clear example of such an attitude. A comparison with the American Earthworks clearly shows how the OHO projects are determined both by the ecological attitude of the group and specifics of the landscape. The interventions are usually small-scale, non-aggressive, temporary, and not involving heavy machines or complicated technology. Milenko Matanović’s project The Wheat and the String consists simply of a rope strung over a field and slightly bending the wheat. Nevertheless, this minimal intervention creates an emotionally intense picture with rich connotations. Another example is that of David Nez’s mirror installations in landscape, which were contemporary with Smithson’s Mirror Displacements.
OHO projects I, II, III, 1970
Group OHO, Marko Pogačnik (1944), Slovenia
Programmed wood, 1969
Group OHO, Marko Pogačnik (1944), Slovenija
Pine forest with 365 trunks, Aluminium stripes, Numeric program, Meja pri Kranju, summer projects
Wheat and rope, 1969
Group OHO, Milenko Matanović (1947), Slovenija
Mirrors, Summer projects, 1969
Group OHO, David Nez (1949), ZDA / USA
Environment, Galerija Doma Omladine Beograd, 1969
Group OHO, Andraž Šalamun (1947), Slovenia